Peter Tork

The original '70s TV family is now placed in the 1990s, where they're even more square and out of place than ever.

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

The story of the 60s pop group The Monkees, as they rise above their status as a band created for a TV show, to establishing their legacy in their own right. The band faces many obstacles, among them the right to play their own instruments on record.

A celebration of the musical work of a group of session musicians known as "The Wrecking Crew." a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys, and Bing Crosby.

Documentary focusing The Monkees, the 1960s pop group originally created for a TV sitcom. Interviews with the band members, the show's creators, and musical collaborators and peers are featured.

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

A father discovers the souls of his deceased children have not crossed to the other side. Only faith will save them now. An unspeakable tragedy...an unbreakable faith...Cathedral Pines.

Hey, Hey, It's the Monkees is a one-hour comedy special televised on the ABC Network on Monday February 17, 1997. The show features all four of the original Monkees and would be the last time Micky Dolenz, Davy Jones, Michael Nesmith, and Peter Tork would appear together. Michael Nesmith wrote and directed the program.

The Junior Defenders is a quirky comedy about the cast of a 1970s TV superhero show. With a fan base that rivals Star Trek's, The Junior Defenders is one of the top hits of its era. Twenty-five years after the show's sudden cancellation, a crazed fan named Norman Nields goes on a cross-country mission to kidnap the show's four washed-up ex-child stars, take them back to Hollywood, and then force them at gunpoint to act in his brand-new episode of The Junior Defenders.

A small town is rocked when a local man goes on a rampage in a movie theater, killing dozens as well as himself. Now, a year later, young filmmaker Pierce Lyndale adds salt to the wound when he makes the tragic decision to base a film off of this event and show it on the town's public access channel. As he attempts to throw a premiere party for himself, his friends ditch him, his community shuns him, and he finds out that not everyone wants to be in a movie.

Two women discover they have the same rock star boyfriend and both think they are the one he is sharing his New York apartment with. When Vinnie returns from a vacation to celebrate his birthday with the girlfriend he expects to find at home, he discovers both women together and that he can't have his cake and eat it too.

Rare black and white footage of Michael Nesmith, Micky Dolenz, Peter Tork, and Davy Jones auditioning for the 60s hit NBC television program The Monkees.

Join Micky Dolenz, Davy Jones and Peter Tork on one of the dates from their North American Tour as they perform your favourite Monkee hits.

In 1967, four unknown actors in a kids TV show became the biggest pop band in the world. In America, they outsold Elvis and The Beatles combined. They were The Monkees. But The Monkees were not a real band, they were a man-made money making machine, driven by ego and ambition. A machine that would ultimately crash and burn. This is the inside story of pop music's first manufactured band.