Acting
Carla Signoris is an actress.
32 movies sorted by popularity
In 1970s Rome, a filmmaker gathers actresses for a new project, which triggers memories of his past working in a Roman costume shop, run by Alberta and Gabriella, navigating personal and professional challenges while creating costumes for a major film.
Depressed Jewish shrink Elia one day meets Claudia, a young and eccentric personal trainer.
From married couples to platonic roommates to testy rivals with romantic chemistry, the never-ending battle of the sexes gets personal.
Six people struggling with their relationship, or lack thereof, cross paths with their respective exes — and discover they might still harbor feelings for each other.
Anna and Piero fighting routine of a long marriage, when Piero loses his memory, Anna reconstructs his way. For its part, the concierge Rocco and his friend Michele play in a group that emulates the Beatles and face opposition from their partners. Finally, Marcello and Paola are a divorced couple who, from time to time, pretend they are still together to avoid problems. They are victims of a relentless war of sexes.
An absurd law prevents John, an unrecognized child at birth, from knowing the identity of his biological parents before his 100th birthday. To succeed in attracting public opinion, his only hope is to obtain the complicity of Gustavo, the only unrecognized-at-birth centenarian alive. The only one who would have the right to avail himself of this legislation but seems to have no interest in doing so. The Most Beautiful Century of My Life tells of the meeting between a centenarian projected into the future and a young man anchored in the past and of their unexpected friendship.
Paola, a modern woman used to the hardships of modern life, takes her chance to make things right for herself.
"Finché morte non ci separi" is set in Paradise, where Delia (Carla Signoris) enjoys the peace of the afterlife reading and learning English. Her tranquility is disturbed by the arrival of Lidia (Amanda Sandrelli) who claims to be her soulmate. However, Delia is confused. If her soulmate is here, what happened to her husband Andrea? (Davide Gaudiosi). The Lost Souls office might be able to help her understand: the Angel (Filippo Scicchitano) in charge of the office gives her unexpected news—not only has Andrea been dead for quite some time, but he's in Hell. To convince Delia that this isn't a mistake, the Angel shows her her husband's "soul statement," and then, faced with her continued disbelief, allows her to revisit some scenes from her past as a young woman (Francesca Blasutig) with him. Delia chooses to take a risk by accepting the possibility the Angel offers her: to return to her previous life to try to rewrite her own story.
Elena and Antonio seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they're trying hard to avoid; but to which they succumb to.
Nearing death, videogame genius Leone Stella holds a contest to find an heir: several people named like him will compete in a live-streamed reenactment of his most famous exploits, and the winner will inherit his billion-dollar fortune.
Giovanni is a famous life coach who claims he can make any desire come true. One day he announces a competition in which three people dissatisfied with their lives will win the chance to be followed by him for six months.
The love story of Eva, a young immigrant who has always dreamed of becoming a singer but works as a dishwasher, and Armie, a very skilled pianist with a fervent imagination. Both will discover that fantasy, dream and life can instead mix and become the recipe for happiness. The background is New York after the Great War and before the Great Depression, in an era of music, hopes and great changes.
Set in Genoa, the film concerns the financial struggles and emotional strain that occur after Michele loses his job. He and his wife Elsa are forced to give up their affluent lifestyle and cope with the tensions of moving into a smaller home, finding new work, and making sacrifices.
Plagued by financial problems, ne'er-do-well Guido ends up in jail after faking an armed robbery at his workplace. A year later, just a few days before his release, he's forced by two dangerous inmates to take part in their jailbreak. On the run, Guido sets out to find his partner Antonella, who helped him with the robbery and still has the money.
A slacker switches up his cleaning job by pretending to be a mental coach's assistant and consults an injured ice skater who has lost her confidence.
Fred works for a company that creates alibis for cheaters until Clio, the daughter of one of his client, falls in love with him.
In this deliberately campy, slightly slapstick European parody of Alfred Hitchcock films from the 1950s, a newlywed couple returns from their honeymoon to discover that they have accidentally switched suitcases at the airport. They know the bag they have isn't theirs because it is stuffed with 500 million lire. At first they put out an ad for the owner; then they decide to keep it for themselves. Mayhem ensues when the bag's thuggish owners suddenly show up at the couple's housewarming party and demand they give every penny back. Later when one of them returns to threaten the bride, she accidentally kills him. His partner and a policeman chase the couple into the mountain retreat of the bride's brother, a frustrated writer. He finds the mess inspiring, and then is assisted by the gangster's ghost, who becomes his muse. The ghost gives them the advice they need for the couple to safely escape.
