Cui Jian

In 1985, WHAM! made history as the first Western pop act to perform in communist China. George Michael and Andrew Ridgeley’s concerts in Beijing and Guangzhou were a cultural milestone – East meets West, music meets politics. Now, newly restored footage reveals the untold story of the iconic tour that helped launch WHAM! to global superstardom.

Chang-ho, 12, becomes friends with a North-Korean immigrant about the same age who just crossed the Dooman river, border between North-Korea and China. His mute sister and his wise grandfather accompany him through a series of misfortunes.

A polyptych of interconnected stories in different time-zones, shifting between a Yunnan village, a campus, and the Gobi Desert.

A rock musician looks for his girl-friend who left while pregnant, trying to decide whether to keep the baby.

Sitian, a Chinese American conductor, returns to China to give a concert and to find her three siblings again, after having been separated from them for years after the death of their parents.

This documentary is made up of three threads that provide a major retrospective of a decade of Chinese rock.

In 2006 the Rolling Stones made their debut performance in mainland China, bringing one of the most renowned Rock and Roll live acts to the other side of the world. Featuring interviews with long-time production manager Dale “Opie” Skjerseth and the godfather of Chinese rock Cui Juan, ‘From London To Shanghai’ explores behind the scenes of the historic concert.

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A voyage through modern day Beijing in the taxi of the womanising Dezi. His aimless drifting between destinations and women is much like Beijing's own search for identity between perishing ancient values and an uncertain future.

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The one directorial feature by Ning Dai, sister of 5th generation filmmaker Ning Ying and wife of 6th generation filmmaker Zhang Yuan. It follows a chaotic period in November of 1993, when production suddenly halted on Zhang Yuan's TV film adaptation of a popular novel, Chicken Feathers, after the Chinese Film Bureau announced that Zhang could no longer direct the film due to submitting his previous independent feature, 1992's Beijing Bastards, to a film festival in Japan without receiving the proper authorization to do so. Ning's documentary features anguished meetings between the Chicken Feather's production crew as they debate replacing Zhang with another director, along with testimonials on the state of censorship in Chinese independent cinema of the early '90s from Wu Wenguang, Tang Danian, He Jianjun, Cui Jian, and others.

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Highlights the rebellious young generation of artists in China fighting for political emancipation, artistic freedom and creating a cultural golden age during the 1980s - a significant decade of transformational change. Interweaving six main characters' memories with the director's personal narration, the film embarks on an emotional journey and tells a story of being passionate and idealistic before dreams are dashed to pieces.

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