Spartak Bagashvili

The life of the revered 18th-century Armenian poet and musician Sayat-Nova. Portraying events in the life of the artist from childhood up to his death, the movie addresses in particular his relationships with women, including his muse. The production tells Sayat-Nova's dramatic story by using both his poems and largely still camerawork, creating a work hailed as revolutionary by Mikhail Vartanov.

In the Carpathian Mountains of 19th-century Ukraine, love, hate, life and death among the Hutsul people are as they’ve been since time began. Ivan is drawn to Marichka, the beautiful young daughter of the man who killed his father. But fate tragically decrees that the two lovers will remain apart.

A biography of the Georgian primitive artist Nikoloz Pirosmanishvili (1862–1918), better known as Pirosmani, who died of starvation and sold his paintings to bars and restaurants for food and drink. The film experiments with color control techniques based on the painter’s style.

Film about the childhood and teenage years of the national poet of Georgia Akaki Tsereteli.

A girl from a tiny mountain village with narrow, walled-in streets and steep, slippery paths lost her mother. Her childhood, spent in her aunt's house, was marked by hunger and poverty. When a tax collector from the powerful and cruel Azizkhan (played by G. Niyazov) arrived in the village, her aunt had no money to pay, so she gave up her niece. And they brought Azizkhan a herd of five goats, a couple of calves, and a thin, frail girl named Nissi, who was destined to become a concubine. The girl decided to run away or perish...

The film takes place in the 17th century. Even during the wedding of his friend Google, Onise realized that he loved his wife Dzija. But he swore to be her brother and protect her. Anisa also liked Jiji more, but she did not like Gugu, she married him according to the will of her relatives. After a while, Prince Eristavi's troops marched on their free community. Among the freedom-loving mountaineers who stood up for their freedom, there were both friends. Father Onice. Havisbury Gotcha, instructed his son to guard the pass.

In 1917, the people of the Russian Empire are no longer willing to fight Germany, but the bourgeois government of Alexander Kerensky is unwilling to defy its imperialist allies and stop the war. Only Vladimir Lenin's Bolshevik Party is resolute in calling for peace. In the front, the soldiers of one battalion elect three delegates to travel to St. Petersburg with donations the troops collected for the Pravda newspaper: Gudushauri, Panasiuk and Ershov. The three arrive in the capital and describe the horrendous conditions in which the soldiers live to Joseph Stalin, Lenin's trusted aid and colleague. They join the Bolsheviks and take part in the storming of the Winter Palace, led by Stalin and Lenin. Stalin announces that the great dawn of revolution has broken.

The film tells about the struggle of the Georgian people under the leadership of the great commander George Saakadze for a centralized state.

XIX century peasants' revolt and the life story of bandit Arsena Odzelashvili.

A young shepherd abandons his family's traditional way of life, as well as his young love, when he succumbs to the allure of urban living.

A group of rebel peasants rebels against the Menshevik government. They are led by Parnaoz Morchadze. Their uprising fails. The rebels take refuge in the forest. Parnaoz is eventually brutally murdered. Red Army units enter the city. In the street, comrades mourn Parnaoz, who did not live to see the victory.

Brave sons of Khevsureti and Kisteti fight against each to protect their homelands. But, they confront faulty domestic traditions to respect enemy’s true prowess and find themselves in conflict with own compatriots.

The events of the film take place in a remote part of Georgia in the early 19th century. It tells the story of the Georgian peasantry's struggle against local feudal lords and their henchmen.

Local baron decides to take poor Kikola’s land and orders a local witch Babale to persuade Kikola’s wife that non-compliance will bring suffering to their children Kato and Kajana. On the day of the Bonfire, Kato plays a wicked trick on her brother by dressing up as an evil imp. The shock makes Kajana dumb. The parents take him to a distant village where he has to "meet the miraculous icon" in hope of recovery.

Young Teacher Lado moves to the village, where he falls in love with Ketu,a young librarian, but Ketu has been engaged to a fellow villager since childhood. Chofe and his brother threaten Lado that breaking his word and breaking custom can be fatal for the lovers. However, young people are not afraid of threats.

During the meeting in the Kolkhidmsheni division, they will decide to strengthen the work in the highway area, headed by Taras Japaridze, before the rains begin, and transfer Archil Tsanava's brigade here as well. Archil considers this decision to be unfair. But his fiancee, engineer Nani Tophuria, also opposes him. upset Archil leaves the meeting and the construction as well. Autumn rains begin. The overflowing Rion threatens to tear down the entire construction.

The story is based on Konstantine Gamsakhurdia's novel and depicts the social and political changes taking place in Soviet Georgia in the 1930s through the line of the main characters: Tarash Emkhvari and Arzakan Zvambaya.

Georgia of the 1920s. An honest, charming, but naive fisherman Lado helps all those in need. And they benefit from his kindness, first of all the miller Stephen, a greedy person, but times are changing and people like Stephen have no future.

In Georgia during WWII Zurikela, an orphan boy, meets Khatia, a blind girl, and vows to help her to see again.

Ololi, a young actress, returns to her family and hometown after separating from her husband. Her father's colleague wants to marry her, but his desire is driven more by ambition than genuine affection. However, Ololi falls in love with someone else, a young driver named Guja. Guja loves Ololi as well, but he struggles against societal judgment, which looks down upon the profession of an actress.