Agnès Varda

In the seaside town of Rochefort, twin sisters Delphine and Solange dream of love and artistic fulfillment beyond their quiet lives. As sailors, artists, musicians, and chance visitors pass through town during a weekend fair, a web of near-misses and romantic longing brings ideal partners tantalizingly close—without their realizing it.

A girl, whose father is from Greece, studies ancient art in France. The film was made for television but never broadcast for political reasons related to its portrayal of Greeks. A work print was screened in Belgium in 1971, and the film is now available in reconstructed form.

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.

Agnès Varda's documentary portrait of her late husband, Jacques Demy. A companion piece to her Jacquot de Nantes.

Regina meets charming Joshua while vacationing in Martinique, as she contemplates ending her whirlwind marriage to enigmatic Charlie. Upon her return to Paris, she finds that both her apartment and her bank account have been emptied, and her husband has been murdered. Stuck in ever-increasing danger and with four men pursuing her, another stranger offers assistance - but who can she trust?

A pioneering post-war female film director, an instigator of the New Wave who was honored by Hollywood in her own lifetime, Agnès Varda has become a source of inspiration for a whole new generation of young filmmakers. With movies like Cléo de 5 à 7, Le Bonheur, Sans toit ni loi, Les Glaneurs et la glaneuse, she created a quirky, open to the world, sensitive to the disenfranchised, often silly body of work. Always one finger on the pulse, she shook everything up, including cinema itself which she refused to constrict to pure fiction or long-form films.

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

After separating from the father of her son, a young French woman tries to find lodging and a fresh start in L.A. for herself and her son.

The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.

The interests, obsessions, and fantasies of two singular artists converge in this inspired collaboration between Agnès Varda and her longtime friend Jane Birkin. Made over the course of a year and motivated by Birkin’s fourtieth birthday—a milestone she admits to have some anxiety over—Jane B. by Agnès V. contrasts the private, reflective Birkin with Birkin the icon.

Thirteen filmmakers share personal reflections on Henri Langlois—the visionary founder of the Cinémathèque Française—recounting his influence on their lives, his role in preserving film history, and his enduring impact on world cinema.

What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven

Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism.

Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.

An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.

QUINQUI STARS begins in the years of the transformations that took place between the 70s and the 80s in the peripheral neighborhoods of Madrid that affected many young people and drove them towards delinquency.

The intertwined lives of two women in 1970s France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. They lose contact but meet again ten years later. Pomme has become an unconventional singer, Suzanne a serious community worker - despite the contrast they remain friends and share in the various dramas of each others' lives, in the process affirming their different female identities.

In seven different parts, Godard, Ivens, Klein, Lelouch, Marker, Resnais, and Varda show their sympathy for the North-Vietnamese army during the Vietnam War.

While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had never heard of before, Jean Varda, nicknamed "Yanco". This hitherto unknown uncle lives on a boat in Sausalito, is a painter, has adopted a hippie lifestyle and loves life. The meeting is a very happy one.

This documentary recounts the life of the late composer Michel Legrand, known for his works on Les Parapluies de Cherbourg or Les Demoiselles De Rochefort with the famous director Jacques Demy.

Three actors in Hollywood live and love together. A director comes from New York to make a movie about actors and Hollywood.

Documentary about the work of Nouvelle Vague actor Jean-Pierre Léaud, with interview clips, film clips and contributions from directors and actors he has worked with.

"Il mondo a scatti" is a film that intertwines images of today and yesterday, still images and moving images through a dialogue between two people who reflect on the visible and invisible things of the world: Cecilia Mangini, unstoppable ninety years old, photographer, documentary maker, screenwriter is filmed by Paolo Pisanelli, photographer, director, curator of cultural events.

She worked with the world’s greatest actors and directors: Buñuel, Mastroianni, Lellouche, Depardieu... The film guides us throughout her career with the filmmakers with whom she invented herself not to be a “cold blonde actress”, thanks to great interviews of many artists who crossed her path.

What does being a woman really mean? How do women live the status society reserves for them? A group of women, beautiful or not, young or not, gifted with motherly instinct or not, answer before Agnès Varda's camera.

A documentary about the Bibliothèque Nationale in Paris. It presents the building, with its processes of cataloguing and preserving all sorts of printed material, as both a monument of cultural memory and as a monstrous, alien being.

A photo montage of Cubans filmed by Agnès Varda during her visit to Cuba in 1963, four years after Fidel Castro came to power. This black & white documentary explores their socialist culture and society while making use of 1500 pictures (out of 4000!) the filmmaker took while on the island.

