Toralv Maurstad

100 miles north, a bit east and up, is Pinchcliffe, the home of bicycle repairman Reodor Felgen and his two assistants, Solan Gundersen and Ludvig. Sponsored by oil sheik Ben Redic Fy Fazan, they build the car "Il Tempo Gigante" to race against Reodor's former assistant Rudolf Blodstrupmoen, who has stolen one of Reodor's inventions to become a world racing champion.

The small town of Pinchcliffe is experiencing a great lack of snow, which is why the inventor Reodor Felgen is asked to create a snow machine. However, things do not go as planned.

A gnome named Gurin wakes up with a foxtail as punishment for his practical jokes.

Four sailors stranded in Rio are about to retrieve their salary for a salvage. The only requirement is that they ALL must be sober.

The Gang form The Dynamites. After winning a talent competition they are told by manager Pop-Johansen that the band will be huge in the U.S. But is he only after their prize money?

It's the harshest winter in memory, and the gnomes' very existence is in danger. Eager to help, Queen Fjellrose betrays one of their strictest rules and goes out looking for the Blue Horn, a magical instrument that can alter the weather.

A youthful drama about a young guy and his struggles with his hatred of his father. Not even a relationship with a good-looking girl seems to cool his emotions.

An exuberant story about Askeladden, the hero of Norwegian traditional fairy tales, outwitting the good-natured troll.

Askeladden (Norwegian "The Ash Lad") is the main character in many Norwegian folktales.

Based on three classic Norwegian folk tales collected by Asbjørnsen and Moe: The Little Boys Who Met the Trolls in Hedal Forest, Three Lemons and The Twelve Wild Ducks.

A woman who has sacrificed everything for her family meets a man who makes her reassess her life

The anniversary of The Norwegian Artists' Association. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Fandango is the director of a traveling circus. He brings with him a handful of artists who have to stick together to succeed, but there is a clear conflict between the director and the artists.

Remo Caprino loosely and grippingly tells the story about the making of the now beloved norwegian movie, the production itself and the cultural impact it has had for almost 40 years.

A princess falls in love with a man of the people, and their love must be a secret. But when someone takes a photo of them together, the scandal is a fact.

Andrine and Kjell are both 17, and attends a private high school. Many things disturb their way to the spring exams, and fall in love. The come from different backgrounds, but gets common problems when she rents a room at Kjells parents.

Guilt and sexual jealousy are the main dynamics behind Skouen's gloomy and intense tale about Oddmund, a former Resistance leader who caused the death of 12 refugees during the war.

One autumn day, Ivar goes to the Botanical Garden in Oslo to visit Maria who is the mother of a little girl named Tilla. Ivar is a child psychologist and had Tilla observed a few months earlier. Treatment for her was agreed upon, but Maria has not returned with Tilla. Now Ivar finds her sleeping under a tree in the garden, and he meets Maria bent over a microscope in the laboratory. Maria has become even more nervous and unbalanced than the last time he met her, because nothing has been "corrected" as quickly as she had hoped -- Tilla has not spoken now for a year and a half. Maria herself is on her way to being as closed off as her own little girl. Ivar persuades Maria to come to the pediatric psychiatric clinic with Tilla so they can begin her treatment. There she meets Mimi Backer. But neither does Mimi get Maria to open up about her experiences with Tilla. In the clinic's observation room, however, the first little flicker of light falls on the mystery...

Once 8 year old Simon gets shrunk down to a microscopic level by a talking teddy bear, he ventures into the body of his ailing grandfather in search of the source of his illness.

Like the play from which it derived, the film tells of the early struggles of composer Edvard Grieg and his attempts to develop an authentic Norwegian national music. It stars Toralv Maurstad as Grieg and features an international cast including Florence Henderson, Christina Schollin, Robert Morley, Harry Secombe, Oskar Homolka, Edward G. Robinson and Frank Porretta (as Rikard Nordraak). Filmed in Super Panavision 70 by Davis Boulton and presented in single-camera Cinerama in some countries, it was an attempt to capitalise on the success of The Sound of Music.

An orphan, Josefa, runs away from her threatening uncle with whom she is living, and stows away on traveller Fændrik's boat. She is no better off with him, however, as he forces himself on her and makes her steal and beg for a living. Meanwhile Fændrik's sister, who has been left penniless on shore by her deceitful brother, joins forces with Josefa's fiancé, Oscar, in a search for the missing pair.

A six year old boy runs away from home with the family's big dog, a St. Berhard, who the grown ups wants to put down.

The winning entry in a state-sponsored competition to create the best promotional film for Oslo. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

70 years after Det Norske Teatret first staged Peer Gynt, Erik Ulfsby and his excellent team have developed a new version, with the role of old Peer congenially filled by Toralv Maurstad. The play’s original chronology has been broken up and fragments of Peer’s life reordered – all observed by an aged spirit who is on the threshold to the other side. Maurstad’s acting is “overwhelmingly great. He carries the role of Peer Gynt on his 92-year-old shoulders. This is pure theatrical magic.”

No description available.

Two boys who were found sick on a boat in the sea near northern Norway, are hospitalized with mysterious symptoms. The secret service starts investigating the case, confiscates the bodies. When Hoff notices that the whole event shall be kept secret, he begins to investigate on his own.