Tite de Lemos

Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.

Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been murdered.

Film portrait of Austrian intellectual, journalist and writer Otto Maria Carpeaux, who emigrated to Brazil to flee World Ward II, as his insights on the 1964 Brazilian dictatorship.

During the Brazilian military government, journalist Estêvão is sent from Rio de Janeiro to Brasilia to cover the important statement of a minister, but takes the opportunity to deliver incriminating documents to another one.

The origins and activities of the Academy, culminating in the election of the first female academic: Rachel de Queiroz.

João, a playboy, spends his last day as a single in a resort hotel, where he seduces a teenager and gets involved with the casino singer.

No description available.

A documentary assembled upon visual records of cultural, political and economic events from 20th century Brazilian life.

The world of Alagoas poet Jorge de Lima, author of unforgettable verses, is in O Grande Circo Místico, from 1977, directed by João Carlos Horta.

Experimental film by Haroldo Marinho Barbosa.

A lesson in conciseness, expressiveness, and humor on the inexhaustible theme of the dream of making movies. A parodic lesson, a Brazilian version of historical scenes filmed by the Lumiére brothers in 1895—the baby, the bath in the garden, the workers leaving, and the arrival of the train. The melodrama of a couple of lovers through time and the history of cinema. Many sequence shots, as preferred and taught by Cinema Novo. Everything about a film being made and being watched. The language of cinema (shot, reverse shot, tracking shot, editing, mixing, dubbing, etc.), interspersed with quotes from Humberto Mauro, Godard, Glauber Rocha, and Rossellini.

In May 1969 at Tres Irmãos Farm, Caruaru, PE: Lourival Batista and Severino Pinto, two singers by profession, meet for a challenge. This film documents some moments of the Cantoria.

No description available.