Mohammadali Keshavarz

A deaf mute, and his trained bear wind up on an old, narrow street in Tehran. The street's many children are instantly delighted by new arrivals.

When the actor in a scene for his film Life And Nothing More… has to quit, a film director casts another man for the part. However, complications arise since the man and the woman who was cast for the scene know each other.

This epic adventure-drama based on James Michener's best-selling novel concerns a young American embassy official who is sent into the Middle-Eastern desert to find the missing daughter of a US Senator. The young woman has left her husband, a Colonel in the Shadom - she was his number two wife - and has opted for the lifestyle of a nomadic tribe. When the diplomat locates the girl he joins the caravan and attempts to persuade the girl to return.

The story of a simple fellow from a small town who travels to Tehran to find a suitable girl for marriage.

Adapted from a story in 1001 Nights, the story concerns the death of an actor and the comical incidents that occur as different people come into possession of, and attempt to dispose of, his body.

Documentary about Iranian actor Jamshid Mashayekhi (Persian: جمشید مشایخی, November 26, 1934 – April 2, 2019).

The first lady of a noble house has died and now there is conflict between the remainders for taking over her heritage.

Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae. Stardust Stricken -- Mohsen Makhmalbaf: A Portrait documents the work of this Iranian filmmaker. After spending time in prison for political dissidence, Makhmalbaf discovered the social potential of the cinema. Some of his projects include Marriage of the Blessed and The Actor. While creating around 20 films, the outspoken director established new ideas about the nature of his work. In this release, Makhmalbaf speaks about art, human behavior, and his evolving fundamentalist beliefs.

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The film follows a character known as The Cinematographer, who is looking for someone called Atieh (Future). As he calls out to her, he is magically transported back in time from the early twentieth century to the reign of Naser al-Din Shah in 19th century Iran. Captured by the Shah's guards, he shows films from the history of Iranian cinema to the Shah. The Shah is entranced and eagerly shows his family the apparently magical medium.

A man is in love with a girl and tries everything to get her, not even sparing himself, and finally, on the wedding night, he stabs himself with a razor blade...

Hashem is a cab driver who finds an infant child in the back seat of his cab one night after he gives a ride to a young woman. Hashem and his girlfriend, Taji, try to cope with this unwanted child. Hashem insists on getting rid of the child, Taji on keeping him.

Ahmadi is tasked with returning the hawks that have been confiscated from smugglers.

A group of Iranian classical musicians in the Ghajar era try to release their first record, which takes them on a journey to France.

The film progresses along two distinct but interwoven series of events. The first series involves young members of a family who have gathered round their old mother and revive their common childhood memories. the second line focuses on the old woman's preparations for her last journey and her joyous cooperation in arranging for the ceremonies that are to be observed after her death.

A theater directed by Mohammad Yaghoubi

As Abdollah prepares to get married to his long-time love, he hears calls for help during his wedding and leaves the ceremony for an adventure to find the truth.

Asgar and Qader have been friends since childhood. Hussein General, a man of bad character who leads the local teenagers in a fight with the teenagers of Qala Sangi neighborhood, has dedicated his life to their happiness. Asgar and Qader both loved Zainab; but Zainab is married to Asgar. Asgar, who is suspicious of his wife's affairs, constantly annoys Hussein General and Qader. One day, while picking date clusters from a palm tree, while thinking about his wife's relationship with Qader, he falls from the top of the palm tree and loses his sight. Zainab and Qader take care of him; but Asgar's sense of pessimism and suspicion towards his wife and Qader increases. Asgar drags Qader to the palm grove and while he is praying, he cuts him to pieces with a turban and throws his body into the sea. General Hussein, who witnesses the incident, informs Zeinab; but he, unable to allay his wife's insane suspicion, kindly invites the local waterman to his house for lunch.

Morteza Olfat is an ordinary employee who has lots of problems in his life. One day, he happens to find fifty thousand dollars. He says nothing to anyone and tries to exchange the cash.

In a country where readership is low, Nahid Rezaei is surprised to see constant new titles in bookshops, most of them being translations of foreign texts. She begins to narrate the tale of translation in Iran: starting in the ancient era and ending with translators of today. Along the way she interviews key figures in Iran's modern translation history.

khosrow meets a woman who is running from her uncle, cousin and brother...

During Iranian revolution some prisoners manage to escape the prison. In a border village they meet a man Yaqub who wants to convince them not to escape. They first mocking at him not ...

A spy has entered Iran under the guise of a photographer and is trying to gather information about the location where the hostages are being held.

Mirza Norooz can't get rid of his worn-out shoes which bring him bad luck, no matter what he does.

Sadegh and his wife manage a tea house in the way between Ahvaz and Andimeshk south of Iran. One night in his absence a friend of him who is a truck driver comes to his place and the wife is getting killed. The police are after the murderer but Sadegh who seeks revenge begins to kill the truck drivers on the way. This put him in fronting the law.

A television theater written and directed by Mohammad Ali Keshavarz

Jafar Khan, son of a rich traditional family in Tehran, comes back to Iran after spending 8 years for studying in Europe, but he has changed completely to the extent that he cannot even speaks Farsi properly.

A docudrama about art and creativity; based on modern art gallery in Tehran and its founder Jazeh Tabatabai.

Well-educated and humble teacher Mr Hekmati arrives in a new city and at a new job in the pre-revolutionary Iran. He falls in love with a hardworking underprivileged young woman who nurses her elderly mother and raises her young brother.

Short film by Khosrow Sinai

The movie chronicles the life of the famous painter Kamololmolk, and his relationship with various kings.

Rad (Saeed Rad), who is suspicious of his sister's relationship with a man, burns them in a fire, and escapes on horseback into a deserted forest. Rad takes refuge in a forest hut, where a man named Schalko (Mohammad Ali Keshavarz) lives with his wife Seman (Fakhri Khorvash and his daughter (Noor)). Saman informs the villagers around the forest about Rad's presence in their hut. Frees Rad in an attack to knock him out.

In Tehran 1916 during first world war a group of patriots make a punishment committee to punish the traitors. With the lead of Abolfatooh Mirza, Reza Tofangchi begins the assassinations.

Fanizadeh documentary is about the famous actor of Iranian cinema Parviz Fanizadeh. This documentary film deals with his life and works. This documentary is based on the talks of characters from theater and cinema who worked directly with him. Among them there are Taghvai, Mehrjoui, Golestan, Kimiaiee, Nosrat Karimi, Behrouz vosoughi, Pari Saberi, etc.

The second feature film to be edited using footage from Hatami's miniseries Hezar Dastan.

The Teacher without Master