Nai An

After getting out of prison, small-time crook Mardar stumbles upon a woman who looks exactly like his long-lost lover, who he attempted to kidnap 3 years ago.

A mainland Chinese filmmaker, exiled to Hong Kong for her politically-charged work, reunites with her mother on a trip to Taiwan.

An alienated teenage girl lives unhappily with her indifferent father, uncaring stepmother and bratty half-sister. When she's finally reunited with her glamorous-yet-reckless biological mother, the two form a deep, inseparable bond.

The film follows a young man, A Xi who is recently released from prison. Once released, he seeks out his old girlfriend Li Xin who has since begun a relationship with La La a young musician. As the two men vie for her attention, tension and violence escalate.

At a Japanese restaurant nestled within the busy streets of Beijing, Li Dong convinces his older brother Li Chun to travel together to the Japanese city of Yanagawa to find and catch up with their childhood sweetheart Liu Chuan.

Wu is in her mid-twenties and lives with her mother in a traditional one-story house in one of Beijing’s hutongs. Both consider themselves to be writers, but success has so far eluded them. The fact that Wu is supported by a divorced, elderly man helps the women through lean periods. Their unhealthily close relationship is characterized by reproaches and quibbling; only during meals do they appear to lay down their verbal weapons. The situation escalates when both Wu and her mother hit an emotional low.

A Chinese couple visits the daughter they gave up for adoption 30 years ago.

No description available.

When a drunken passenger causes taxi driver Lao Shi to swerve and hit a motorcyclist, he stops to help the victim. As no ambulance arrives he drives him to the hospital, but soon has to face the rules of today's Kafkaesque China. With his family and life endangered, he desperately seeks a way out.

The Chinese police visit head-teacher Chen at home. Her daughter, a dissident filmmaker living in Hong Kong, plans yet another critical film about China's colonization of the small autonomous territory. The authorities demand that Chen travel to her daughter to stop the film project. What they do not take into account is that Chen and her daughter lost contact long ago.

Every parent wants to secure the best possible future for their child. For Sun and Li, that means getting their six-year-old son, Yu, admitted to an elite international school. However, after the interview, whispers of rejection emerge, prompting the couple to meet with their trusted "helpers" – a board member and an admissions agent – in a hotel room to find out who is to blame. As suspicion mounts, hidden motives and quiet frustrations begin to surface, revealing that the school admission process is merely a reflection of deeper anxieties concerning success, security and self-worth.

A young woman has a reoccurring nightmare and decides to uncover the secret of her dead mother.

The mother of a murderer awaits and prepares to meet her son. The true story of a man who killed six Shanghai policemen after suffering police beatings as a punishment for riding an unlicensed bicycle. This film was produced as a part of the Jeonju Digital Project.

In the year of 2327, the matriarchal society has developed into a scientism-centered society. Marriages of human beings are matched based on genes. Love has died. Tian Qian runs into a mysterious clone man in her usual underground bookstore, who has been rattling her mind the whole time. She believes she might have fallen in love as people once did. Regardless of the difference in human species, she decides to ask her mother who is in charge of the genetic engineering to modify the perimeter settings of the clone man, in order to match him to her and make surrogacy between them possible. Surprisingly, her all-time strong mother says yes to her request…The film is adapted from Wang Jinkang’s science fiction novel of the same name.