An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.

For some time I had been thinking about doing something with my Paris footage, of which I have many many hours. So [curator Danièle Hibon’s] suggestion [to make a new work celebrating 20 years of cinema at the Jeu de Paume museum] came just in time. I spent some three months going through my Paris footage and I managed to reduce it to the length you will be seeing, two hours and 39 minutes. It was very very hard to do so. I have so many friends in Paris, so many memories – and it’s all on video. So this is my love letter to Paris. To its streets, to the river Seine, to its cafes, bistros, bars, to the jambon de Paris, and, especially, to all of you, my Paris friends!

This visual essay, produced in 2023, builds upon rare radio interviews that Chantal Akerman gave in 1975 and 1977, in which she reflects on her films and her ascendance to critical success.

At 35 years old, photographer JR is a street art worldwide star. Discovered after the Paris’ suburb riots of 2005 for his portraits of young people, his collages have adorned the galleries of the Louvre, the Pompidou Center, the Pantheon, the National Assembly ever since … From New York to Shanghai, and the Israeli-Palestinian wall to the US-Mexico border, he has stuck or exhibited giant photos on the walls of dozens of countries and associated hundreds of thousands of unknown artists with his projects. With the active collaboration of the artist himself, the documentary “# JR” tells the extraordinary adventure of this art activist whose spectacular interventions are all clear expressions of humanism, pacifism or remembrance relayed by his very strong involvement in social networks. For JR, art can help change the world.

On the 8th floor of the Fondation Cartier in Paris, Raymond Depardon's film features a minute of silence with eight artists and scientists: David Lynch, Patti Smith, William Eggleston, Takeshi Kitano, Ron Mueck, Jean Michel Alberola, Agnès Varda and Misha Gromov.

Jacquot Demy, the son of a garage owner and a hairdresser, is fascinated by cinema and decides to pursue his dream of becoming a filmmaker by any means necessary.

Born in 1943, Sara Gómez studied literature, piano, and Afro-Cuban ethnography before becoming the first female Cuban filmmaker. A woman of great intelligence, independence and generosity, she was a revolutionary filmmaker with intersecting concerns about the Afro-Cuban community and the value of its cultural traditions, women's issues, and the treatment of the marginalized sectors of society.

Two friends (and legendary French New Wave filmmakers) meet in real and virtual worlds.

She is said to be cold, secretive and mysterious. She has the reputation of not letting anything of her intimate thoughts, her private life, her joys as well as her torments show through. She managed to protect her family, her loves, her choices from the curiosity of magazines and her public. A tour de force for a sixty year long career with more than one hundred and thirty films shot with the greatest filmmakers in the world. However, the raw material for a very personal account of Catherine Deneuve exists: it can be found in the interviews given by the actress from her beginnings until today. They allow us to discover another Catherine Deneuve.

In the hills of Los Angeles the reclusive, stylish and enigmatic 96-year-old Harumi Taniguchi spent decades painting, writing poetry and dancing in her home designed by architect Richard Neutra.

Paris, Rue Beautreillis, July 3, 1971. The corpse of rock star Jim Morrison is found in a bathtub, in the apartment of his girlfriend Pamela Courson. The chronicle of the last months of the life of the poet, singer and charismatic leader of the American band The Doors, one of the most influential in the history of rock.

Holding her 16mm camera, an optical prosthesis for a 20th-century stroller, Agnès Varda filmed 42nd Street in NYC in 1967, filming crowds of passers-by to the beat of the Doors. Recovered from the French director's boxes, with images of Varda, Pasolini and New York. Pasolini is shown walking in the Big Apple (where he went to present 'Hawks and Sparrows').

A real estate agent from Paris arrives in Los Angeles to settle his late mother's estate, but a found photograph sends him on an impromptu journey to Mexico to find a woman named Lola.

At the sea shore, a goat, a child, and a naked man. This is a photograph taken in 1954 by Agnès Varda. The goat was dead, the child was named Ulysses, and the man was naked. Starting from this frozen image, the film explores the real and the imaginary.

A desktop documentary about the online afterlife of the late French filmmaker, Chris Marker.

Film director Agnes Varda captures the creation of a beach in front of her home in Rue Daguerre, for the film 'The Beaches of Agnes'.

Film director Agnès Varda reflects on the production of ONE HUNDRED AND ONE NIGHTS, and presents a brief on-set interview with actor Michel Piccoli

Agnes Varda's documentary of the celebrations arising from the 25th anniversary of her husband Jacques Demy's film The Young Girls of Rochefort.

