Micky Dolenz

The early years of young Michael Myers and the events leading up to his fateful Halloween night murder rampage in the quiet town of Haddonfield, Illinois.

The original '70s TV family is now placed in the 1990s, where they're even more square and out of place than ever.

The inimitable VW Beetle is losing all his races and destined for the scrap heap until mechanic Hank takes him over and gives him a new lease of life. Soon, Herbie is winning again, to the fury of his previous owner, who builds a menacing black bug to challenge Herbie to the ultimate race.

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

A fanatical animal rights activist releases giant pythons into the Everglades, believing the wild animals should be set free. When they start decimating the native animal population, an over-zealous park ranger feeds experimental steroids to wild alligators so they can fight back. The giant pythons and gargantuan alligators go on a killing spree, and it is now left up to the two feuding women to put aside their differences to put a stop to the creatures and the destruction.

After he accidentally kills his father Mike during a sting, Joe tries to carry out Mike's dying wish by recovering valuables that Mike's twin brother Lou stole from him years earlier. But Uncle Lou is also a confidence artist, and Joe is soon drawn into his increasingly dangerous schemes.

The fine folks at EIT have spent years digging thought thrift establishments, video caverns, and haunted houses throughtout the country in order to create the most mind-melting VHS mash-up imaginable. Literally thousands of hours of video gold have been chopped up into millions of pieces and gluded back together into an ever-multiplying bizarre path to allegorical self-enlightenment and surreal resurrection. Obviously!

Comedy special starring Charlie Callas, Charles Nelson Reilly, Bobby Vinton, and many other young comedians.

Featuring performances by popular artists of the 1960s, this concert film highlights the music of the 1967 California festival. Although not all musicians who performed at the Monterey Pop Festival are on film, some of the notable acts include the Mamas and the Papas, Simon & Garfunkel, Jefferson Airplane, the Who, Otis Redding, and the Jimi Hendrix Experience. Hendrix's post-performance antics -- lighting a guitar on fire, breaking it and tossing a part into the audience -- are captured.

A celebration of the musical work of a group of session musicians known as "The Wrecking Crew." a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys, and Bing Crosby.

The chronicle of the mind-blowing journey that was Hollywood during the seventies; the true and gripping story of the last golden age of American cinema, an exalted celebration of creativity and experimentation; but also of sex, drugs and rock 'n' roll: a turbulent and dark tale of ambition, envy, betrayal, hatred and self-destruction.

The life and work of the enigmatic singer-songwriter Harry Nilsson.

550 artists were interviewed over ten years. At some point during those interviews, they were asked a question and told to answer with one word only. Some stuck to one, some said more, some answered quickly, some thought it through, and some didn't answer at all. That question… Lennon or McCartney?

A retelling of Romeo and Juliet set within the Los Angeles underworld.

Documentary focusing The Monkees, the 1960s pop group originally created for a TV sitcom. Interviews with the band members, the show's creators, and musical collaborators and peers are featured.

In New Orleans, a relationship between a black man and a white girl leads to a string of murders.

An intentionally campy film designed to capitalize on Linda Lovelace's sudden fame following "Deep Throat", this film centers around Linda's fictional grass roots campaign to run for president. Touring the country with a rag-tag team of strange and wacky people, hilarity supposedly ensues at every stop.

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

Hey, Hey, It's the Monkees is a one-hour comedy special televised on the ABC Network on Monday February 17, 1997. The show features all four of the original Monkees and would be the last time Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork would appear together. Michael Nesmith wrote and directed the program.

Just how much do you know about alcohol consumption? Take this video quiz to find out!

Behind the scenes making of the charity single "Voices That Care".

Given the opportunity to headline their own feature film by studio executive Mr. Mordicus, Sonny and Cher have three days to come up with an idea for a hit movie or they'll have to use the studio's hackneyed script.

This 2009 documentary features directors Bob Rafelson, Peter Bogdanovich, and Henry Jaglom, actor-director Jack Nicholson, and actresses Karen Black and Ellen Burstyn, among others, reminiscing about the making of the groundbreaking films of BBS Productions.

A young orphan, heir to a vast fortune, is fostered into a somewhat bizarre family, primarily due to the fact that his foster mom can become invisible. When the child's cousins show up to get a bit of the youngster's fortune, his foster mom saves the day.

Ernie Pandash has tried to be a writer for years and has never made much money out of it. But now he seems likely to hit the big-time.

A group of merchants convinces the hippies who crowd the sidewalks of their town to start their own Utopian community in a nearby ghost town. Micky Dolenz appears as a sweet kid with a dream, tending to a single pot plant. This ill-fated comedy, which was filmed in 1971 but not released until four years later, was both the first and last directorial credit for comedian Shelley Berman. Only seen by a few in its limited theatrical run, the film has also never been released on video or DVD.

While the world around it has changed dramatically, The Rainbow Bar and Grill has remianed as one of the last bastions of true Rock n' Roll on Hollywood's famed Sunset Strip. Legendary musicians recount their stories from the iconic venue.

Thirty years after A Hard Day's Night, its producer, director, writer and others describe its making. United Artists Records came to Walter Shenson, asking him to produce a movie so UA could issue a soundtrack album. Shenson signed Lester to direct, and they got the Beatles to agree to star. Shenson sent Owen to Dublin to spend time with the Fab Four; from this came a script built around their being prisoners of their own success. Phil Collins, himself an extra on A Hard Day's Night, hosts this examination of a seminal film: what was ad-libbed, why was it a hit, what was its influence on other movies, and how did it define the way the public viewed each Beatle for years to come?

Rare black and white footage of Michael Nesmith, Micky Dolenz, Peter Tork, and Davy Jones auditioning for the 60s hit NBC television program The Monkees.

Dr. Steve Brule directs himself in the title role of a rejected sitcom pilot about a Myer's Super Foods bagboy who must decide whether or not to report a shoplifter.

Join Micky Dolenz, Davy Jones and Peter Tork on one of the dates from their North American Tour as they perform your favourite Monkee hits.

In 1967, four unknown actors in a kids TV show became the biggest pop band in the world. In America, they outsold Elvis and The Beatles combined. They were The Monkees. But The Monkees were not a real band, they were a man-made money making machine, driven by ego and ambition. A machine that would ultimately crash and burn. This is the inside story of pop music's first manufactured band.