Sakda Kaewbuadee

Suffering from a kidney disease and sure of his death, Uncle Boonmee assembles his relatives in the countryside. He reminisces about his past lives and plans to visit a place before dying.

A romance between a soldier and country boy is ruptured by the boy’s sudden disappearance. Their story turns into a mythical venture based on Thai folklore.

A recreation of an event to commemorate the presence of the dead and the decayed memories of the living, of filmmaking

A story about director Apichatpong Weerasethakul's parents who were both doctors, and his memories of growing up in a hospital environment.

In a hospital, ten soldiers are being treated for a mysterious sleeping sickness. In a story in which dreams can be experienced by others, and in which goddesses can sit casually with mortals, a nurse learns the reason why the patients will never be cured, and forms a telepathic bond with one of them.

A crime reporter begins to encounter near-death experiences after her father comes back from the dead inexplicably.

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

The visual journey reflects on recent genocides: moments of erasure, violent flowers of forgetfulness. A metal tower allows viewers to observe the space from multiple vantage points. It is at once reminiscent of a rocket launch and of a platform for contemplating sunsets. From there, the visual landscape intersects with two storylines.

Jenjira, a Thai widow, travels to the ancient Buddhist temple Sigiriya in Sri Lanka to scatter her husband’s ashes. As her visions blur time and space, she is swept into a journey through across dimensions.

Six directors, six independent films, six visions on the state of the world. Each carrying a unique and personal interpretation of a specific experience, their crossover creates new space for a dynamic and radical inquisitive reflection.

Created in celebration of the three-hundredth anniversary of the birth of Jean-Jacques Rousseau, this short essay centres on a monologue delivered by a reincarnation of the philosopher in twenty-first century Thailand.

Shifting between fact and fiction in a hotel situated along the Mekong River, a filmmaker rehearses a movie expressing the bonds between a vampire-like mother and daughter.

A collection of short films by five Thai directors imagining their country ten years into the future.

Diseases and a Hundred Year Period is a film-tract that comes to us from Thailand. It is directed by Sompot Chidgasornpongse, Weerasethakul's assistant on several of his films (including Syndromes and a Century), in reaction to the censorship of Syndromes and a Century in Thailand.

A tiny seaside resort, out of season. Thomas returns after being away for quite some time. Adèle is an estate agent, who has a tendency to fall asleep. The tide turns towards the beach and the dunes, scooping up jellyfish, sheep and ghosts in its ebb and flow. The tide turns, just like Thomas towards Adèle and Adèle towards Thomas.

A short film by French director Christelle Lheureux.

Nawin, a secret agent, goes rogue to rescue a mysterious woman, Jin, from the private military force that abducted her. They flee to her birthplace, pursued by the force's captain, and also by Jin’s brother, a killer capable of transforming into a giant serpent.

Taking the recent tsunami in Asia as its starting point, the filmmakers have used the idea of a ghost seen wandering along the rocky coastline of a Thai island and, in a life-affirming gesture, they have invited some local children to direct the film for them, suggesting and filming the movements of the actor-ghost.

One of the ingrained rituals in Thai society is the blessing automatically given before certain ceremonies and events such as the playing of the Royal Anthem in movie theaters before feature presentations. This short presents a "Cinema Anthem" which comically praises and blesses the feature to come.

Like Kamanita, the unchanged Morakot is a star burdened with (or fueled by) memories. Apichatpong collaborated with his three regular actors, who recounted their dreams, hometown life, bad moments, and love poems, to re-supply the hotel with new memories.