Mario Sabato

It is the year 1998 in Buenos Aires. Chino just turned 21 years old. He is an introverted young man who lives in a small apartment maintained by his parents. He left his Architecture career a few months ago and since then he has spent his time watching films of any kind in different cinema clubs. He lives with Franco, a young man a few years older than him who works on a supposed science fiction film with which he plans to win a contest. He spends his days filming inside the apartment with his camcorder while acting out scenes from the supposed script in a somewhat ridiculous way.

Documentary in four parts on Latin American cinema. First episode: the influences of Cahiers du cinéma, the New Wave, Italian neorealism. In Brazil, Cinema Novo draws inspiration from these models while drawing on the historical and cultural singularity of the country. The documentary was awarded the Prix Makhila d’or at the Festival de Biarritz, France.

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