Joan Miller

An armored-car guard must join a robbery after being caught with his ex-wife by her gangster husband.

A single mistake puts a 19-year old girl behind bars, where she experiences the terrors and torments of women in prison.

Tony and Felix own a tramp boat, and sail around the Caribbean doing odd jobs and drinking a lot. They agree to ferry the beautiful but passportless Irena to another island. They both fall for her, leading to betrayal and a break-up of their partnership. Tony takes a job on a cargo ship. After a collision he finds himself trapped below deck with time running out (the ship is aflame), and only Felix, whom he hates and has sworn to kill, left to save him.

Locked in her cell, a murderer reflects on the events that have led her to death row.

A young man succumbs to gambling fever.

Lorna Blake, (Ursula Jeans) is a widow with two daughters. She augments her slender income by using her children to extort money - visiting the houses of the rich to tell a pathetic story and beg for help. And Lorna makes a rich capture when Sir Halmar Bernard, (Cecil Parker), proposes to her. She tells him that she has only one daughter, Molly (Jill Freud, credited as Jill Raymond). When her other daughter, Jay (Jean Simmons), is arrested for forging a cheque, she refuses to help her.

Based on the play by Ted Willis, the film is set in the years just before World War II, when England hadn't completely dug itself out of the worldwide depression. Melvyn Hayes is featured as an aimless teenager, who tries to escape his squalid surroundings by entering a life of crime. He falls in with local hoodlum Herbert Lom, who holds the rest of the slum citizens in the grip of fear including Hayes' own family. No Trees in the Street chronicles Hayes' sordid progress from nickel-and-dime thefts to murder.

In this feature-length documentary from 1976, Leslie Mitchell and special guests recall the birth of BBC Television forty years before.

A court case ensues when a 47-year old man is caught with a 15-year old girl, and he claims he never knew she was so young.

A clerical error leads to the appointment of a left-leaning small-town priest to a rich village, where he immediately horrifies his snobby parishioners by appointing a dustman and a black man as vicar's wardens and throwing open the vicarage to the sprawling, disreputable Smith family, who have just been evicted from their caravan site. He converts the dowager aristocrat to works of absurd charity but he soon has the town and much of the country in uproar.

This titillating bit of pulp sensationalism was the last in a string of "B" films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.