Davy Jones

The original '70s TV family is now placed in the 1990s, where they're even more square and out of place than ever.

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

When SpongeBob and pals are swept out to sea, they must learn to surf or be stranded on a remote island forever! Then, SpongeBob and Patrick start 'Livin' like Larry,' Patrick gets a nose, Plankton gets a customer and lots more!

Young Jim Hawkins, a pirate mouse named Hiccup, Dr. Livesey and Squire Trelawney hire a ship to find the legendary treasure of notorious late pirate Captain Flint. However, Flint's former crewmates plan to take over the ship.

50 years after the legendary fest, Barak Goodman’s electric retelling of Woodstock, from the point of view of those who were on the ground, evokes the freedom, passion, community, and joy the three-day music festival created.

Documentary focusing The Monkees, the 1960s pop group originally created for a TV sitcom. Interviews with the band members, the show's creators, and musical collaborators and peers are featured.

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

An orphan endures a harsh life in a workhouse before fleeing to London, where he falls in with a gang of juvenile pickpockets led by the criminal Fagin, and eventually finds a better life, exposing the cruelties of poverty and child labor in Victorian England.

Hey, Hey, It's the Monkees is a one-hour comedy special televised on the ABC Network on Monday February 17, 1997. The show features all four of the original Monkees and would be the last time Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork would appear together. Michael Nesmith wrote and directed the program.

Cartoon Network holds an awards show awarding cartoon excellence.

Obscure Philippine romance featuring appearances by Davy Jones and Don Johnson.

Jackie Goldberg (Jackie Mason) is coming to the end of his career as a Miami private detective; in debt, out of luck and down in the dumps, that is until fate brings him an unlikely partner: 16 year old Mateo Rodriguez. Jackie and Mateo embark on a journey to exonerate Mateo's mother and bring the bad guys to justice-- while still having enough time for some action with the ladies, a little nosh and a life lesson or two. Goldberg P.I. is an hilarious comedy packed with plot twists and turns and a star studded cast including Lin Shaye (Detroit Rock City, Insidious, There’s Something About Mary), Audrey Landers (Dallas, A Chorus Line), Mario Cantone (Sex And The City), Steven Bauer (Scarface) and the late Davy Jones (The Monkees), in his final movie appearance.

Rare black and white footage of Michael Nesmith, Micky Dolenz, Peter Tork, and Davy Jones auditioning for the 60s hit NBC television program The Monkees.

Join Micky Dolenz, Davy Jones and Peter Tork on one of the dates from their North American Tour as they perform your favourite Monkee hits.

In 1967, four unknown actors in a kids TV show became the biggest pop band in the world. In America, they outsold Elvis and The Beatles combined. They were The Monkees. But The Monkees were not a real band, they were a man-made money making machine, driven by ego and ambition. A machine that would ultimately crash and burn. This is the inside story of pop music's first manufactured band.