Keith Moon

After a series of traumatic childhood events, a psychosomatically deaf, dumb and blind boy becomes a master pinball player and the object of a religious cult.

“12-12-12” was a fundraising concert to aid the victims of Hurricane Sandy, it took place on December 12, 2012 at Madison Square Garden. The concert featured Bon Jovi, Eric Clapton, Dave Grohl, Billy Joel, Alicia Keys, Chris Martin (featuring Michael Stipe), The Rolling Stones, Bruce Springsteen & the E Street Band, Eddie Vedder, Roger Waters, Kanye West, The Who, Paul McCartney (featuring Nirvana) as well as other artists.

In this crazy, chaotic gospel of chance, aspiring filmmakers Chris Stamp and Kit Lambert set out to search for a subject for their underground movie, leading them to discover, mentor, and manage the iconic band known as The Who and create rock 'n' roll history.

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

This documentary is about the first five years of BBC Radio 1 and contains interviews with the disc jockeys and other folk who were involved in the station's inception. It also contains footage from the previous pirate radio era as a means of explaining why Radio 1 came about.

Through concert performances and interviews, this film offers us a comprehensive look at the British pioneer rock group, The Who. It captures their zany craziness and outrageous antics from the initial formation of the group in 1964 to 1978. It notably features the band's last performance with long-term drummer Keith Moon, filmed at Shepperton Studios in May 1978, three months before his death.

Utilizing potent TV interviews and many forgotten performances from his 30-year career, we are immersed into Frank Zappa’s world while experiencing two distinct facets of his complex character. At once Zappa was both a charismatic composer who reveled in the joy of performing and, in the next moment, a fiercely intelligent and brutally honest interviewee whose convictions only got stronger as his career ascended.

1968 was a time of soul searching for the band - with three badly performing singles behind them they needed a big new idea to put them back at the top and crucially to hold them together as a band. Inspired by Indian spiritual master Meher Baba, Pete Townshend created the character of Tommy, the 'deaf, dumb and blind boy'. Broke and fragmenting when they started recording, the album went on to sell over 20 million copies. In this film, the Who speak for the first time about the making of the iconic album and how its success changed their lives.

On the day of her wedding to her sixth husband, glamorous silver screen sex symbol Marlo Manners is sought to intervene in a political dispute between nations, which leads to chaos.

A 1968 event put together by The Rolling Stones. The film is comprised of two concerts on a circus stage and included such acts as The Who, Taj Mahal, Marianne Faithfull, and Jethro Tull. John Lennon and his fiancee Yoko Ono performed as part of a supergroup called The Dirty Mac, along with Eric Clapton, Mitch Mitchell, and Keith Richards.

WHO’S NEXT / LIFE HOUSE Super Deluxe Edition contains 10-CDs all remastered from original tapes by long time Who engineer Jon Astley as well as a Blu-ray Audio disc with newly made Atmos & 5.1 surround mixes of the original album and 14 additional tracks by Steven Wilson. The set features 155 total tracks with 89 unreleased tracks/mixes & another 57 previously released tracks with a fresh remix. Included are demos, singles, studio sessions, 2 complete concerts, 100-pg hard back book with new liner notes & imagery & a 172-pg Life House graphic novel.

Jim MacLaine is now enjoying the nomadic 'gigs and groupies' life on tour with his band. When he achieves all his wildest dreams of international stardom, the sweet taste of success begins to turn sour.

Mod rockers the Who are captured live by director Murray Lerner at the legendary Isle of Wight festival in 1970, attended by 600,000 people. All the old classics are included in a typically energetic set; Moon the Loon, Roger the Dodger and Pete... the guitarist. And John Entwistle on bass. This is the first DVD release, without the extra material found on the DVD/Blu-ray re-release of 2006.

In his home studio and revisiting old haunts in Shepherds Bush and Battersea, Pete Townshend opens his heart and his personal archive to revisit 'the last great album the Who ever made', one that took the Who full circle back to their earliest days via the adventures of a pill-popping mod on an epic journey of self-discovery. But in 1973 Quadrophenia was an album that almost never was. Beset by money problems, a studio in construction, heroin-taking managers, a lunatic drummer and a culture of heavy drinking, Townshend took on an album that nearly broke him and one that within a year the band had turned their back on and would ignore for nearly three decades. Contributors include: Pete Townshend, Roger Daltrey, Ethan Russell, Ron Nevison, Richard Barnes, Irish Jack Lyons, Bill Curbishley, John Woolf, Howie Edelson, Mark Kermode and Georgiana Steele Waller.

A five-CD box set of Quadrophenia with a 2011 remaster of the original double album and including two CDs of Pete’s demos and a fifth disc of eight tracks remixed in 5.1 DVD-A surround sound. Limited edition, housed in a hard slip-case.

50 years after the legendary fest, Barak Goodman’s electric retelling of Woodstock, from the point of view of those who were on the ground, evokes the freedom, passion, community, and joy the three-day music festival created.

