Marilù Tolo

Marilù Tolo

Acting

January 16, 1944
Roma, Lazio, Italy
63 movies

Biography

Marilù Tolo (born Maria Lucia Tolo; 16 January 1944) is an Italian film actress. She appeared in more than 60 films between 1960 and 1985. Born in Rome, Tolo, at a very young age, worked as an assistant of Mario Riva in the RAI variety show Il Musichiere. She made her film debut at 16 years old in Alberto Lattuada's Sweet Deceptions. She was also a fashion model, and a close friend of Italian stylist Valentino. Valentino said in an interview to Italian newspaper La Repubblica that Tolo was the...

🎬 Marilù Tolo's Filmography

63 movies sorted by popularity

Night of Violence
6.7

Carla Pratesi, a prostitute, is killed. Her death is followed by a number of attempted murders. Carla's sister undertakes her own investigation. Police enquiries uncover a drugs trade connected to a call-girls organization but the murderer remains at large. Finally, a witness identifies the killer as a well-known actor. However, he has a strong alibi (he was shooting a film). The following night, a girl who manages to escape from the maniac's clutches swears he is a different famous actor but he turns out to have a strong alibi too! Eventually the police set a trap in the park and, with the help of Carla, kill the madman. It emerges he had been disfigured by the atomic blast at Hiroshima and went crazy because his disformed features revolted women and but them off having sex with him. He created masks reproducing the features of handsome actors just to approach prostitutes!

Night of Violence

1965
The Damned Of The Earth
9.5

Upon his death, a young African director, Abramo Malonga, bequeathed his first and last unfinished film to his former teacher, the Italian director Fausto Morelli. Morelli, who after seeing the work, is confronted with a confusing, complex and, in part, incomprehensible work. Helped by the young widow of Abramo Malonga and by the notes left by his deceased friend, and again by his personal memories, the Italian director attempts to reconstruct and complete the film. Fausto's work progresses with difficulty, not only because of the problems the film poses for him, but because of the problems that arise in his daily life. After a long crisis, after which he returns to Pisa with his former party companions and abandons himself to love and his own solitude, Fausto takes up the work of his African friend, closing it with a final invention, in which , with a bold metaphor, has refigured the human condition of our time.

The Damned Of The Earth

1969
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