Ingmar Bergman

Johan and Marianne are married and seem to have it all. Their happiness, however, is a façade for a troubled relationship, which becomes even rockier when Johan admits that he's having an affair. Before long, the spouses separate and move towards finalizing their divorce, but they make attempts at reconciling. Even as they pursue other relationships, Johan and Marianne realize that they have a significant bond, but also many issues that hinder that connection.

As Agnes slowly dies of cancer, her sisters are so immersed in their own psychic pains that they are unable to offer her the support she needs.

A recently divorced man and an emotionally devastated widow begin a love affair.

The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjöman (director, I Am Curious–Yellow, 1967), suggests to Swedish Television that they take the opportunity to record with the acclaimed director. In August, Sjöman and the television crew begin to capture what would become a comprehensive five-part documentary on the making of Winter Light, offering views of script development, set construction and lighting, rehearsals and editing, as well as intimate conversations with Bergman and members of his cast and crew. Footage from the film’s Swedish premiere delivers immediate audience reactions and the critics’ reviews the following day.

Portrait of Ingmar Bergman, made while he was working on The Touch, about his professional and private life in the early 1970s.

Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.

Called to court on obscenity charges, a theatre troupe are forced to expose their neuroses and inner psychological torments.

A meaningful account of the personal and professional life of the great Swedish filmmaker Ingmar Bergman (1918-2007) that explores his film legacy, with interviews with his closest collaborators and a new generation of filmmakers.

The year 1957 was one of the most prolific for the Swedish filmmaker Ingmar Bergman: he shot two films, released two of his most celebrated films and produced four plays and a TV movie while juggling with a complicated private life.

In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)

The four wives of four brothers share stories of their marriages as they wait for their husbands in a small, secluded cottage.

Two women—a fashion executive and her young model—experience parallel romantic disappointments during a trip to Gothenburg, exposing generational differences in desire, illusion, and emotional endurance. A transitional work in Ingmar Bergman’s mid-1950s cinema.

Interpreter, actor and entertainer. Sven-Bertil Taubes' career spans almost a lifetime. As the son of two legendary artists, he had a lot to live up to. This is the story of Sven-Bertil Taubes' life, told in his own words. It will be a journey through nine decades.

In 1925, eccentric inventor and Franz Schubert devotee Carl Åkerblom is confined to a psychiatric ward in Uppsala after attempting to murder his fiancée. Obsessed with death, music, and the future of cinema, he joins forces with a fellow patient to create a “living talkie,” an experimental film performance with live-spoken dialogue. As the project unfolds, art, madness, and mortality collide in a tragicomic reflection on creativity and human frailty.

After fifteen years of marriage and mutual infidelity, a couple on the brink of divorce unexpectedly confront their unresolved love during a journey to Copenhagen. Blending farce with emotional reflection, the film is Ingmar Bergman’s first sustained venture into marital comedy.

He calls them his demons—these fears and neuroses that keep him awake at night in his house on the island of Fårö. Ingmar Bergman is under observation. Swedish theater and film director Ingmar Bergman had a decisive influence on cinema. By the end of his life, he had made over 40 films and directed countless theater productions. He would have turned 100 in 2018. To mark this occasion, Henrike Sandner’s documentary “Ingmar Bergman – Master of Demons” features interviews with the filmmaker’s closest colleagues and friends, including actress Liv Ullmann.

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

Produced in 1968 for New York's WNET public television station and filmed by Gunnar Fischer, host Lewis Freedman visits director Ingmar Bergman during the production of SHAME. They discuss some of Bergman's major works leading up to SHAME as well as the just-released HOUR OF THE WOLF.

The desolate and mysterious island of Fårö, Sweden, Baltic Sea, 2004. Swedish master filmmaker Ingmar Bergman (1918-2007) looks back on his personal and artistic life; a journey through more than sixty years devoted to film, plays and television programs. (An abridged version of Ingmar Bergman Complete, 2004; a collection of three thematic documentaries: Bergman and Film; Bergman and Theater; and Bergman and Fårö Island.)

Documentary relating Ingmar Bergman's life, from his high school graduation up until he became an established filmmaker in the latter half of the 40's.

One person’s perspective of the year 2025 shown through an accumulation of 365 unedited shots with one shot from each of the 365 days.

She has been on stage for over sixty years and has played all the great female roles. Now she is working on a new play, but at the same time she is facing the end at the age of 83 – and it doesn’t feel nice. Already in 1969, Marie met her great love, the actor Jan Malmsjö. Now she talks about the great passion that struck her even though she was already married, and about what everyday love looks like in older age.

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

The 42 year long relationship between legendary actress Liv Ullmann and master filmmaker Ingmar Bergman.

A journey through Swedish queer film history.

A short film containing some of the highlights of the Cannes Film Festival's storied history.

