Ravi Jhankal

A developmentally disabled boy's life changes after he encounters an extraterrestrial being.

When his father is lynched by a mob after being framed by a gangster, a young boy leaves his village along with his pregnant mother and flees to Mumbai. He takes up a life of crime and swears to avenge his father. A remake of the 1990 film.

When two prized jackfruits disappear from a politician's garden, a spirited cop's investigation takes an unexpected turn as she digs for the truth.

The film begins in 1857, when India was ruled by the British East India Company. Mangal Pandey is a sepoy, a soldier of Indian origin, in the army of the East India Company. Pandey is fighting in the Anglo-Afghan Wars and saves the life of his British commanding officer, William Gordon. Gordon is indebted to Pandey and a strong friendship develops between them, transcending both rank and race.

Mahadev (Shreyas Talpade) is an unemployed graduate with a Bachelor of Arts from Satna college, who is forced to make a living writing letters for the uneducated people of his village. His real ambition is to become a novel writer. Through his humble occupation, Mahadev has the potential to impact numerous lives. The movie is a satirical, but warm-hearted portrait of life in rural India.

From Wikipedia, the free encyclopedia: Antarnaad (Hindi: अंतरनाद) ("Inner voice") was a 1991 Hindi drama film made by Shyam Benegal, based on the Swadhyay Movement by Pandurang Shastri Athavale. • The film is an empowering and thought-provoking Hindi film that traces the journey of a young woman who finds her purpose in life through social work and spirituality. Inspired by a spiritual leader, she embarks on a path of self-discovery and growth. Directed by acclaimed director Shyam Benegal, Antarnaad, released in 1991, is a timeless classic that highlights the importance of social work, spirituality, and personal growth. Watch this inspiring film to explore the depth of human emotions and the power of inner transformation.

A man shares some lazy memories about his friend, Manek Mulla, who had a knack for telling stories. On this particular afternoon, Manek narrates a 'unique' love affair with the help of different stories, various characters' point of views and the social relevance of these stories. As these stories proceed, reality mixes with fiction.

Set in either the 1950s or 1960s, Panchlait tells the story of a small village in North India that still has no electricity and its people live in darkness, engrossed in its own little sorrows and joys. Godhan, who belongs to the Mahato Tola of the village, is outcast from the village after he refuses to pay any part of his inheritance to the village and is falsely accused by Munri's mother for singing inappropriate Hindi songs for Munri. However, the day that the tola decides to celebrate by bringing in their own panchlight, the sarpanch realizes that no one from the tola apart from Godhan knows how to light the petromax. Keeping aside his ego, the Sarpanch annuls Gordhan's punishment and sends a word for him, who finally becomes a part of the tola and also helps the village in being lit up, becoming the hero in everyone's eyes.

In a remote Kutch village, three interconnected stories unfold. Two friends battle to repair a hearing aid. Jasmine and Jatin, from different faiths, face obstacles in their love. Newly-wed Kesar endures pressure to conceive from her law.

Hawayein is a film which emerges from the consequences of the BlueStar Operation and is based on the aftermath of India’s Prime Minister, Mrs. Indira Gandhi’s assassination in 1984 – the 1984 Sikh genocide in Delhi and other places in India, and the subsequent victimization of the people of Punjab in the years that followed. This film depicts real-life events and most of the situations shown are authentically seen through the eyes of the central protagonist "Sarabjeet". It is the story of his journey from innocence to disillusionment, from being a simple, music-loving student to becoming one of the most wanted terrorists in the country. This film is an honest exploration of the reasons which led to the angst of the youth of Punjab and the turmoils suffered by their families.

The film is a poignant father- son story set in Ujjain. Inspired by true life, it deals with the sensitivity of unemployment, the selfless love of a father, and the behaviour of a selfish son, with quirk and humour.

Meera and Arjun are professionals living in Gurgaon. On their way to a luxurious desert holiday they stop on a Highway dhaba for dinner, where they witness a young girl being picked up by a bunch of hoodlums. Arjun chooses to step in, unmindful of the danger ahead.

Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.

Celebrities arrive at an extravagant party in Bombay to honour Divakar for his contributions to arts and cinema. However, gossip, uninvited guests and a dead body show up to mar the celebrations.

Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.

Mumbai, 1992. Naseem, a 15 year-old schoolgirl, lives with her grandfather and grows up with stories of pre-independence communal harmony. Later, she helplessly watches the communal situation regression with the demolition of Babri Masjid.

A young, beautiful and rich girl, Dimpy Singh, approaches Samrat Tilakdhari, a private investigator, with a strange case. Their garden got ruined for reasons that appear natural but are not known; leading horticulturists have examined the fading plants but they have not been able to identify the probable reason. Further, her father's favorite horse died; once again the reason for the pre-mature death remains a mystery. That's not the end; Dimpy's father Mahendra Pratap Singh, otherwise a very strong and balanced man, has been experiencing deteriorating health. All these aspects when combined makes the case sound weird and that grabs the attention of Samrat. Samrat along with his assistant friend, Chakradhar Pandey, visits the huge estate of Mahendra Pratap Singh. As he starts investigating, he discovers lots of mysterious facts.

Armaan tells his employer why he was away for three months looking for a husband for his daughter.

A story about the "Ikat" handloom weavers of Pochampally through the master weaver Ramulu and his family struggle in time of mass-production.

A rural Indian woman joins a campaign against social injustice. Her activism sparks violent retaliation from village elders, forcing her to navigate a corrupt legal system.

The police were called to investigate the death of a woman who was killed during a riot by a stone thrown by an agitated person. She was known in the community as "Sardari Begum", a popular singer and courtesan in her time. This story chronicles her youth, her contacts, and her lifestyle.

A traumatized child becomes a political activist but agrees to become an assassin upon being captured.

The film revolves around the story of five women, belonging to different generations, each looking for emancipation and the right to run their lives their own way. The film's main theme is the issue of women's 'fertility rights' empowerment.

Mammo is an account of a certain period in the life of Riyaz, a teenager who lives with his grandmother Fayyazi as they get a visit from his grandma’s sister Mehmooda Begum Anwar Ali, commonly known as ‘Mammo’.

A twenty year old boy Manu, who dreams of joining the Indian Army, ends up joining Maoists because of a dubious job agent, who manipulates Manu that the government is awarding jobs to the Maoists who surrender.

Karan gives in to his Father's wish, breaking up with his child hood crush Natasha and gets married to Anjali. Anjali with all the commitment a traditional Indian girl has, begin to build Karan's world but despite of all her goodness, Karan feels no attachment to her and eventually confess that he doesn't wish to be in this forced marriage. Anjali learns of Natasha and decides to step off calling her trust worthy friend Vinod. In the tale of relationships, trust, devotion and sacrifices all the four characters finally gets to achieve what was right for them.