Mark O'Halloran

Vampire Lestat awakens from his slumber and becomes a rock star. But chaos strikes when his music awakens Akasha, the vampire queen, who may not rest until she makes Lestat her new king.

When a small-town Irish cop with a crass personality is partnered with a straight-laced FBI agent to bust an international drug-trafficking ring, they must settle their differences in order to take down a dangerous gang.

Two sisters, Jean and Joan Holbrooke, are so close to each other that they speak in unison, love the same man, and have the same dreams. They even make the same slip of tongue in unison. We cannot see the world as they see it, but we do see how the world reacts to them – through the courts and the press, through those that want to help and those who want to use them, through the eyes of beasts both tame and wild, and even through their own echoes in the core of the earth.

While managing a run down abattoir, young Muslim Raghdan Aziz stumbles through cultural chaos and generational conflicts, dealing with enraged fathers, stoned buddies and an alleged ex-lover of his girlfriend.

After being threatened during a confession, a good-natured priest must battle the dark forces closing in around him.

Three close friends who have never left the outskirts of Dublin (much less Ireland) get the journey of a lifetime — a visit to Lourdes, the picturesque French town and place of miracles.

Adam and Paul are two young junkies living in Dublin and perpetually on the lookout for their next fix. During their search, they encounter various unsavoury characters and make some futile attempts at petty theft. As their day progresses, Adam and Paul get into a good share of trouble as they do whatever they can to score heroin, eventually running afoul of an imposing thug—who only drags them into more shady activities.

When his estranged father returns, a hairdresser is forced to quit performing at the local drag club.

A Londoner returns to his ancestral homeland of Donegal in the west of Ireland and is drawn in by a teenage boy who almost kills him in a car crash.

Americans want to take over the Irish creamery Angela Mooney's husband built up. Everybody in town is delighted, with the exception of Mrs Mooney, who has her own reasons for being opposed to the sale of the business.

Join Jason on a chemically enhanced trip through the streets of Dublin as he stumbles from one misguided adventure to another. Somewhere between the DJs, decks, drug busts and hilltop raves, he stumbles across a familiar face from the past, his brother Daniel. Daniel is an educated homeless heroin addict living on the streets of Dublin. The brothers haven’t seen or spoken to each other in years but over a lost weekend they reconnect and reminisce over tunes, trips, their history and their city. Two brothers living on the edge but perhaps they have more in common than they think.

Nineteen year old Orla from Country Antrim wins 'Follow a Star' on the Irish national TV station. Her prize is a quest - to find C&W star Jed Wood, give him a kiss, and report on her adventure on the following week's show. Ray Timmons, a middle aged documentary cameraman, is the only person available to document her on her quest. Together they travel to New York, meet up with a jaded sound recordist, Mike, and set about chasing down Jed - arriving at film sets, recording studios, everywhere Jed is due to be. Their progress is followed by a couple of DJs on a local radio station. During the week the chase continues, their relationship changes, and they learn a lot about each other and bout pursuing their own dreams, before they return to face the music back home.

A teenager lies about his brother's death and struggles to face the consequences that unfold until his domineering father offers the possibility of forgiveness.

When Leon, a recovering addict, discovers the terminally-ill sponsor he adores is planning to self-euthanise, he feels a sense of betrayal. He begs Iver - the man he sees as a hero - to watch the tribute show he's been preparing in his honour.

Muide Eire / We are Ireland documents the history of Ireland on screen. From the horse drawn carriages of Dublin's yesteryear, to the latest summer blockbuster, this film takes an intimate look at film making in Ireland - as a visual expression of Irish culture, celebrating contemporary filmmakers in both the Irish and English languages. From the glamour of the red carpet to behind the scenes 5am starts, We are Ireland invites the viewer into this world where art and industry exist in delicate balance. The heart of this documentary is our investigation into representations of Ireland and the Irish - how the Irish have been viewed abroad, and how we represent ourselves on screen.

A man who thinks he is a train.

Coward is a 28 minute film set during World War 1 that brings to light some of the brutal treatment soldiers received for suffering what would now be known as shell-shock. It follows two cousins, Andrew and James, from their home in Northern Ireland who join the British Army to fight for their Country and make their families proud. Through their eyes we see the reality of life on the front lines.

'H3' is a universal story of endurance and courage set inside Europe's most secure prison, the Maze prison in Northern Ireland. Here, in H3 - the bleakest of all the H-blocks - a group of young republican prisoners hold out for what they believe in, refusing to be labeled as criminals or co-operate with prison authorities. However, British Prime Minister Margaret Thatcher is determined that these Republican prisoners will be treated like all the other common criminals in British jails, ending a special regime which allowed the inmates political status to organise life inside the jail along POW lines. The republican prisoners immediately start a 'no-wash' protest, refusing to wear prison-issue clothes or perform work duties, a protest which results in their being locked in their cells for hours on end without exercise, recreation, reading materials and with only blankets to wear for heat...

A tortured but determined young woman, in the grip of the Catholic Church, searches furiously for the child she believes has been taken away from her, but meets confusion at every corner.

A dialogic character study exploring the broader social impetus of Laud Humphreys’ infamous 1968 dissertation in Sociology, Tearoom Trade. The study was based on observations made in public restrooms in St. Louis, colloquially called "tearooms", where homosexual men of different socioeconomic classes engaged in sexual contact. With his controversial research methods, in which he observed sexual acts as a voyeur, or so-called watchqueen, and conducted interviews, Humphreys deliberately broke with the ethical protocols of science. The film explores Humphrey’s intentions and the context of his research as well as the personal and professional impact of the study on Humphrey’s career.

The two-part feature film 'Masquerades of Research: Part I and II' is a fictional biography of pre-queer sociologist Laud Humphreys, author of the infamous book 'Tearoom Trade: Impersonal Sex in Public Places' (1970, 1975). Part I begins in St. Louis in 1967 in a pre-Stonewall and pre-Watergate USA, exploring the impetus behind Humphreys “Sociologist as Voyeur” research method — a still radical gesture and one of the first in the Western canon to turn the ethnographic gaze back onto the hypocritical conservative mindset that created it. Why can’t statistics be avant-garde? Part II begins in his Californian office in 1975, where we find Humphreys sweating in a radically different USA on the cusp of republishing 'Tearoom Trade'. Its relevance to contemporary discussions of intimacy, social presentation and data control is delicately carried by visual intensities and rich performances that keep as many secrets as they give away.