The first of two documentaries about Ingmar Bergman produced to mark his 70th birthday. Includes behind the scenes "home movies" from Bergman's personal archive, interviews with Bergman recorded over his 40 years in the film industry and passages from his autobiography read by Max von Sydow and Bergman himself.

The documentary chronicles Bo Widerberg's journey from 1960s Malmö, where he worked as a writer and film critic, to his successes as a director in Stockholm and international adventures in Cannes and New York. The film also explores the personal costs of his artistic vision and how his pursuit of life and authenticity affected both himself and those around him.

Returning to Fårö a decade after his earlier documentary, Ingmar Bergman records the daily lives of farmers, fishermen, and families living on the island. Structured around the four seasons, the film documents labor, communal routines, and reflections on how life on Fårö has changed since the late 1960s.

This short film assembles still photographs from Ingmar Bergman’s personal family albums, concentrating on portraits of his mother, Karin, from childhood through adulthood. The images are arranged in chronological order and set to a piano score by Käbi Laretei, with no spoken narration.

It is a new documentary made by film director, author and film critic Stig Björkman that will be shown on Sveriges Television in May. It was recorded in connection with Christina Schollin's last theater role as Helena Ekdahl in Teater Galeasen's production of "Fanny and Alexander". In the documentary, Christina looks back on her long film and theater life.

A fractured portrait of desire and isolation, following a failing marriage and parallel stories of emotional entrapment as memories surface during a train journey through postwar Europe. Told through flashbacks and multiple narrative threads, the film signals Ingmar Bergman’s emerging mature style.

A conversation between Bergman and film critic Nils Petter Sundgren recorded for Swedish television in 1984.

Swedish Prime Minister Olof Palme was openly shot to death on a February evening 1986 on the streets of Stockholm. In one night, the country of Sweden was transfigured. “Palme” is about his life, his time, and about the Sweden he had created. About a man who altered history.

The behind-the-scenes documentary for Ingmar Bergman's 1972 masterpiece Cries and Whispersdirected by Bergman’s long-time collaborator, script girl Katinka Farago, it was shot on the set at Taxinge-Näsby Castle in Sweden. The documentary features a narration by Bergman scholar Peter Cowie

Filmed during the first ever Guldbaggen (golden scarab) awards, it was edited and developed that night and shown for the first time to the guests at the after party.

This is a cinematic pilgrimage by two young Turkish directors to their biggest source of inspiration, Ingmar Bergman. Their desire to approach even further to Bergman and to his work leads them to make this journey from their hometown Istanbul to Sweden, the land of Bergman. Their journey passes through not only to Stockholm, Uppsala, Dalarna, Gotland and of course Faro, but will also be an inner journey to their own selves.

In postwar Sweden, a gifted young pianist’s life is transformed after a tragic accident leaves him blind. Struggling with bitterness, isolation, and the loss of his former world, he finds unexpected support and companionship from a compassionate young woman who helps him rebuild his sense of purpose. As their relationship deepens over the years, both must confront questions of pride, class, and emotional vulnerability in order to move forward.

Shot on the island of Fårö, this documentary presents interviews with local inhabitants as they discuss work, family life, and the conditions of living in a sparsely populated rural community. Bergman documents generational differences and practical concerns surrounding farming, fishing, education, and migration as the island confronts social and economic change.

'Filmstaden', a film studio in Stockholm where directors Victor Sjöström, Mauritz Stiller, Ingmar Bergman among others worked - as well as many prominent actors - was built 1919-1920. This documentary tells its rich history featuring many of the people involved.

Carl-Gustaf Nykvist's documentary about his father, Sven Nykvist. The film is based on Sven's memoirs with Sven himself as narrator. A journey to the place of birth, Moheda, constitutes the hub of the film and during the journey friends and memories emerge. Written by Fredrik Klasson

Jan-Erik Widgren meets the lonely Bertha Olsson, a woman struggling with alcoholism. Though Bertha is already linked to Caligula, Jan-Erik's heartless teacher, she begins a relationship with the boy anyway. When Caligula learns that Jan-Erik is having an affair with Bertha, he begins to torture his student psychologically. He reserves his cruelest behavior for Bertha, however, which results in a tragic turn of events.

Shot during the making of Fanny and Alexander, this feature-length documentary presents extended behind-the-scenes material from rehearsals and filming sessions, with Bergman at work staging scenes and directing performances. The film focuses on the practical process of production, including collaboration with the principal cast and key crew members such as cinematographer Sven Nykvist and on-set documentarian Arne Carlsson.

A young orchestra violinist’s fear of mediocrity and drive for artistic success strain his marriage to a fellow musician. Told largely in flashback and shaped by Beethoven’s Ninth Symphony, the film examines ambition, love, and loss in early Ingmar Bergman.

Set in the offices of the Swedish film industry, this television drama stages a fictional encounter between Georg af Klercker, a marginalized silent-film director, and Charles Magnusson, the producer who once controlled his fate. Through their conversation, memories of early Scandinavian cinema and unresolved professional grievances resurface as af Klercker seeks the possibility of returning to filmmaking.

