Juan José Gurrola

El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.

Cristina Carver (Angelica Maria) finds herself in dire straits after she arrives to spend some time with her TV-reporter husband (Dean Stockwell) who is visiting a Latin American country run by a military dictator. After a car accident one day, Cristina brings the helpful Col. Kostik (Donald Pleasence) home and then kills him in self-defense when he violently attempts to rape and murder her. Terrified, she covers up her act and hides the body, yet in spite of her husband's efforts to protect her, a local police detective starts to figure out what really happened.

Luisa returns to her village, where she cares for her uncle on his deathbed, who tells her the story of his life with a hidden purpose.

This film is a chronicle of painter Frida Kahlo, and her encounter with the personalities of her time. Despite being confied to a wheelchair as a result of polio, operations and amputations, she faces and traces some of the most colorful and controversial aspects of Mexican history, during the dominant time of Mexican muralism.

After being unjustly accused of corruption and seriously injured in prison, Miguel's personality will merge with the characters he reads in his police novels.

A young woman of wealthy class rejects the world that surrounds her and dies, but in her wake a shaman resuscitates her. She is dedicated to transgressing all the rules of her society. In the end a strange character offers him a flower and they both love each other.

As a teenager and student at a convent school, young Mariana runs away with her boyfriend, provoking the wrath of her father who sends her to Switzerland for ten years.