Jean Marais

Jean Marais

Acting

December 11, 1913 — November 8, 1998
Cherbourg, Manche, France
101 movies

Biography

Jean-Alfred Villain-Marais (11 December 1913 – 8 November 1998), known professionally as Jean Marais (French: [ʒɑ̃ maʁɛ]), was a French actor, theatre director, painter, sculptor, visual artist, writer and photographer. In 1937, Marais became the lover of acclaimed poet, playwright and film director Jean Cocteau, who considered him his muse and directed him in multiple plays and films, notably Beauty and the Beast (1946). Following their relationship, Marais and Cocteau remained close friends an...

🎬 Jean Marais's Filmography

101 movies sorted by popularity

The Image Book
6.3

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

The Image Book

2018
Blood on His Sword
5.9

Charles le Temeraire asks in marriage Jeanne de Beauvais, daughter of King Louis XI, wishing to get her valuable lands in dowry. The King is wise to this, and since his daughter does not feel inclined to accept, he refuses. Charles sets up a plan to abduct the prince, in a way that the suspicions will fall upon Robert de Neuville, a noble enamoured of the princess. Robert manages to free her from the castle where she was being kept. Charles keeps setting traps, and managing people to perjure against Jeanne, and the King himself. Finally, Jeanne escapes alive from a pack of wolves, who set watching the lady alone in the snow covered woods, instead of attacking her. Charles does yet accuse her of being a witch - wishing to have her dead rather than being the wife of Robert... Robert will be her champion in a Judgement of God. Will the 'miracle of the wolfs' repeat itself, or fearless Charles defeat Robert in the sword duel?

Blood on His Sword

1961
The Hunchback of Paris
6.7

Duke Philippe de Nevers is an influential and popular man who is married to a beautiful wife called Aurore. His rival Philippe de Gonzague hates him enough to organise an attempt on him. The Duke is accompagnied by Henri de Lagardère when de Gonzague's henchmen altogether attack him. Lagardère cannot save his friend because the both of them are hopelessly outnumbered. He has to escape in order to save the Duke's daughter and swears revenge. Together with his old buddy Passepoil he raises the little girl in Spain. At the same time he returns frequently to France where he detects confronts his friend's murderers and puts them to the sword one by one until only their former leader is left. Finally he discovers that Philippe de Gonzague is the man for whom he is looking.

The Hunchback of Paris

1959
Captain Fracasse
5.4

A ruined Baron Philippe de baron, meets one day a troupe of traveling actors led by Herod. Attracted by the one who plays the role of the ingenue: Isabella, and by the dynamism and enthusiasm of his companions, he takes the place of the deceased poet of the troupe. And during performances, Philippe became the captain Sunder. For his part, Isabelle loves Philip, but does not consider marriage, nobility him missing, she refuses to harm the career of Baron. And one day, the Duke of Vallombrosa, seduced by Isabella, finds himself challenged to a duel by Philippe for touching the girl. Defeated, he launched his men against Sunder, then removes Isabelle. The actors throw themselves then to storm the castle where she is being held. This time Vallombrosa was seriously injured, and the duke's own father, rushed to the scene, Isabelle discovers the girl he had once been an actress. Nothing stands now the union of Sunder and Isabella, under the tender gaze of the actors Herod and Scapin.

Captain Fracasse

1961
Jean Marais par Jean Marais
8.0

An intimate documentary portrait of the legendary French actor. Directed by Carole Weisweiller and Jean-Christophe Rosé, the film centers on an in-depth conversation filmed in 1995 between Weisweiller and the aging star. Rather than a dry chronological career recap, the film offers a deeply personal retrospective. Marais candidly reflects on his multi-faceted artistic journey—spanning acting, painting, and sculpting. He reflects on his creative partnership and profound romance with director Jean Cocteau, which shaped postwar French cinema with masterpieces like Beauty and the Beast and Orpheus. He also addresses his transition into a swashbuckling box-office icon in popular action films. Blending reflective interviews with archival footage, the film acts as a moving artistic testament, offering a rare, vulnerable window into the life, passions, and enduring legacy of one of France's ultimate icons.

Jean Marais par Jean Marais

1995
Jean Marais | MovieMind AI