Luiz Fernando Guimarães

Chico, Andrew, Luciano, and Cristina are four friends who spend their lives crossing paths again and again—through school, college, travels, jobs, and conflicts—until they eventually part ways for good. An episode of the tv show Comédia da Vida Privada.

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After the funeral of her father Arnaldo, who committed suicide, Engraçadinha confesses to the priest the motives. On the engagement party of her cousin Sílvio with Letícia, Engraçadinha seduces him in the library, and later she ends her engagement with Zózimo and lies to Letícia, telling that she is pregnant. Letícia decides to tell Arnaldo what happened, and he says that the child can not be born. He exposes dirty secrets to Engraçadinha, and a tragedy is announced.

Follows Ney Matogrosso as he prepares for the parade of Imperatriz Leopoldinense, transforming Carnival into a space for exploring identity, freedom, and mortality. Amid rehearsals and significant encounters, the film reveals an intimate side of Ney as he revisits the choices that have shaped his journey, prompting reflection on the masks we wear throughout our lives and the courage it takes to remain true to who we are.

Noronha is a low middle-class civil servant who lives with his frustrated wife Gorda and their four eldest daughters. The youngest one, virginal Silene, is unexpectedly sent back from boarding school after killing a female cat and her seven newborns in a hysterical fit. Many dark family secrets will emerge from that episode leading to tragic events.

Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. César, however, is wounded and captured during a bank hold up. Fernando then decides to kidnap the American ambassador in Brazil and ask for the release of fifteen political prisoners in exchange for his life.

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A portrays of the period in which Brazilian humor had fewer limits (1986-2003), free from military dictatorship.

A charming con man and a debt-ridden doorman see the death of a millionaire as their chance to get rich. But the perfect scam turns into a series of disasters for the duo.

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

Even with all the brutality in the Brazilian dictatorial period, many artists presented themselves as a resistance, using their talent and creativity as a way to trick the censorship.

Geraldo Viramundo is a nice guy with absurd ideas. Viramundo becomes a priest, politician, soldier, and revolutionary in his quest for freedom and justice. A wanderer and playful character, he travels through various cities in search of his beloved Marília. He sees the world through the eyes of the underprivileged, and it is with prostitutes, beggars, and the insane that he embarks on a great march to the Palace of Liberty in Belo Horizonte, where the seat of the state government is located.

Two brothers, one straight one gay reopen old childhood issues.

Elena at the prestigious Aix-en-Provence Festival: Cavalli's opera staged for the first time in 350 years!

The film shows the day when Rui and Vani first met. It was at their wedding (with other partners). Vani was going to marry Sérgio, and Rui would marry Marta in the same church, following Vani's marriage. While waiting for the ceremony, they begin to talk. Complications ensue.

A documentary that chronicles the story of Blitz, one of the most famous Brazilian 80s rock bands known for their humorous, irreverent lyrics and free spirited attitude.

After thirteen years of engagement, the boring sex life of Rui and Vani is limited to one intercourse every other week. They decide to seek excitement with a threesome and they decide to invite Vani's cousin Silvinha to participate late night, but an accident interrupts their game. Rui and Vani unsuccessfully spend the night searching for for companion of a bisexual woman.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

Middle-class family reform their apartment, and the noise, the contact with the workers and strange occurrences turn what was supposed to be a trivial matter into a trip to hell.

Dede (Guilherne Fontes) is a Brazilian teen who lives with his middle-class grandparents who are members of the local communist party. When his grandmother dies, his grandfather's health soon fades to the point where he can't speak or walk. The local party officials ask Dede to continue to family tradition and take over his grandfather's position of social authority, but when Dede is introduced to cocaine by his best friend Alpino (Marcos Palmeira), the attraction to drugs is more appealing to him than political activism.

The story, set in the 19th century, portrays the hypocritical bourgeoisie of the time. The eccentric Dr. Simão Bacamarte is a doctor who will develop his theories about the treatment of madness, knowledge acquired during his stay in Europe. The city is left at the mercy of this man who decides, at his own risk, to judge who were the madmen in the city and who were the sane...

A comedy divided in four episodes, set in different time periods, each starring a different couple, yet all facing the same issue: marital jealousy.

A poor man from the North Zone of Rio, head of a family, Roy struggles in every way to survive and accepts a job as a professional laugher on a TV station; Casimiro de Abreu de Sousa lives in a fantasy world in which he imagines himself to be part of high society. His daughter's wedding awakens in Casimiro the desire to achieve everything he has always fantasized about.

Irreverent adaptation of great writer Machado de Assis's masterpiece "Memórias Póstumas de Brás Cubas" ("Brás Cubas's Posthumous Memories"). A dead man tells about his love life and adventures, specially his affair with Virgília, a dubious married woman.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

A group of eccentric people gather at a popular bar in Ipanema, Rio de Janeiro.

A valet parking attendant borrows a client's car to spend the day with his son, but gets into unexpected trouble.

In the near future, in the country of Kali, a group of young terrorists carry out robberies, kidnappings and murders under the orders of a mysterious big boss known as "Entity" and are pursued by the pompous and inefficient Special Police.

Through performatic acts and some exposition, a group of poets of that 1980's generation make great use of words, poems and rebellious acts criticizing the then current generation and its lack of admiration for the poetic works that were being created.