José Canalejas

José Canalejas

Acting

February 14, 1925 — May 1, 2015
Madrid, Madrid, Spain
68 movies

Biography

José Canalejas was born on February 14, 1925 in Madrid, Madrid, Spain as José Álvarez Canalejas. He was an actor and director, known for Django (1966), Three Supermen of the West (1973) and El último proceso en París (1974). He was married to María del Carmen Yegros Antón. He died on May 1, 2015 in Madrid.

🎬 José Canalejas's Filmography

68 movies sorted by popularity

Tiempo de silencio
5.6

Pedro Martín, a young and ambitious doctor, is studying the effect of cancerous cells on mice, but he has run out of mice in his laboratory, since they do not breed there, and he has no funds to purchase more of these expensive laboratory animals from the United States. Nevertheless, his assistant, Amador, informs him that he gave some of the mice to an old trapper, nicknamed “el Muecas”, who lives in precarious conditions in a shanty town outside Madrid, and that this poor man has successfully bred them with the help of the natural heat of his daughters. The incredulous scientist goes to the shanty town to obtain the mice. There, Pedro meets Muecas, Muecas's wife Ricarda and their two daughters Florita and Conchi. With the warmth of the women’s breasts, as the flirtatious Florita shows Pedro, the mice are able to reproduce.

Tiempo de silencio

1986
What Am I Doing in the Middle of the Revolution?
5.5

In the beginning of the 20th. century Italian actor Guido Guidi, more enthusiastic than talented, and his ensemble tour Texas. The mysterious and obviously rich Peppino Garibaldi gives them an offer, they can’t deny: For a large amount of dough they should play “Richard III.” in the Mexican town Vera Cruz. But Peppino is not really interested in cultural affairs: He supports “La Revolución” and “General” Carasco, who utilizes the feastful premiere of “Richard III.” to raid Vera Cruz for Comandante Zapata. But shortly after the Mexican Army shows up with some canons in tow to sort things out. Guidi and Padre Albino, Italian like him, succeed to flee and save Carasco accidentially from the firing squad. Whereas the latter coninues his revolutionary fight, Guidi and Albino start an odyssey through the struggling Mexico, which lets them fall one time in the hands of Carasco the other time in those of Herrera or even in the clutches of “hand-taking” bandidos.

What Am I Doing in the Middle of the Revolution?

1972
José Canalejas | MovieMind AI