Antoine Bourseiller

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

Paul, a young idealist trying to figure out what he wants to do with his life, takes a job interviewing people for a marketing research firm. He moves in with aspiring pop singer Madeleine. Paul, however, is disillusioned by the growing commercialism in society, while Madeleine just wants to be successful. The story is told in a series of 15 unrelated vignettes.

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

On his way from Madrid to Paris, Diego, a chief of the Spanish Communist Party, is arrested at the border for an ID check but manages to flee. When he arrives in Paris, he searches for one of his comrades to prevent him from going to Madrid where he could be arrested.

An anthology of four historical love affairs: at Versailles, Louis XIV shares his mistress with one of his subjects; a courtesan tries to disfigure her lover with acid; a medieval wife faces the wrath of her husband's father, who has her condemned to death; and a stage actress provides advice on life and love to her young colleague.

A short documentary on the chateaux of the Loire in France was commissioned by the French Tourist Bureau.

In 1981, in Grenoble, Mickey, Bertrand, Frédéric, Charles, Louise, and Aimée—brought together by a shared desire to make music—are the members of a band called the “Why Notes.” During a wedding ceremony in a church where Charles is playing the harmonium for the occasion, Bertrand, who has come to join him, notices the groom interrupting the ceremony and running away. A few hours later, just as the band is about to leave for a concert in Paris at the high school they attended, Bertrand runs into Clara, who suggests they run away together and then disappears... Bertrand, completely captivated by Clara, leaves the band and sets off in search of her... in Paris.

Bruno is released from prison. He looks for a job and tries to start a new life. His first stop is at his father's apartment.

Yves Montand, playing himself, returns to his hometown of Marseilles to appear in an autobiographical musical. Once there, he searches for the barmaid he once loved and also encounters young hopeful Marion, giving her the chance of a lifetime.

Antoine Rossi, a recidivist prisoner of war in Germany, manages to escape with the cowardly Fendard. Fendard does everything in his power to help him even though he is wounded, but Antoine tries to get rid of him as he boards the train to freedom.

Impressions of the rue Mouffetard, Paris 5, through the eyes of a pregnant woman.

More than 40 years after making "Cléo de 5 à 7," Agnes Varda invites her star, two other cast members, and her assistant directors to look back. She takes us through the film, from opening scene to the end, visiting its Paris locales, placing her aged actors in the same spots, telling stories, and listening to others' reflections on the making of the film. She and they talk about making a film on a low budget, its showing at Cannes, and trying to fix a problem in the last shot. Her assistant directors discuss casting, costumes, sets, and the ways the film changed their approaches to filmmaking.

Two sisters, Camille and Madeleine, make up the story of a woman: Alice Constant, the servant of their grandfather who committed suicide at the age of 25.