Lara Robinson

A teacher opens a time capsule that has been dug up at his son's elementary school; in it are some chilling predictions -- some that have already occurred and others that are about to -- that lead him to believe his family plays a role in the events that are about to unfold.

Dazza's passion in life is barbecuing, but unfortunately he accidentally gives his neighbours food poisoning. To make amends, he receives tutelage from a Scottish chef, and together they enter an international barbecue competition.

In a toxic future, the wealthy move into a luxury complex built over an old asylum—only to develop the same disorders its patients once suffered.

Peter and Carla, a couple whose marriage is faltering, decide to go on a camping weekend. When they become lost, the pair sets up camp on a remote beach that doesn't seem to be on any map. At first the trip is the romantic getaway they imagined – then slowly things begin to go wrong. After Peter disrespects the unspoiled habitat, it seems as if the surroundings are exacting revenge on the couple, as insects, animals, and then nature itself become the enemy.

A short documentary about the making of the movie "Knowing (2009)".

A look at the human fascination with the end of times and a few other discussions on some of the events that take place in the film. We hear from experts such as 'Arguing the Apocalypse' author Stephen O'Leary, clinical psychologist Selina Matthews, Cal State Northridge professor of anthropology Sabina Magliocco, Loyola Marymount assistant professor of theological studies David A. Sanchez, UCLA Center for the Study of Religion's Jean Rosenfeld, Chapman University Associate Professor of Sociology Paul Apodaca, USC Department of Physics and Astronomy professor/chair Werner Dappen, and UCLA Professor of Physics and Astronomy Mark R. Morris. (Included in the Bluray release of Knowing).

Fourteen-year-old Bernie must convince her religious mother that her repeated attempts to explore her body are natural, not depraved.

The advocate for a young Iranian refugee held in detention. Amir Ali claims to be an Iranian student persecuted by the government but the Department of Immigration dispute his identity. When Julia meets Amir, he is severely depressed and close to deportation. Julia throws herself obsessively into Amir's case, causing friction between Julia and her husband, Peter. Julia eventually frees Amir and the young Iranian man moves in with Peter and Julia. As Julia helps Amir adjust to ordinary life, she finds herself increasingly attracted to this handsome, damaged young man. But she also starts to see the subtle cracks in Amir's story. Is he really who he claims he is? Or does he have a darker, more dangerous history?