Sixteen performances, which total 73 minutes, of previously unreleased performances from the 1969 Woodstock Festival. This is the follow-up to 2009's Woodstock: Untold Stories Melanie: "Mr. Tambourine Man/Tuning My Guitar" (6:18) Joan Baez: "Oh Happy Day" (3:59) Joan Baez: "I Shall Be Released" (3:38) Santana: "Persuasion" (2:55) Canned Heat: "Woodstock Boogie" (8:38) The Grateful Dead: "Mama Tried" (2:53) The Who: "Sparks" (5:25) The Who: "Pinball Wizard" (2:51) Jefferson Airplane: "Volunteers" (2:53) Jefferson Airplane: "Come Back Baby" (5:56) Country Joe and the Fish: "Not So Sweet Martha Lorraine" (4:23) Crosby, Stills & Nash: "Helplessly Hoping" (2:27) Crosby, Stills & Nash: "Marrakesh Express" (2:55) The Paul Butterfield Blues Band: "Everything's Gonna Be Alright" (8:53) Sha Na Na: "Book of Love" (2:07) Jimi Hendrix: "Spanish Castle Magic" (7:09)

Britain, 1958. Restless at school and bored with his life, Jim leaves home to take a series of low-level jobs at a seaside amusement park, where he discovers a world of cheap sex and petty crime. But when that world comes to a shockingly brutal end, Jim returns home. As the local music scene explodes, Jim must decide between a life of adult responsibility or a new phenomenon called rock & roll.

A documentary on The Who, featuring interviews with the band's two surviving members, Pete Townshend and Roger Daltrey.

Through conversations with the world's greatest drummers, director Justin Kreutzmann explores the importance of music in bringing people together.

Featuring performances by popular artists of the 1960s, this concert film highlights the music of the 1967 California festival. Although not all musicians who performed at the Monterey Pop Festival are on film, some of the notable acts include the Mamas and the Papas, Simon & Garfunkel, Jefferson Airplane, the Who, Otis Redding, and the Jimi Hendrix Experience. Hendrix's post-performance antics -- lighting a guitar on fire, breaking it and tossing a part into the audience -- are captured.

Train wreck, some might call it a TV special, proving that not everything was better in the good old days. That includes Rolling Stone Magazine.

Documentary about notorious British and Irish wildmen Richard Harris, Peter O'Toole, Oliver Reed and Keith Moon and their excesses and exploits.

Additional musical performances from the 1967 Monterey Pop Festival in California, shot for the film Monterey Pop (1968) and released on the Criterion Blu-ray The Complete Monterey Pop Festival.

A celebration of rock 'n' roll in the shape of a compilation of classic artists and songs, featuring the likes of Jerry Lee Lewis, Dion and Dick Dale who all featured in the Rock 'n' Roll America series, alongside songs that celebrate rock 'n roll itself from artists such as Tom Petty (Anything That's Rock 'n' Roll), Joan Jett (I Love Rock 'n' Roll) and Oasis (Rock 'n' Roll Star).

"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.

Comedy short about a supersonic jet that lands in a small town and creates hysteria about an impending sonic boom that never happens.

The Who's seminal double album 'Tommy', released in 1969, is a milestone in rock history. It revitalized the band's career and established Pete Townshend as a composer and Roger Daltrey as one of rock's foremost frontmen. The first album to be overtly billed as a 'rock opera', 'Tommy' has gone on to sell over 20 million copies around the world and has been reimagined as both a film by Ken Russell in the mid-seventies and a touring stage production in the early nineties. This new film explores the background, creation and impact of 'Tommy' through new interviews with Pete Townshend and Roger Daltrey, archive interviews with the late John Entwistle, and contributions from engineer Bob Pridden, artwork creator Mike McInnerney plus others involved in the creation of the album and journalists who assess the album s historic and cultural impact.

Featuring one of the last public appearances by Keith Moon, the 1977 Kilburn show is a long-sought holy grail for fans of The Who, performing before a select audience on December 15, 1977 at Kilburn. Also included is a much earlier never-before-seen rarity and one of the band's personal favorites, The Who's powerhouse London Coliseum gig from 1969.

A celebration of 30 years of The Who.

Mod rockers The Who are captured live by director Murray Lerner at the legendary Isle of Wight festival in 1970, attended by 600,000 people. All the old classics are included in a typically energetic set; Moon the Loon, Roger the Dodger and Pete... the guitarist. And John Entwistle on bass.

A one-hour documentary on the making of Frank Zappa's bizarre 1971 comic musical. Vintage private footage from Frank's personal archives plus behind-the-scenes of the actual shooting and recording. With Ringo Starr, Theodore Bikel, Keith Moon and such songs as "Sleeping in a Jar," and "Strictly Genteel." The inside history of the first feature-length film to be shot on video in 6 days.

