Piotr Szulkin

On the eve of the Day of the Dead, among mysterious old rituals of the Vilnius region, ghosts of the past and present start to appear.

The beginning of the occupation. A closed mental world for the sick. Dr. Kauters values ​​only methods of resolution, Dr. Rygier is a believer in strong authority, Dr. Marglewski considers psychic property a form of haunting, Dr. Nosilewska left Austria after the Nazi occupation. The writer Sekułowski seeks shelter. The young, newly arrived doctor, Stefan, refuses to remain passive in the face of the situation and events...

The movie consists of three novellas, the events of which take place during World War II. The first, "White Daisies", tells how a Polish priest saves a Jewish boy who survived a mass shooting. Another movie story, "Desolation," is about a ghetto boy in love who must, by all means, bring wildflowers to his beloved. The third novel, "The Cuckoo's Prediction," is about a prisoner who escapes from a POW camp. He escapes after his bunkmate tells him that he heard him speaking Yiddish in his sleep.

This sumptuously photographed period drama is set in 1791 Vienna. Maximilian Bardo, an opportunistic 18-year old Viennese man with aspirations to rise above his bourgeois upbringing, looks for a chance to shoehorn himself into the nobility. His hopes lead him to the castle of a wealthy inventor, Alexander Plant. It is here that a strange story is played out, as Maximilian, full of naive illusions and innocent ideals of what it means to be wealthy and noble, quickly loses his innocence. Falling prey to the jaded aristocrats in residence, he is cruelly initiated into their decadent games.

A surrealistic portrait of restaurant guests as seen by an otherworldly visitor who has the ability to read people’s subconscious.

"Mieso" (Meat) is a satirical and irreverent revision of the most recent history of Poland.

The film is a portrait of Zygmunt Samosiuk, a great forgotten cinematographer, who died in 1983. As a director of photography he worked on such films as The Birch Wood, Landscape Afterthe Battle and Austeria. He introduced, among others, hand‑held camera shots, colour lights and shooting at minimum exposure. Reminiscences of his colleagues and friends, including Andrzej Wajda and Piotr Szulkin, show a gifted artist and a modest man who valued his work above all.