George Shane

During the 1940s, a group of young men go off to war, leaving behind Ethel Ann, who is in love with one of them, Teddy. In modern-day Belfast, a man named Jimmy endeavors to return a ring found in the wreckage of a crashed plane. He travels to Michigan, where the grown Ethel Ann, who married another man after Teddy was killed in battle, now lives. Ethel Ann must decide whether to go with Jimmy to meet the soldier who last saw Teddy alive.

Martin, an I.R.A. hitman, is seen by a Catholic priest while carrying out a hit. He grows a bond with the priest and his niece. But his past and his former employers put all their lives in danger.

In the follow-up to Graham Reid’s trilogy of ‘Billy’ plays, Billy's sister Lorna Martin is left to care for their Uncle Andy. Lorna feels trapped, but Andy wishes to give her the freedom she desires.

Juvenile delinquents are sent to a small British island after a fellow prisoner's death, where they must fight for survival.

A group of bored Roman Catholic teens from Belfast, Northern Ireland, United Kingdom steal cars and joyride around the city, causing havoc among the nearby Protestants and local Irish Republican Army members, all of who are outraged by the youths' nihilism. The gang, led by ace thief Sean (Marc O'Shea), is connected with the IRA but couldn't care less about the group's politics. But things turn serious when an IRA member captures one of the boys, Marley (Michael Liebmann), in an effort to end the mayhem.

Cal, a young man on the fringes of the IRA, falls in love with Marcella, a Catholic woman whose husband, a Protestant policeman, was killed one year earlier by the IRA.

Leo Doyle, a convicted IRA murderer, is released into the community after 14 years in prison on a scheme to rehabilitate former terrorists. He soon finds that the ceasefire has robbed him of both purpose and identity. Relationships with his family are difficult and reach boiling point when they find that he has rekindled his affair with a former fiancee Roisin, now married with three children.

Belfast, in 1970s. Victor Kelly is a young protestant man who hates the Catholics so much that one night he begins to brutally murder them. A reporter soon tries to uncover the murder and obtained prestige for himself, while Victor sinks deeper into madness.

Colin is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig salesman, known as the Scalper, to sell them his leads, the two embark on a series of house calls

Drama based on a real-life story of a love affair between a married army captain and a young female soldier. Susan Christie and Duncan McAllister have an affair, but Duncan ends the relationship when he's posted to Germany. Three days later, Susan and Duncan's wife, Penny, go for a walk in the woods in Northern Ireland. Fifteen minutes later, Penny is dead and Susan claims they were attacked by an unknown man.

Belfast, 1980: July, the marching season ... Norman Martin, away for two years, returns with his 'English woman', Mavis. How will the family - particularly Billy - react? And has she achieved the impossible in mellowing the man? Third in the trilogy.

The story of the trial of Willie Gallagher, convicted of bombing the Strabane British Legion Hall in Northern Ireland, 1976. The transmission of this film was postponed by the BBC several times, and when it did finally air, it was shown with cuts; the writer, Caryl Churchill, and director, Roland Joffé, had their names removed from the credits in protest.

Conn, a member of the IRA and a former hunger striker, is serving a life sentence for murder. During peace talks, he is released on a 24-hour parole and uses the time to search for his girlfriend Leyla’s killer. He finds only lies and intrigue surrounding her death, and he begins to realize that his lover was not what she seemed.

Shoot to Kill is a four-hour drama documentary reconstruction of the events that led to the 1984–86 Stalker Inquiry into the shooting of six terrorist suspects in Northern Ireland in 1982 by a specialist unit of the Royal Ulster Constabulary (RUC), allegedly without warning (the so-called shoot-to-kill policy); the organised fabrication of false accounts of the events; and the difficulties created for the inquiry team in their investigation.

A police computer expert is seconded to Belfast to track down the identity of an IRA mole.

A BBC film crew is interviewing a ‘typical Catholic family’ in the Divis Flats area of Belfast, when news comes in that a child, known to the family, has been hit by a stray plastic bullet fired by a British soldier – a version of events contested by the army. Back in London, editing the footage, the producer and researcher on the project wrestle with how to present the incident, and with their responsibility to the people in the film.

Malachy: "Who do you kidnap? You can't touch children, women, no sons of Irish mothers. What's left?" When Frankie is released from Portlaoise Prison, his old comrades are expecting some action. He hits on a plan for raising £2 million, but his plan goes wrong.

Kenny's work as a nurse in a psychiatric hospital isn't just a job, it's a vocation. His special group of patients are his friends - his only friends. When a strange young man is introduced to the group, he threatens the love, discipline and respect that have been the very basis of Kenny's authority, and all that surrounds the institution is scant protection from the madness of the world beyond.

During the Irish Civil War in 1922, a family earns a big inheritance. They start leading a rich life, forgetting what the most important values are. In the 1980 BBC adaptation of "Juno and the Paycock," Dudley Sutton played the role of Captain Jack Boyle, alongside Frances Tomelty as Juno. The play, written by Seán O'Casey, is set in Dublin during the Irish Civil War and centers on the Boyle family's experiences with an anticipated inheritance and the subsequent fallout.

Maeve returns home to Belfast after a long absence. Her arrival in the city stimulates a series of memories of childhood and adolescence both in herself and other people.

Violence erupts in north Belfast when the residents of Glenbyrn, a predominantly Protestant suburb, object to schoolgirls walking through their neighbourhood from the Catholic area of Ardoyne to the Holy Cross primary school.

At the beginning of the 20th century, a young servant provokes an independent Irish farm community by her relationship with two brothers. Pregnant, she refuses to reveal the name of the father.

A group of unemployed and marginalised souls eke out a meagre living by drawing welfare and occupying a derelict squat in an apocalyptic inner city Dublin. Among the undesirables are a gay man estranged from his wife, a pimp and his prostitute, a destitute businessman, and a paranoiac. The makeshift family soon find themselves subject of intimidation from the State, along with other external forces.