Daniel Filho

Moçambique beach in Florianópolis, have a lot of unsolved murders cases. One day, Diana, Alex, Paulinho and Marcinha went to a party in the forest. In the next day, three teenagers are found death. Diana is the only survivor, but she doesn't remember what happen. The only thing that will help to solve the case is the videos recorded with their cell phones.

A documentary exploring acclaimed Brazilian actor Claudio Marzo’s relationship with fame and his own image as a heartthrob.

After taking a very nasty fall on Christmas Eve, grinchy Jorge blacks out and wakes up one year later, with no memory of the year that has passed. He soon realizes that he’s doomed to keep waking up on Christmas Eve after Christmas Eve, having to deal with the aftermath of what his other self has done the other 364 days of the year.

When Mari produces a music festival in Rio de Janeiro, she invites friends Tita, Aninha and Estrella to join her for another wild adventure.

The story of the first steps of a very young couple. Their love is great, as are the financial obstacles and an unexpected pregnancy.

Armando Costa was one of Brazil's most successful authors, both in terms of audience and critical acclaim, responsible for shows like "A Grande Família" and "Malu Mulher." Despite this, he didn't care about fame or signing his works.

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At a turbulent time in her life and career, an overwhelmed writer seeking relief returns to drinking after 15 years of sobriety, but goes from a simple glass of wine to total loss of control.

"The Baron" wanted to commit the perfect heist involving 3 tons of money and no violence. For this he would need the right people willing to get 1 million dollars to take part in this job. Based on true events, in 2005, 168,000,000 Brazilian Real (almost 80,000,000 US dollars) were stolen from a Brazilian Central Bank (Federal Reserve), making it the biggest peace-time robbery in history. It was perhaps the most audacious bank heist ever.

A mirror bought in an auction changes the life of an executive and his wife. They become sexually aroused under the influence of the strange object, which belonged to a bordello in the past. Soon the friends who come to pay a visit also become affected by it.

A documentary that chronologically traces the presence of women in Brazilian cinema.

Winner of a Theater talent contest, in which he was the only one to enroll, Belizário da Silva leaves his hometown, and tries to make it in Rio de Janeiro.

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The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. Claudio sees Helena as a shopper and "little teacher of a choral" and Helena sees Claudio as an insensitive and rough man. On the night before the fiftieth anniversary of Claudio, they changed places with each other.

A portrays of the period in which Brazilian humor had fewer limits (1986-2003), free from military dictatorship.

Clara doesn't know what she wants to do with her life, until one day she meets Guilherme who helps her to find her own path.

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Jorge, an ambitious journalist, marries into money and betrays colleagues to become a powerful politician during political turmoil in 1946 Brazil.

Jéssica is a simple young woman, dedicated to her job at an antique shop in Rio de Janeiro, but she feels her life lacks purpose. Everything changes when she finds a mysterious locket identical to an item she inherited from her late mother. Driven by the desire to understand the connection between the locket and her family history, Jéssica teams up with Gabriel, a distant relative who appears unexpectedly.

After Cláudia, haunted by her husband’s death on a car crash, starts a romance with another man, she starts receiving threatening letters.

Raul, a playboy, marries Sheila and hire Nina, a photographer, to take erotic snapshots of his wife. Nina acquires an interest on Sheila, and through a maid, investigates the couple's intimate life.

After the great success of the Rio season of her show Saudades do Brasil, Elis Regina made this special with Globo. In a circus-inspired stage, she sings Alô, Alô, Marciano by Rita Lee and Roberto de Carvalho; O Bêbado e a Equilibrista by João Bosco and Aldir Blanc; and O Que Foi Feito (de Vera) by Milton Nascimento and Fernando Brant, amongst others.

The life of a famous Brazilian film and television actor, including testimonials from people who knew him and worked with him, as well as excerpts from films and videos in which he acted.

Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.

Even with all the brutality in the Brazilian dictatorial period, many artists presented themselves as a resistance, using their talent and creativity as a way to trick the censorship.

This biopic documents the life and work of one of Brazil’s most prolific artists: Milton Gonçalves. This actor and director are credited with more than sixty television titles, seventy movies and twenty plays. Known from classic full-length features like Macunaíma, They Don't Wear Black Tie and Kiss of the Spider Woman, his dramatic versatility also encompasses major Brazilian soap operas, including O Bem Amado and Roque Santeiro. With his talent, he overcame barriers faced by many Black performers in Brazil. An active on-screen and on-stage presence since the 1950s, his name is synonymous with the history of Brazilian television, theatre and cinema, making him a landmark talent in the performing arts world.

When a pedestrian is hit by a bus, the simple clerk Arandir runs and kisses the moribund in a gesture of sympathy and unconditional pure love. Opportunist photographer Amado Pinheiro witnesses the scene and sees the opportunity to sell newspaper and, together with the despicable and abusive chief of police Cunha, accuses Arandir of homosexuality.

