Simone Spoladore

In a Brazilian coastal village where everything seems motionless, Clarice grasps her life in a single day, unlike those she meets and who are living this day like any other. She tries to understand her obscure reality and the destiny of the people around her in a circular time that haunts and disorients.

A boy is left alone in a Jewish neighborhood in the year of 1970, where both world cup and dictatorship happen in Brazil.

In 1940s São Paulo, Pedro’s tasked to retrieve his estranged brother André. André’s departure stems from a domineering father, an overly affectionate mother, and Pedro’s jealousy over the father’s favoritism. Further complicating matters is André’s unconventional relationship with their sister, Ana.

Paulo (Ricardo Duque), a film editor, arrives at home and find his wife murdered. While the police investigates the crime, Paulo begin his own quest to find the criminal.

The film brings Clarice Lispector’s novel Uma Aprendizagem ou O Livro dos Prazeres to the current days. In the plot, Lóri is a lonely and melancholic woman. She divides her time between her duties as a school teacher and her relationships, which are always fast and shallow. By chance, she meets Ulisses, an acknowledged Philosophy professor, who is self centered and provocative. Although he knows nothing about women, Lóri learns with him how to love and to face her own loneliness.

In Copacabana, lesbian photographer Elvis is hired to deliver pizzas in the night shift on her motorcycle. Her first assignment is a delivery to the transgender hairdresser Lady Madonna, whom she falls in love with.

The story of two Brazilian immigrants who fight for their dreams in Lisbon and Almada. It is, therefore, a tribute to all people with the courage to pursue their dreams.

A short story of love, betrayal, revenge, sex, death and mistreated hearts: Raul comes home to find his wife, Assyria, having sex with another man. He begins for him a spiral of depressive and violent feelings that only seem to pause in the brief moments of leaving the house, attracting the attention of Amanda, a saleswoman. a flower shop.

Luísa is a romantic, dreamy and delicate young woman married to Jorge, an engineer, a man of good habits and good economic conditions. They didn't know each other well, but got married and Luísa was a good wife, "she was clean and happy as a bird". Everything get changed when she meets a childhood love, her cousin Basílio. What seemed to be a great adventure will became a nightmare and Luísa will discover the price of her infidelity.

A talent scout brings a young singer to São Paulo, intent on introducing her to a renowned conductor. As they wait for the day of the audition, they stay in a hotel room where, between coffee and cigarettes, the scout foresees the singer’s future in the cigarette pack warnings as if they were tarot cards. During all this waiting, his true intentions will be revealed.

In "The Impassive Muse", Adrine is of Armenian descent and has OCD (Obsessive-Compulsive Disorder). Edivaldo is from Pernambuco and suffers from immobilizing absence seizures which make him stand as still as a statue. Adrine is married to Adilson, a brutalized man who do not bear to be touched by the woman. Edivaldo wants to marry Gladis, unlikely aspirant to the fashion world. Adrine don't want to be noticed. Edivaldo need to 'be somedbody' to win back his bride. One morning, the lives of Edivaldo and Adrine cross because of ripe orange. Among historical monuments, sculptures, people of different backgrounds and dreams, Edivaldo and Adrine share a journey of recognition and acceptance without imagining that what they live, in fact is the oldest and necessary of the stories: a love story.

The story of Orisbela, a young and religious woman who comes from Portugal to Brazil to marry Francisco de Albuquerque, a rude sugar-cane plantation owner, in 1570.

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Freely inspired by the poem Hierarquia (1970), by Pier Paolo Pasolini, which launches his vision of Brazil at that time, the film takes up and confronts the hybrid reality of a convulsed country, its dramatic tensions, based on radical experiences.

In a mosaic of human relationships and day-to-day situations, men and women of different ages feel a pressing need to reinvent themselves. As they cross each other's paths, they all are at a turning point in their lives.

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Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.

Young directors are filming “The Exhibitionist” in the middle of a farm in a paradise-like region. The film poetically investigates the Brazilian soul, with the Amazon as the center of the world, reflecting on existential issues, the right to sexual freedom and individuality.

A group of friends, who resisted the military dictatorship, and their children will face the conflict between the daily life of today and the past when one of them is dying.

One man, two lovers: Ana and Anna, living in identical apartments. Paranoia is the name of the game in this hallucinatory.

Unable to meet in the city, Alice and Alex embark on an emotional journey of love and loss.

She menage to save from a fire a bunch of pictures and a diary written by hand. Those words and faces becomes the last traces left from the man she one day knew and loved. Crossing mountains and roads, she tries to remake his steps. The places she vists bring people, gestures, memories and histories that slowly become part of her life.

Mário returned to the world of the dead. He dug his escape into the earth, with no intention of taking revenge on the powerful men who pursued him. "The Fury (2024)" starts from a fantastic premise, a poetic license, to conclude the trilogy begun by "The Guns (1964)" and "The Fall (1978)."

A marginal version of Brecht’s piece, “Baal”.

While in the hospital, after being run over, Alaíde thinks about her life, specially after the moment she'd found the diary of Madame Clessy, in the house where her family had moved in, which was a former bordello.

In an empty city, scorched by the sun, the young and old confuse the fever of sunstroke with the delicate birth of passion. Like ghosts, they hover around buildings and endless flatlands in search of the ever elusive love. Inspired by 19th century Russian short stories, the plots weave and unravel together in the improbable city of Brasilia – a distorted mirror-image of the Soviet utopia – located in the heart of the Brazilian desert.

A bank manager has a secret. He is compelled to bite society women hands.

Mateus, his wife Antônia, their three kids and his brother Pedro opened a grocery/bar in Goiânia, Brazil, in 1959, called "Armazém Brazil". But in the opening party, the Police, headed by a violent inspector nicknamed "Capitão", arrive to arrest, with extreme violence, an outlaw known as "Flexa". This violent scene scars the family permanently and becomes the prelude to a tragedy.

'Lulu's Dream' integrates the actress Simone Spoladore's monologue "Louise Valentina", conceived from two female figures who hold strong personality traits and independent spirit: the north american actress Louise Brooks and the comic book character Valentina, created by the Italian Guido Crepaz. These are dreams from both characters, fantastic frames from the imaginary of a silent movie actress who left many words.

Two women, long-time friends, embark on a love story. They are writers who do not write to publish but for themselves. Their mutual conversation, their desires, the risks and phantoms of existence, the privilege of the wounded and of condemnation, traverse their speech, are a confession.

A study that unwraps a paradisiac scenery, reaching the subjects of Brazility and its force in the change of habits, breaking taboos and bringing out a magical and original reality throught its characters.

A TV reporter accidentally finds, in the subway's Lost and Found, a love letter addressed to a woman, written more than fifty years ago.