Michael Powell

Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.

During a raid on Germany, a British bomber crew is forced to bail out after their plane is damaged. They land in Holland, where they're aided by Dutch civilians.

A way of life is dying on a remote Scottish island, but some of the inhabitants resist evacuating to the mainland.

Martin Scorsese presents this very personal and insightful new feature-length documentary about British filmmakers Michael Powell and Emeric Pressburger.

Amazing documentary shows rarely seen side of a master director. 1990 was a very good year for Martin Scorsese. After making a diverse group of films in the 80s, he reunited with Robert DeNiro for "Goodfellas" and later that year shot a segment for "New York Stories", an anthology film of three shorts by Scorsese, Woody Allen, and Francis Ford Coppola. During the editing, the French documentary series "Cinéma, de notre temps" filmed a documentary on the director, and it's a fascinating glimpse into his life, personality, and working habits as he edits his short with long-time collaborator Thelma Schoonmaker.

"A Woman of Paris" (1923) was the first film Chaplin made for United Artists Film Corporation, which he founded with his friends Mary Pickford, Douglas Fairbanks and D. W. Griffith. Chaplin had long considered making a dramatic feature. For the first time, he decided to direct. Actress and filmmaker Liv Ullmann analyses the film. She talks about the acting, the originality of the characterizations, as well as the "feminine" viewpoint Chaplin adopted for the first time in his films.

In 2001 Jack Cardiff (1914-2009) became the first director of photography in the history of the Academy Awards to win an Honorary Oscar. But the first time he clasped the famous statuette in his hand was a half-century earlier when his Technicolor camerawork was awarded for Powell and Pressburger's Black Narcissus. Beyond John Huston's The African Queen and King Vidor's War and Peace, the films of the British-Hungarian creative duo (The Red Shoes and A Matter of Life and Death too) guaranteed immortality for the renowned cameraman whose career spanned seventy years.

A documentary film examining Michael Powell's 1960 film "Peeping Tom," the controversy surrounding its release, and the life of its screenwriter, Leo Marks.

Winston Churchill understood the power of films, but the true extent of his use of cinema as a propaganda tool is rarely explored. In 1934, one of Britain's most celebrated film producers, Alexander Korda, signed Churchill up as a screenwriter and historical advisor. It was the start of a unique collaboration. Churchill provided script notes for Korda's productions and penned an epic screenplay. When war broke out, their collaboration took on national importance. Korda was sent on a mission to Hollywood to help bring America into the war, with positive results. With access to previously undiscovered documents, this film documentary examines that mission and a friendship that underpinned a unique, creative partnership.

Father Adrien had taken the vows of eternal silence, prayer and, of course, celibacy, when he entered the Trappist Monastry of Notre Dame d'Afrique in Algeria. One day, he chopped down a tree that blocked a part of the Monastery wall, but as it fell it knocked a young girl senseless. As Father Adrien bathes her face she regains consciousness and in a mischievous mood embraces him. The embrace was seen by another monk but the Monastic discipline imposed is as nothing compared to the torturing penances of mind and body which the contrite Father Adrien has imposed upon himself. In the end it is all too much for poor Father Adrien and he abandons his vows and escapes into the desert, resuming his secular name Androvsky. On the way to the oasis of Beni-Mora he encounters Domini Enfilden who has been brought up as a Catholic. Androvsky rescues Domini from a rioting crowd and she finds herself deeply attracted to him.

After a masterful Shakespearean performance in a London theater, Ralph Richardson is sought for an autograph by Fred, his dresser. Later, Fred has joined the Fleet Air Arm (Fly Navy) and become a hero, rescuing a pilot from his burning plane. When Fred arrives at Buckingham Palace, it's Ralph's turn to ask for an autograph.

Jerry Mason inherits the Hotel Splendide at Speymouth but is disappointed when he sees it is a quiet place with few permanent residents. Gentleman Charlie, a jewel thief arrives after a long spell in prison expecting to be able to dig up the pearls he had buried - only to find the hotel has been built on the site.

In June 1980, Michael Powell came to Dartmouth as an artist in residence, developing and producing a fifteen-minute pilot film with the students based on Ursula Le Guin's Earthsea trilogy.

Detailed interview with Michael Powell and Emeric Pressburger looking back at their long career as influential British film-makers and their unusual partnership. Includes clips from many of their films.

A young woman, Margaret Dauncey, is caught between the forces of a charlatan magician, Oliver Haddo, whom she is unable to resist, and the love of a handsome surgeon, Arthur Burdon, who has saved her from being a helpless cripple by performing a delicate operation on her spine.

Australian famer Kit Kelly and his new bride Anna are driving through Europe when they help a stranded motorist. They discover he is Antonio, a famous dancer. Upon learning that Anna was a ballerina before she married, Antonio attempts to persuade her to join his company.

A recently engaged girl invites her parents to meet her fiance. They learn that he also loves another woman.

Michael Powell makes a moving return trip to the remote island of Foula, forty years after he shot his first major feature there - 'The Edge of the World (1937)'.