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A group of eccentric people gather at a popular bar in Ipanema, Rio de Janeiro.

Anthology comedy made by the director of "The Given Word" among other directors.

After waking from a coma, Tino learns his future in-laws have given him a high-powered financial job, for which he is woefully unqualified.

An unhappily married cleaning woman in the slums of Rio entices all the money and gifts she can out of an elderly widower.

A host of personalities reminisce about the life and work of songwriter, lawyer, and congressman Humberto Teixeira — aka "Baião Doctor" — the author of such classic Brazilian popular songs as "Asa Branca". A musical film about the baião, a movement in Brazilian music in the 1940s and 1950s that was later snowed under by samba and bossa nova.

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In this highly stylized Brazilian drama a sax player fondly remembers one wonderful night spent with his life's love and decides to find her again. He embarks upon a quest through the wild streets of Rio to find her. Along the way he meets an assortment of odd urban underworld characters.

Upon learning that his rich dad is on the brink of bankruptcy, spoiled Vavá summons his friend Jandir with a plan to get some quick cash: they will blackmail an uncle of Vavá by taking compromising photos of his lover, Leda.

After being exiled for 26 years, Tieta returns to her native village in Bahia, bringing chaos and upheaving the local order.

Quilombo dos Palmares was a real-life democratic society, created in Brazil in the 17th century. This incredibly elaborate (and surprisingly little-known) film traces the origins of Quilombo, which began as a community of freed slaves. The colony becomes a safe harbor for other outcasts of the world, including Indians and Jews. Ganga Zumba (Toni Tornado) becomes president of Quilombo, the first freely elected leader in the Western Hemisphere. Naturally, the ruling Portuguese want to subjugate Zumba and his followers, but the Quilombians are ready for their would-be oppressors. The end of this Brave New World is not pleasant, but the followers of Zumba and his ideals take to the hills, where they honor his memory to this day. Writer/director Carlos Diegues takes every available opportunity to compare the rise and fall of Quilombo with the state of affairs in modern-day Brazil.

Xavier, a pharmacist, lives peacefully in bigamy with his two women, Carmen and Beatriz, but the harmony breaks down when they find he has another lover, Monique, a nightclub dancer.

Sad with her grandfather's death, Maria goes on vacation with her friend João on board a jeep. After being threatened by three thieves and helped by a Japanese traveler who opens their eyes to the mysteries of love, a pair gets lost in the forest and ends up at the home of a strange woman, who turns out to be a powerful witch Astarte. Realizing the danger they are in, Maria asks for help from the forest beings who teach her the secrets of the four magic keys: earth, air, fire and water. With these teachings, Maria leaves for the final confrontation against Astarte.

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After a powerful outlaw dies, a reporter interviews his lover and gets three different stories about the legendary man.

Rio de Janeiro, April 18, 1945. Brazil's foreign policy aligns closely with that of the United States and opens a brief period of democratic rule after the end of World War 2. For years, hundreds of people were arrested and tortured by the Vargas regime. But with the external pressure, several political prisoners gain freedom.

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A comedy divided into two episodes. The first tells the story of Agildo, a man obsessed with women, who is caught by his wife in bed with the maid. He begins to live a sexual fast so his wife doesn't leave him, but tries to use his imagination to cheat on his wife without betraying his religion. In the second episode, a tough guy manages to win over a beautiful woman, but doesn't have the money to take her on a date. However, his three best friends will do anything to ensure his success with her.

After his death, infamous Rio de Janeiro mob boss Golden Mouth (named after his all-golden teeth) gets multiple accounts of his life told to the press by his former lover.

70-year-old widower living in a poor Rio de Janeiro suburb falls in love again when he finds a woman of approximately the same age.

Mário returned to the world of the dead. He dug his escape into the earth, with no intention of taking revenge on the powerful men who pursued him. "The Fury (2024)" starts from a fantastic premise, a poetic license, to conclude the trilogy begun by "The Guns (1964)" and "The Fall (1978)."

Suellen (Thalita Carauta) is a cook who works hard to keep her little son, her younger sister and her mother alone. One day, your dreams come true: she splits in two. Her copy, identical physically, has different personality, being much more extroverted and courageous. The idea would be to divide the tasks with the other one, but soon Suellen realizes that the look-alike has plans of its own, and decides to betray the original.

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Three men who never met each other are hired by a mysterious client to carry out a daring bank robbery.

In Rio de Janeiro, a successful yet underpaid young accountant lives with his pregnant wife in small apartment in middle class neighborhood of Copacabana. Unsatisfied with their way of life, the couple decides to accept the offer of becoming housekeepers of a rich man's vacation residence in a beach town.