In this 1999 documentary, Pete Townshend, Roger Daltrey and John Entwistle discuss the making of what many consider the Who's greatest testament to Townshend's songwriting talent: their classic album "Who's Next." Others close to the group weigh in with insights about the late Keith Moon's importance to the band. The retrospective also features unseen performances of tunes from the platter, including "Won't Get Fooled Again" and "Baba O'Riley."

Concert of the Who's first filming of the Rock Opera «Tommy» at London's opera house, the Coliseum, 14 December 1969. At this point, the Who were in full stride, playing behind Tommy and making waves where ever they went. This performance, as rough and raw as it seems, is the Who at their all-time nastiest. Opening with the powerful «Heaven And Hell», the group slays each number — «I Can’t Explain», «Fortune Teller», «Tattoo» — before ascending the mountain of conceptual copiousness.

A 2-disc collection of live and TV performances by The Who. Before this release, several other bootleg DVDs had compiled the 1960s Who footage, with varying degrees of success. It's difficult, however, to imagine a better, more comprehensive one than this two-DVD collection, which assembles almost four hours of live, mimed, promo, interview, and documentary clips from various sources. The image and sound quality are usually as good as, or better than, what's seen or heard on those previous compilations.

Various international presentions are featured through satellite uplink.

Due to be crowned King of the Netherworld by his mentor Merlin the Magician, Count Downe — son of Dracula — falls in love with beautiful mortal Amber and finds himself in conflict with Baron Frankenstein, who is vying for the same honourary title.

The Who perform a live set at The Summit, Houston, Texas on 20 November 1975. Probably the best 'official' bootleg ever. All the classics including Substitute, I Can't Explain, My Generation & Won't Get Fooled Again.

The story of Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums): The Who, one of the most original, creative and relevant British bands of the sixties and of the entire history of pop music.

1 Heaven And Hell 2 I Can't Explain 3 Water 4 I Don't Even Know Myself 5 Young Man Blues 6 Overture / It's A Boy 7 1921 8 Amazing Journey 9 Sparks 10 Eyesight To The Blind / Christmas 11 Acid Queen 12 Pinball Wizard 13 Do You Think It's Alright? 14 Tommy, Can You Hear Me? 15 There's A Doctor / Go To The Mirror 16 Smash The Mirror 17 Miracle Cure / I'm Free 18 Tommy's Holiday Camp 19 We're Not Gonna Take It 20 See Me, Feel Me 21 My Generation

The Who's landmark album, Who's Next, in a new remix by Steven Wilson, featuring bonus tracks from the 10 disc super deluxe box set. Includes stereo, 5.1, and Atmos mixes.

Series of three short 'Pop Films' directed between 1966 - 67 for French television by Philippe Garrel. Includes footage of The Living Theater in rehearsal, interviews with Julian Beck and Judith Malina, Donovan in concert and The Who in the studio recording 'Pictures of Lily'. Re-broadcast on INA in 1984.

Directed by Roelof Kiers for Dutch television, this documentary follows Frank Zappa at home and during the making of 200 Motels. Combining interviews with backstage and on-set footage, the film captures Zappa discussing the project while documenting performers and collaborators involved in the production.

2 hours of musical performances from Woodstock which weren't included in the original Woodstock film. Joan Baez: "{I Live} One Day at a Time" (4:17) Country Joe McDonald: "Flying High" (2:21) Santana: "Evil Ways" (3:56) Canned Heat: "I'm Her Man" (5.33) Canned Heat: "On the Road Again" (10.49) Mountain: "Beside the Sea" (3:38) Mountain: "Southbound Train" (6:17) The Grateful Dead: "Turn on Your Love Light" (37:44) Creedence Clearwater Revival: "Born on the Bayou" (5:12) Creedence Clearwater Revival: "I've Put a Spell On You" (4:10) Creedence Clearwater Revival: "Keep on Chooglin" (9:25) The Who: "We're Not Going to Take It" (9:07) The Who: "My Generation" (7:36) Jefferson Airplane: "3/5 of a Mile in 10 Seconds" (5:40) Joe Cocker: "Something's Coming On" (4:14) Johnny Winter: "Mean Town Blues" (10:52) Paul Butterfield: "Morning Sunrise" (8:26) Sha Na Na: "Teen Angel" (3:21)

In a little over an hour, 'VIDEO FROM HELL' provides a preview of current and projected Honker releases, including 'BABY SNAKES', 'THE TRUE STORY OF 200 MOTELS' and 'UNCLE MEAT' (all 1987 releases) along with segments of 1988 shows still in preparation ('YOU CAN'T DO THAT ON STAGE ANYMORE'- which will be released after the multi-CD package, 'I NEED YOUR LOVE' - the homespun philosophy of Al Malkin, and 'AN AMERICAN DISSIDENT' - the homespun philosophy of Frank Zappa).

25min short documentary about Soho strippers which was banned on its first release by the British Board of Censors as head scissor man at the time John Trevelyan believed it was far too positive in its portrayal of the exotic dancers and feared it would serve as a recruitment film for the stripping scene