Bengt Schött

Two women—a fashion executive and her young model—experience parallel romantic disappointments during a trip to Gothenburg, exposing generational differences in desire, illusion, and emotional endurance. A transitional work in Ingmar Bergman’s mid-1950s cinema.

Esarparen is a man who a long time wished death of his wife and suddenly is accused of murdering her. He protests his innocence. Does he speak the true or is he the man who could kill his own wife? Either that or is it a third possibility that bypassed both the court and the press?

There is a new English teacher in school, Miss Lind. She moves in with the Nilssons, whose son Sigge prefers playing with his trumpet than to study German. Miss Lind convinces him how important his studies are. But Sanna, a girl in Sigge's class becomes jealous and angry when Sigge prefers his homework instead of her. Plot by Mattias Thuresson.

Fredrik, the single father of Magda, is too occupied with his race horse Kisa to see that his daughter has problems in school. But one day Magda brings home a new friend, Helena, caller at the local bingo hall. Fredrik is soon smitten by the frank and outspoken 29-year-old. Helena and a self-confident Magda help Fredrik to see why his horse never wins the races.

Five conversations frame a flawed marriage in this film written by Ingmar Bergman about his parents. Guilt-ridden wife Anna (Pernilla August) divulges an extramarital affair to a priest, her uncle Jacob (Max von Sydow). He presses her to confess her sins to her husband, Henrik. As the film moves back and forth in time, the notion of truth is tested. Tomas, the lover, and Henrik will find that Anna's confessions do not absolve anyone, and have the power to inflict more pain.