An adventure of three characters: Clarisse, a psychic’s apprentice, Lazare, who works at the Parisian catacombs, and the bronze statue of a lion at the Denfert-Rochereau (in the 14th arrondissement). Clarisse and Laraze meet daily, but one day Lazare disappears and the lion disappears as well!

A short program in which the participants describe how they fell in love with cinema.

Features conversations with ten of the world's greatest living directors: Bernardo Bertolucci, David Lynch, Liliana Cavani, Stephen Frears, Agnes Varda, Ken Loach, Todd Haynes, Catherine Breillat, Richard Linklater and John Sayles. The film documents Ismailos' voyage of discovering the creative personalities behind the camera.

A Woman Watches People.

Short directed by Agnès Varda in 1986 on the occasion of the 50th anniversary of the French Cinematheque, presenting a contrast between the famous stairs from the place along with classic film images also revolving around stairs.

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Commissioned by French television, this is a short documentary on the neo-classical statues found throughout Paris, predominantly on the walls of buildings, holding up windows, roofs etc.

In a survey of Agnès Varda's work in short films, the director has a conversation with Anne Huet and Alain Berlaga.

"The Poor Hunter of the South" is the title of the film Stavros Tornes never got to make, rightfully featured alongside his name on this documentary by Stavros Kaplanidis ("Canteen", "Play it Again, Christos"). The film traces his imagery, listens for his whispers and infiltrates the memories of his closest friends, looking for clues in order to piece together the portrait of a filmmaker who made something out of nothing and stayed true to himself and his vision until the very end. Besides Tornes' own films, this documentary includes footage from films where the "poor hunter" appeared as an actor, like "The Secret of the Red Cloak" by Kostas Fotinos, "Kierion" by Dimos Theos and " Allonsanfan" by Paolo and Vittorio Taviani.

An interview with Agnes Varda and JR.

Ydessa Hendeles' exhibition entitled "The living and the Artificial" (consisting of works of art all comprising a photograph of living persons in the company of one or several teddy bears) had puzzled Agnès Varda so much that she decided to go to Toronto where the artist lives and interview her. In front of Agnes Varda's DV camera, Ydessa tells about the singularity of her artistic approach. She also expresses herself about the Holocaust, which both her parents survived.

Agnès Varda travels around the world to meet friends, artists and filmmakers for an expansive view of the global contemporary art scene.

Documentary about women in the film industry. Numerous notable actresses and female directors share their thoughts.

Venturing from Venice Beach to Watts, Varda looks at the murals of LA as backdrop to and mirror of the city’s many cultures. She casts a curious eye on graffiti and photorealism, roller disco & gang violence, evangelical Christians, Hare Krishnas, artists, angels and ordinary Angelenos.

18 years after the making of the film "Vagabond", director Agnès Varda created this documentary which includes interviews with the cast.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

More than 40 years after making "Cléo de 5 à 7," Agnes Varda invites her star, two other cast members, and her assistant directors to look back. She takes us through the film, from opening scene to the end, visiting its Paris locales, placing her aged actors in the same spots, telling stories, and listening to others' reflections on the making of the film. She and they talk about making a film on a low budget, its showing at Cannes, and trying to fix a problem in the last shot. Her assistant directors discuss casting, costumes, sets, and the ways the film changed their approaches to filmmaking.

This documentary cracks open the meticulously constructed façade of Andy Warhol, exposing the complex figure behind the soup cans and Marilyns. Director Tania Goldenberg traces the transformation of Andrew Warhola, a shy, churchgoing son of Pittsburgh immigrants, into the silver-wigged icon who redefined modern celebrity while deliberately maintaining a lifelong mask. Behind the iconic person...

A documentary film directed by French Agnès Varda as an extension of the exhibition 'L'île et elle'. The installation 'Les veuves de Noirmoutier' (or 'The Widows of Noirmoutier') had various women filmed by Varda, young and old, who spoke about their widowhood and their residence on the island of Noirmoutier. The film is a montage of these meetings, which are both simple and melancholic.

Television documentary about the making of Jacques Demy's 1964 film "The Umbrellas of Cherbourg".

A short tribute to Zgougou, Varda’s cat who was given to her by Sabine Mamou.

Mag Bodard, un destin is an archive documentary filmed for television by Anne Wiazemsky in 2005.

Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium. To celebrate cinema’s 50 year existence, they put together a side program showcasing the medium in all its shapes and forms: surrealist film, absolute film, dadaist films, abstract film,… The side program would soon become a festival in its own right: ‘EXPRMNTL’, dedicated to experimental cinema, and would become a mythical gathering of the avant-garde…

Agnès Varda’s follow-up to her acclaimed documentary THE GLEANERS AND I takes us deeper into the world of those who find purpose and beauty in the refuse of society, revisiting many of the original film’s subjects.

Actor Jane Birkin talks about her friendship with director Agnes Varda, and about their work on 'Jane B. Par Agnes V.' and Kung-Fu Master!'.

Made for Cinéastes de notre temps series. In 1964, several French New Wave auteurs discuss the success and crisis of the wave. Featuring Claude Chabrol, François Truffaut, Jacques Rivette, Jean-Luc Godard, Jacques Rozier, Jacques Demy, Agnès Varda, Jean Rouch, and many others.

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Michel Legrand, Agnès Varda, and Anouk Aimee share the story behind the song they created for Jacques Demy's first feature film, LOLA, “C’est moi, c’est Lola".

A short piece in which Agnes Varda revisits actress Marthe Jarnias, who plays the old aunt in her 1985 film "Vagabond".

Unfinished film project from Agnès Varda (c. 1960)

An artistic pioneer, Agnès Varda has never stopped looking for the next way to tell a story. Here the 90-year-old explains how Instagram, with a majority of users in the 18-24 age range, followed photography and film as her medium of choice.

A documentary interview with the French actress while on the sets of films in production. Several of the directors for whom she has made films are also interviewed

From January to November 2004, as a kind of carnet de voyage alongside our other activities, we asked one and the same question of various people we met on our journeys, including friends: "Do you remember a moment in your life when something really changed?" We requested them to tell us a story to illustrate their reply, and we filmed them.

Nineteen people with differing degrees of visual impairment – from mild nearsightedness to total blindness – discuss how they see themselves, how they see others and how they perceive the world. Unusual images, of burning trees or empty deserts, link the interviews, which vary from deep to funny to poetic.

TV series directed by Varda in which she gives thoughts to her favorite images and why she is drawn to them (in short one minute segments per image)

Agnès Varda shares her career and life story on the eve of receiving her Honorary Oscar in 2017: from her childhood and early influences to her life with Jacques Demy, and of course a lifetime of images, her unique artistic journey as a photographer, filmmaker and visual artist.

This profile of street artists Jérôme Mesnager and Miss Tic was shot by director Agnès Varda in Paris between 2006 and 2012.

The 3 lives of Agnès Varda: photographer, filmmaker and visual artist.

Director Agnès Varda gathers some of her collaborators from JACQUOT DE NANTES to discuss their experiences making the film, as well as show Varda wove her grief over the loss of her husband, Jacques Demy, into other projects.

Agnes Varda revisits the storefronts and some of the local people she interviewed 30 years earlier in Daguerréotypes (1976).

This short profile of Agnès Varda’s longtime bakery and accordion shop was shot by the filmmaker in 2005.

A super short film to accompany the earlier documentary of the same name. A photoplay of various caryatids to be found in Paris.

Director Agnes Varda and composer Joanna Brusdowicz discuss the music they created for Varda's film 'Sans Toi Ni Loi' [Vagabond], and the dolly shots that the music accompanies during the film.

In 2007, the French filmmaker and my dear friend Agnès Varda called me before coming to L.A. with a question: would I agree to let her film my L.A. story? The video you are about to watch is the story of our first encounter in Paris in 1996 and in the years since, how our shared reverence for cinema formed the bonds of an everlasting friendship, and how the Cinematheque became like home.

Director Agnès Varda talks with LIONS LOVE (. . . AND LIES) star Viva about their work together, in this long-lost interview conducted for French television in 1970.

Agnès Varda and her crew stroll through the streets of Fontenay-aux-Roses asking a number of the town's residents what happiness means to them.

In Noirmoutier, Agnès Varda shoots her eighth film, Les Créatures, starring Catherine Deneuve, under the watchful eye of Maurice Pialat.

Director Agnès Varda looks at definitions of happiness put forth by great writers.

A documentary about French film director Agnès Varda on the set of her 1977 film ONE SINGS, THE OTHER DOESN'T. It includes interviews with Varda and the lead actors in the film.

On the occasion of the Seventh New York Film Festival, the arts program Camera Three filmed Jack Kroll of Newsweek interviewing Susan Sontag and Agnès Varda, both of whom had films showing in the festival. The two discuss their work and show clips of the films, Duet for Cannibals and Lion's Love.