Haskell Wexler

John Cassellis is the toughest TV news reporter around. After extensively reporting about violence and racial tensions in poor communities, he discovers that his network is helping the FBI by granting them access to his footage to find suspects.

Thousands of activists arrive in Seattle, Washington in masses to protest the WTO Ministerial Conference of 1999 (World Trade Organization). Although it began as a peaceful protest with a goal of stopping the WTO talks, it escalated into a full-scale riot and eventually, a State of Emergency that pitted protesters against the Seattle Police Department and the National Guard.

In 1968 California, a Marine officer's wife falls in love with a former high school classmate who suffered a paralyzing combat injury in the war.

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

Hal Ashby's obsessive genius led to an unprecedented string of Oscar®-winning classics, including Harold and Maude, Shampoo and Being There. But as contemporaries Coppola, Scorsese and Spielberg rose to blockbuster stardom in the 1980s, Ashby's uncompromising nature played out as a cautionary tale of art versus commerce.

Documentary that features many interviews and other footage of the cast and crew for the film American Graffiti (1973)

The son of acclaimed cinematographer Haskell Wexler confronts his complex father by turning the camera on him. What results is a portrait of a difficult genius and a son's path out of the shadow of a famous father.

A look at the extraordinary achievements and contemporary legacy of Oscar Micheaux, a pioneer of the African-American film industry.

A very special encounter between legendary American cinematographer Vilmos Zsigmond and young French director Pierre Filmon. A personal journey with the brightest shadowmaker and his friends.

The Los Angeles Times Critics' Pick Something’s Gonna Live is an intimate portrait of life, death, friendship and the movies, as recalled by some of Hollywood's greatest cinema artists. Academy Award®-nominated director Daniel Raim (The Man on Lincoln’s Nose), captures the late life coming together of renowned art directors Robert Boyle (North by Northwest, The Birds), Henry Bumstead (To Kill a Mockingbird, The Sting) and Albert Nozaki (The War of the Worlds, The Ten Commandments), storyboard illustrator Harold Michelson (The Graduate, Star Trek: The Motion Picture), and master cinematographers Haskell Wexler (Who’s Afraid of Virginia Woolf?, Medium Cool) and Conrad Hall (In Cold Blood, Butch Cassidy and the Sundance Kid). These prolific artists have worked on a total of 400 films, garnering 25 Academy Award® nominations and 8 wins.

An intimate portrait and saga of four film pioneers--Harry, Albert, Sam and Jack who rose from immigrant poverty through personal tragedies persevering to create a major studio with a social conscience.

Pablo blends documentary and animation elements to tell the saga of "famous unknown" Pablo Ferro, a man with a personal journey that spans from Havana, during the pre-Cuban revolution to his current home, in the garage behind his son's house.

A Biography of George Lucas.

Rosy-Fingered Dawn is a film on Terrence Malick. It is about the making of BADLANDS, DAYS OF HEAVEN, THE THIN RED LINE and the personal involvement of some of the most representative figures of the American culture itself. This medley of voices has given origin to a journey throughout the whole United States, from California to Colorado, from Virginia to Minnesota, passing by New York and Los Angeles. Every stop represents an ideal set in which all the characters of the films come to life once again giving place to a growing flow of memories. The narrative dimension of Malick's cinema resounds and opens a new horizon on the visible contradictions of the American culture; no easy judgement but a critical consciousness is what emerges from this coral speech, together with a definite need: the necessity of art. A need that Terrence Malick was able to satisfy.

The artistry, triumph and lifelong friendship of the great cinematographers Laszlo Kovacs and Vilmos Zsigmond. With film school equipment, they shoot the Soviet crackdown of the 1956 Hungarian Revolution. As refugees they struggle in Hollywood, finally breaking into the mainstream with their pivotal contribution to the "American New Wave."

Friends, family, co-stars and admirers of actor Steve McQueen talk about his life and his movie career.

Documentary featuring interviews with director Norman Jewison and others providing an in-depth look at the production of the 1967 film IN THE HEAT OF THE NIGHT.

A documentary that highlights the deadly combination of sleep deprivation and long days of work, focusing on the American film industry.

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A group portrait of filmmakers attend the 1995 Sundance Film Festival. Featuring Matthew Harrison, Richard Linklater, Ethan Hawke, Todd Haynes, Greg Araki, Abel Ferrara, Atom Egoyan, James Gray, Robert Redford, Haskell Wexler, among many others. Co-directed by Amy Hobby. [Filmed in Pixelvision and blown-up to evocatively grainy 16mm.]

Cinematographer John A. Alonzo was one of the driving creative forces in the resurgence of expressionistic American movies of the late 1960s and '70s. Director Axel Schill's documentary explores Alonzo's work on key films of that era and beyond. Clips from Chinatown, Scarface, Internal Affairs and other movies accompany interviews with stars such as Richard Dreyfuss, Sally Field and contemporary cinematographer Haskell Wexler.

In the early 1900s, Ellen, an aspiring actress, tries to find her lucky break in a studio where everything goes wrong.

Documentary about the impact left by John Sayles’ 1987 film Matewan, about a shooting between company gun thugs and union organizers in Southern West Virginia. Along with a lasting legacy of support for union rights, the film inspired many West Virginians to become filmmakers and introduced the world to many great actors.

A documentary feature that reveals the creative process of Chicago moviemakers. Using the city's famous river as a location, directors are placed in a variety of boats and share stories of how Chicago has influenced their careers.

This is a documentary about an unfinished movie. Frank Zappa and the Mothers of Invention try to film the sci-fi epic "Uncle Meat."

In the video John Hanlon, producer/recording engineer says: "Neil just captures the moment, he gives it his all, he goes for the throat. If he is not feeling it, he ain't gonna pick up the guitar. If he's feeling music, then he is recording, he's playing and I am recording it because that's what art is, capturing the movement, all the human imperfections, that is what it is about always. He is the commensurate artist, we get first takes on everything, that's the idea, cuz that's often times the best stuff. If you have to think about it that's not creating, that's thinking, then it doesn't work, it doesn't have that passion."

NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

A documentary about the Weathermen, founded as a militant faction of the Students for a Democratic Society (SDS), who fought to overthrow the U.S. government during the 1960s and 1970s. The film consists of interviews with members of the group after they went underground and footage of the anti-war and civil rights protests of the time. It was directed by Emile de Antonio, Haskell Wexler and Mary Lampson, later subpoenaed by the Federal Bureau of Investigation in an attempt to confiscate the film footage in order to gain information that would help them arrest the Weathermen.

Laymen as well as celebrities in the sciences and creative arts give their views and values regarding their creative efforts and technological society. Their answers add up to the view that science is an indispensable part of mankind's hope for the future. Interviewees include Haskell Wexler, Joan Baez, Ann Halprin, Benny Bufano, Art Hoppe, Zubin Mehta, Phil Ochs, George Pimentel, Ben Maddow.

Haskell Wexler revisits the themes of his previous work "Medium Cool" on the occasion of the Occupy demonstrations in Chicago in 2012.

What began as a video master class evolved into a film about the political documentaries of Oscar-winning cinematographer Haskell Wexler. Comprised of footage from his films as well as interviews, the film is an intimate portrait of the genius behind the camera.