Dimitris Papamichael

Dimitris Papamichael

Acting

August 29, 1934 — August 8, 2004
Pireaus, Greece
48 movies

Biography

Dimitris Papamichael (Greek: Δημήτρης Παπαμιχαήλ 1934–2004) was a popular Greek actor and director. In 1965, he married Aliki Vougiouklaki, the so-called "national star" of Greece. The star couple remained married for a decade, co-starring in several films that marked the "golden era" of Greek cinema. Dimitris Papamichael's film debut was in 1956 in the (color) "Agapetikos tis Voskopoulas" by Elias Paraskevas. The very next year he made his first appearance in a Finos Film film with a small rol...

🎬 Dimitris Papamichael's Filmography

48 movies sorted by popularity

Astero
3.2

This immensely successful remake of the 1929 foustanella classic was directed by Dinos Dimopoulos and quickly established its stars (Dimitris Papamichael and the beautiful Aliki Vouyouklaki) as the Greek cinema's top box-office draws. The story itself rigidly follows the conventions of its subgenre, although because Greek filmmakers were still churning out foustanellas for decades afterward, it hardly seems more dated than the original. Once again, it tells the tale of Mitros (Titos Vandis), a wealthy herd owner with a foster daughter named Astero (Vouyouklaki) whom he marries off to another herd owner, despite the fact that she and his son Thimios (Papamichael) are desperately in love. The other herd owner dies and Astero loses her mind a bit (although she doesn't wig out quite as spectacularly as Aliki Theodoridou in the silent original), but Mitros finally comes to the right decision and allows the children to marry.

Astero

1959
The Auntie from Chicago
6.8

Charilaos (Orestis Makris), a retired officer with very strict and conservative principles, raises his four daughters with... military discipline, taking care of their culture, their appearance and their good behavior. Despite all his desire to marry them, he does not leave them anywhere alone, as a result of which no man approaches them. His wife, Efterpi (Eleni Zafiriou), as well as his friend and neighbor Xenophon (Pantelis Zervos), make remarkable efforts to convince him to change his tactics, but he insists on his very conservative behavior. But when the conversation reaches the well-to-do sister of Kalliopis (Georgia Vassiliadou) who has been living in Chicago, USA for years, everything turns upside down. She returns to Athens and undertakes to modernize the general's house, as well as help the four girls (and her nieces) to be rehabilitated.

The Auntie from Chicago

1957
1821 at the Cinema

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

1821 at the Cinema

2021
Our love
6.1

An usherette in a theatre, where a distinguished and popular actor performs, gets her big break when the leading actress has an accident. The director decides to take advantage of the heretofore unexploited talent of the girl and asks her to replace the leading actress. This unexpected opportunity transforms her from a humble usherette into a shining star. Later on, she wins the heart of the leading actor with whom she was secretly in love. However, her sudden rise to theatrical-musical stardom creates complications in their love affair, as her companion sinks into disappointment and drowns himself in drink, abandoning his career. Nevertheless, the usherette/leading actress doesn't give up; She looks for him, finds him and supports him, psychologically and morally, until he makes a comeback to the stage and their love nest.

Our love

1968
Wild Chickens
8.0

At the Presidential Mansion news arrives every day indicating that things in the country are going from bad to worse. The President summons all the political leaders in order to understand exactly what is happening; and yet no one can enlighten him. He decides to act. He calls two journalists and assigns them the task of investigating the matter by speaking directly with ordinary people. The investigation starts with the notorious Gypsy Tamtakos, who struggles every day for a living. Then they move on to a simple employee, Markos, who dreams of a raise -which never comes. Then it's a farmer, Thymios, who comes to the capital to sell his oranges. In a largely burlesque manner, the film more or less reveals that the entire misfortune is due to Greeks' laziness and apathy, as well as to the prevailing attitude of "no big deal".

Wild Chickens

1981
Dimitris Papamichael | MovieMind AI