Nina Simone

Ed Sullivan broke barriers by booking Black artists on his Sunday night variety show. This documentary spotlights the TV pioneer's legacy of equality.

Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War.

During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America's history lost — until now.

Rising musician Jeff Buckley had only released one album when he died suddenly in 1997. Now, never-before-seen footage, exclusive voice messages, and accounts from those closest to him offer a portrait of the captivating singer.

The Harlem Cultural Festival, also known as "Black Woodstock", was a series of music concerts held in Harlem, Manhattan, New York City during the summer of 1969 to celebrate African American music and culture and to promote the continued politics of black pride. The concerts took place in Harlem's Mount Morris Park on Sundays at 3PM from June 29, 1969 to August 24, 1969. The manifestation came soon after the Watts Riots, and the assassinations of Malcolm X and Martin Luther King.

A presentation of key events in the life of civil rights activist Martin Luther King Jr. Beginning with the 1955 bus boycott in Montgomery, Alabama, MLK is followed through major steps in his struggle to promote racial equality. Including footage of King's stirring speeches, it is a fitting tribute to his legacy, and features clips narrated by a wide range of celebrities, including Harry Belafonte, Paul Newman Charlton Heston, Ruby Dee, Burt Lancaster, Anthony Quinn, Walter Matthau, Ben Gazzara, Clarence Williams III, Joanne Woodward, and James Earl Jones.

The film chronicles Nina Simone's journey from child piano prodigy to iconic musician and passionate activist, told in her own words.

A dream dance of celestial stars illuminate the mystery of a primordial African odyssey. Yrsa Daley Ward breathes life into this otherworldly journey, guided by the soulful resonance of Tunde Adebimpe's voice and poetry written by Jamal Ademola. I Dreamed of Seeing Myself beckons viewers to transcend the constraints of Black trauma and modern white supremacy, persuading them to ponder the lyrical depths of Blackness as the cosmic human beginning.

A black essay on trains, beaches and space occupation.

Nina Simone was one of the greatest female vocalists of the 20th Century. She was equally at home singing jazz, blues, soul, gospel or pure pop. Nina made four appearances at the Montreux Festival between 1968 and 1990.

Tells the inspiring story of how six iconic African American female entertainers – Lena Horne, Abbey Lincoln, Nina Simone, Diahann Carroll, Cicely Tyson and Pam Grier – challenged an entertainment industry deeply complicit in perpetuating racist stereotypes, and transformed themselves and their audiences in the process.

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Utilizing a wealth of archival footage featuring Prince, Aretha Franklin, Miles Davis and more, They All Came Out to Montreux is an affectionate story about how Claude Nobs turned his Swiss town into the home for one of the world’s biggest jazz festivals.

ALA.NI, Patrice, Celeste, Kareen Guiock Thuram, Kham Meslien and Youn Sun Nah celebrate the legacy of Nina Simone at the Pantheon in Paris. Six artists, six emotional perspectives on the work of this timeless artist.

This Emmy-nominated TV special highlights rare performance footage filmed between 1968 and 1969 at various US venues and locations, including the Westbury Music Fair, The Village Gate, and RCA Studios in New York City. Also featured are candid and personal interviews with Nina herself, revealing her unique views on music and life -- all expressed with her trademark intensity.

The Legend, on Nina’s life and music, was made in France by Frank Lords and it is told in large part by Nina Simone herself. It is an honest portrayal based on her autobiography “I Put A Spell On You,” that shows Nina at her mightiest and at her most vulnerable.

Do I Look Like a Lady? (Comedians and Singers) presents a dynamic checkerboard of moving image footage featuring African-American actors and singers from across the 20th century: from Jackie “Moms” Mabley to Eartha Kitt, Whoopi Goldberg, Whitney Houston, and several others. The video focuses on their individual voices as they express heartbreaking roles, pointed lyrics, sharp jokes, and strong statements of resistance to the dominant culture. The work is a powerful, and often riotous, reflection on the roles of black women in the United States.

Nina Simone in concert at the International Jazz Festival City of Pompeii in 1983

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

The life, legacy and musical accomplishments of singer, musician, pianist, songwriter and Civil Rights activist, Nina Simone through interviews with over 50 of the subject’s friends, family, band members, lovers and fellow activists. The film has been called the best of the three Nina Simone films by The New Yorker Magazine.

Two incredible concerts from 1965 and 1968 showcasing the multifaceted diva in all her glory. Simone shines as a jazz vocalist extraordinaire on “Tomorrow Is My Turn,” as a definitive folk interpreter on Bob Dylan’s “The Ballad Of Hollis Brown” and as a passionate civil rights activist on both the epic “Four Women” and the scorching “Mississippi Goddam.” This DVD is a must for Nina Simone fans as she displays all of the qualities that made her both a supremely gifted jazz singer and pianist as well as the “High Priestess of Soul.”

The documentary tracks the diva's difficult progress as she emerges from the tough, testosterone-fuelled world of the big bands of the 30s and 40s, to fill nightclubs and saloons across the US in the 50s and early 60s as a force in her own right. Looking at the lives and careers of six individual singers (Billie Holiday, Ella Fitzgerald, Peggy Lee, Sarah Vaughan, Nina Simone and Annie Ross), the film not only talks to those who knew and worked with these queens of jazz, but also to contemporary singers who sit on the shoulders of these trailblazing talents without having to endure the pain and hardship it took for them to make their highly individual voices heard above the prejudice of mid-century America.

On July 10, 1987, Nina Simone performed at the Montreux Jazz Festival, one of the most prestigious annual music events in the world.

The story focuses on Newark's Baraka family and its involvement in social activism, poetry, music, art and politics.

Ronnie Scott’s opened in 1959 to provide a place where British Jazz musicians could jam. Eventually, American music musicians such as Johnny Griffin, Roland Kirk, Al Cohn, Stan Getz, Sony Stitt, Benny Golson, Donald Byrd, and Ben Webster played at the club making it the legendary Jazz club it is today. Today, the club still books the greatest Jazz acts in the world, but also plays host to such diverse musicians as the talented Nina Simone. This film features Nina Simone (vocals, piano) delivering an intense emotional performance at the legendary Ronnie Scott’s in Soho, London on November 17, 1985. Simone is an eclectic musician, who adds a soulful mystique to whatever material she interprets. This brilliant performance at Ronnie Scott’s is testament to this fact.

Nina Simone live at Jazz à Juan — the International Jazz Festival in Juan-les-Pins, Antibes, France on July 24th, 1965. Nina performed twice at Jazz à Juan in 1965: on July 24th and July 25th. This is the full recording of Nina's first concert that year. Nina appears with Lisle Atkinson (on bass), Rudy Stevenson (on guitar & flute) and Bobby Hamilton (on drums)

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Filmed on location in Harlem and in Monet’s historic gardens in Giverny, this multi-textured cinematic poem meditates on the bodily integrity and creative virtuosity of black women.

Nina Simone has always been hard to classify. The “High Priestess of Soul” was trained as a classical pianist, but branched out early into pop, gospel, jazz and blues, playing and singing everyone’s compositions and writing many of her own. At 28 years old, she had already been seen in many clubs and had recorded several LPs when in 1961-62 she agreed to be filmed, without an audience, in a New York City studio. With a justified reputation as one of the greatest jazz singers of all time, Nina Simone has lit up the music world with some superlative performances over the years. This footage is culled from shows in 1961 and 1962, and sees Simone tackling a number of songs alone at the piano. Among them are I Loves You Porgy, For All We Know, Sunday In Savannah, and many others.