Yolanda Montes 'Tongolele'

No description available.

A poor man becomes a modern Robin Hood, robbing the rich to give to the poor.

Between-engagements troupers at a theatrical boarding-house con a rich acquaintance into financing a show.

Authorities close down a restaurant after a violent crime is committed on the premises; the employees look for new jobs and try to track down the murderer.

Slapstick/musical comedy parody of historical dramas, send-up of "Locura de amor," about Queen Juana 'la loca' of Spain.

The film is based on real events, from a case investigated by Detective Valente Quintana.

Sonia meets Roberto, a miserable actor with a few days left of life. Both fall in love, but soon after a policeman comes looking after Sonia, but is distracted by a countess during New Years Eve. Sonia and Roberto take this chance to escape.

Tin Tan just won the lottery and wants to donate it to an orphanage. Sataela and Riverita want to keep the money for themselves. In an attenpt to do so, they convince him of having a terminal disease and suggest that committing suicide is his best option.

The Panther women are worshipers of Satan and perform rituals in their honor and sacrifice. The fighters will face them up and down the ring.

Love triangles, romantic entanglements, and spectacular bodies! All this to the rhythm of laughter & the sounds of La Sonora Santanera.

Mexico’s half-forgotten B-movie master, “involuntary surrealist” Juan Orol (1897–1988), receives a pitch-perfect tribute in this deft, irresistible love letter to a self-made man of showbiz whose career spanned half a century and nearly 60 films. Abetted by an all-pro cast, del Amo’s brilliant interpretation of Orol’s life exudes a droll underdog charm, and almost every frame is an infectious homage to the golden age of cinema, the wiles of memory, and the art of fantasy.

"Ni Muy Muy, Ni Tan Tan, Sim­ple­men­te, Tin Tan. Tin Tan was one of the grea­test com­de­dian-​ac­tors in the his­tory of Me­xi­can Ci­ne­ma. He be­gan his film ca­reer du­ring the early years of what be­ca­me the Gol­den Age of Me­xi­can Ci­ne­ma. Th­roughout the ma­jo­rity of his mo­vies he plays the cha­rac­ter of a pa­chu­co; the Chi­cano/Me­xi­cano in zoot suit, th­ro­wing out the ti­ri­li ph­ra­ses and words, and jam­min the jitty-​bug. With the sty­le and the slang down to a tee, he was pi­cked up in Cd. Jua­rez Chihuahua by an ac­ting trou­pe. Tou­ring ex­ten­si­vely th­rough-​out Me­xi­co with the trou­pe lan­ded him in Me­xi­co City with film con­tracts. It was in tho­se films that Tin Tan ex­po­sed the ima­ge of the pa­chu­co, which Me­xi­can Youth adop­ted. From the de­sert bor­der-​towns of Jua­rez y El Pa­so the sty­le took off in va­rious parts of the coun­try, most no­ta­bly in Me­xi­co City

The inhabitants of a small, remote island have been practicing voodoo rites and worshipping an evil priest named Damballah for years, but the local law officials generally turn a blind eye to this death cult's bizarre activities. Captain Labesch arrives from the mainland, determined to crack down on the island's lawlessness and clean up the ineffectual, hard-drinking police force. He appeals for assistance from wealthy plantation tycoon Carl Van Molder, who owns nearly half of the island and wields a great deal of influence over the population. Van Molder has made the study of parapsychology his life's work and believes in the secret powers of the mind. He warns Labesch not to interfere with this forgotten island's ancient ways. Also visiting is Van Molder's niece, Annabella, a temperance crusader who wants her uncle to help fund the International Anti-Saloon League. She falls in love with handsome police lieutenant Andrew Wilhelm

Mexican feature film

Due to confusion, Rafael is believed responsible for the death of Teresa. His wife Lilia and his brother looking for the real culprits.

Several lives intertwine: those of a group of vandals, a drug addict, and a girl who works as a waitress in a restaurant where her mother cooks.

Mexican feature film

Police detective and his plucky girl-reporter fiancée go after the gang that committed a train robbery.

Murder mystery set in a night-club; who killed the star performer?

Dr. Castellanos is saved from bankruptcy.

Luis Aguilar is a talented piano student who struggles to make ends meet. At the conservatory he meets the beautiful, rich, and also talented piano student Marta Reyes and romance ensues. One day, a full scholarship to study piano abroad is announced and both Luis and Marta fill out the necessary paperwork--but only one place is available. Luis is torn apart by his love for both the piano and Marta.

Producer, director and projectionist watch an assortment of musical numbers and brainstorm about framing narrative that could contain them all.

Mondo style documentary about European nightlife.