Leo and Nina lived happily out of wedlock until one day Nina asked Leo to marry him. Leo, hostile to conformity, had always been opposed to the idea and it looked as though Nina as well. But giving in to his companion's insistence, the young man agrees to an unconventional wedding, without the expensive white gown, without the traditional candy box, with gifts to charities instead of wedding presents, the lot. Nina agrees … or seems to.
No description available.
An upcoming film directed by Enrico Iannaccone. Valerio (Antonio Folletto) is a thirty year old man who leads a self-destructive life. The still beautiful Carla (Catherine Spaak) is an ex-magistrate, who begins to show the first signs and symptoms of Alzheimer's. Contrary to Valerio she has an overwhelming desire to live. These two tormented souls become friends and together they find the strength to confront the pains and secrets of their past. They are both related to a mysterious woman, Anneke (Veruschka von Lehndorff ). This is a journey of two people who are so different and yet so similar, sharing their most painful emotions. It will lead them to the discovery of a new way of loving.
Antonio is a seventy-year-old gentleman, a former strict and impeccable judge. Having refused to accept his daughter's hospitality, he found himself in a strange place where, after completing an intensive course on the latest technologies of modern society, he will have to be adopted by families who request it.
Billy was a child prodigy who had invented and hosted a successful music podcast at nine. He is now 19, lives with his eccentric mother, is secretly in love with a girl, only visits children aged between 8 and 12 and does not know what to do with his life.
A blocked screenwriter, Ezio, is trying to finish a story about two off-kilter families thrown together when their teenage children announce they’re getting married. So Ezio writes himself into the story with a romantic part—a development his characters welcome, as they’ve got some ideas of their own for bigger and better roles.
1944, Piedmont Alps. Four teenagers dream of the end of the war and the moment when they will be reunited with their parents and older siblings. When they discover, by chance, that their age allows them to avoid suspicion and searches, they decide to secretly help the partisans, without being discovered. Marta, Davide, Sara and Marco thus become "Sandokan", the mysterious rebel who puts the Nazis and fascists of the valley in difficulty. Between steep climbs and breathtaking descents, between enormous dangers and great tests of courage, the four children will contribute to the final victory of the Resistance and the liberation of Italy from enemy occupation. A great partisan adventure and a story of love and friendship, told from the point of view of thirteen-year-old Marta.
A rigorous reconstruction of Sandro Pertini's (1896-1990) tough and difficult anti-fascist activities, often carried out in secret or in prison. In the role of the future President of the Republic, and in his first film role, is actor Maurizio Crozza, alongside Carla Signoris, Ivano Marescotti, and Augusto Zucchi. Broadcast only once on Rai 3 in 2003, it is effectively a "first viewing," having been harshly criticized in its early stages, for private reasons, by Pertini's widow.
If the heart remains the one of a child, is it really that absurd to meet Santa on a Christmas Eve?
Paola, a double bass player at the last concert of her band's tour, discovers she's pregnant. But that's not the only problem she's forced to face. The relationship with her parents is problematic: his father is lost in alcohol and the future grandmother is becoming a mother for the second time. To complicate things further, the friends who play with her have just signed a contract for a series of concerts in Europe.
Maria Celeste is a widow that lives in a retirement home. She is stingy, unpleasant, solitary and looks down on people. Every Sunday Maria sits alone on the park bench, though she tells everyone that she goes to her son's to cook a lovely meal. But on that Sunday, while dozing on the bench, a young girl places a ten month old baby in her arms and runs away leaving Maria stunned and confused. Finally the girl comes back and they start to know each other. The girl asks Maria to take the baby for a second, crosses the street and a tram hits her. She dies without a reason on a warm summer morning. Maria is alone with the baby. Her Maria Celeste's story begins.
The film tells, through the stories of four characters whose lives, in different forms and manners, are either changed or endangered by shoes, an object symbolizing desire par excellence, what we are willing to do to find our identity in the world, how far we go to be loved and accepted. It narrates a world where everyone desires what they don't have, where everyone wants to be what they are not.
A stressed-out husband views his life as a series of endless complications.