Returning home after seven years at sea, a sailor relives his youth aboard a salvage ship dominated by his abusive father, recalling love, betrayal, and the desire to escape. Told in flashback, the film explores family conflict, longing, and moral reckoning in an early milestone of Ingmar Bergman’s career.

Documentary of the Swedish actor/director Victor Sjöström and his work - from Terje Vigen (1917) to Smultronstället (1957) Director Ingmar Bergman is interviewed about his memories of and experiences of Sjöström.

This behind-the-scenes documentary follows the production of Autumn Sonata, capturing rehearsals, filming sessions, and discussions during the shoot. The film presents extended observational footage of the working process led by Ingmar Bergman and the principal cast and crew.

One hour making-of of Bergman's In the Presence of a Clown.

Anita Haglöf was Ingmar Bergman's housekeeper for eight years, in his home at Karlaplan in Stockholm and at Fårö. She constantly accused him of harassment in her diary, but didn't quit the job.

TV Documentary about Ingmar Bergman from 1998.

"The Undefeated Femininity" - a film about Gun Grut Bergman. In September 1949 Ingmar Bergman left his wife and five children, and escaped to Paris with a new woman, Gun Grut. It was the beginning of a passionate love affair, an enduring jealousy drama and a new theme in Bergman's films. Now their son, Ingmar Bergman Jr, walks in his parents' footsteps, from Paris to the home on Grev Turegatan 69 in Stockholm.

Based on an interview with Ingmar Bergman and footage taken during the director's visit to the Reykjavík Art Festival in 1986, this film focuses on Mr. Bergman's methods and philosophy on film direction.

A documentary about the production of Ingmar Bergman's TV film "Saraband."

In commemoration of the 100th anniversary of Ingmar Bergman the Finnish writer and director Jörn Donner shares his memories of his friend and collaborator. The movie is based on two as yet unpublished TV interviews with Bergman which Donner filmed in 1975 and 1987.

Making of-documentary about Ingmar Bergman's The Image Makers, featuring behind the scenes footage and an interview with its writer, Per Olov Enquist.

Documentary about the Swedish film director, produced for the UK television program "The South Bank."

Federico Fellini was one of the most individual and thought provoking directors who based most of his films upon his own reflections, dreams, life events and fantasies, who did not convey any special message for humanity but regarded cinema simply as entertainment. Is there an answer to everything? Can it possibly be? If yes, then life can no longer be so curious, so dynamic, so creative...

Biggest Hollywood stars in Italy from 1950 to 1970 through Cinecittà Luce's archives.

Eight vignettes on a variety of topics, including a baby growing up, Charlie Chaplin, Birgit Nilsson, the racing track at Le Mans, erotic cleanliness, French literature, and a black woman in a cupboard in the neighborhood of Farsta near Stockholm.

Her name conjures up beauty, grace, talent and style. One of the greatest actresses of her time, she is best remembered for a natural and vulnerable persona which was so genuine and alluring. Her cinematic contributions produced such classics as "Casablanca," "Gaslight" and "Anastasia." But Ingrid's story goes deeper than the triumphs of her movie career.

Malou Von Sivers is the hostess of a popular Swedish talk show in which she quizzes famous people about their public and private lives. Through the noted Swedish actor Erland Josephson, Malou extended an invitation to the legendary -- and notoriously reclusive -- director Ingmar Bergman to appear on her show. To Malou's surprise, Bergman agreed, under the condition that Josephson appear on the show with him. In the course of this 52-minute interview, Bergman discusses his personal life rather than his films, shedding light on his temper, his mood swings, his problems with women, his marriage, and the trials of his advancing age. The interview was later re-edited into expanded form for international release as Malou Meets Ingmar Bergman and Erland Josephson. The documentary was screened at the 2000 Cannes Film Festival.

In 2017, journalist and filmmaker Marie Nyreröd created this series of topical short films using outtakes from footage she had recorded with director Ingmar Bergman for her 2006 feature documentary BERGMAN ISLAND.

In the early fifties Ingmar Bergman got himself a cine-camera, a 9.5 mm Bell & Howell, which he often used both privately and in his work. "Bilder från lekstugan" ("Images from the Playground") embark on these films, giving a diverse representation of one of the greatest artists in cinema.

A short documentary about "Scenes from a Marriage" (1973).

In 1965 Ingmar Bergman filmed “Persona”, the cult film that brought together all of the Swedish filmmaker’s obsessions and became a turning point in his career.

Interviews with Kjell who is a cancer patient, children who smoke and various celebrities on their views and experiences on smoking.

This is the year when the Vietnam War ends and terrorists take over the West German embassy in Stockholm. On TV, Staffan Westerberg's "Vilse i Pannkakan" coincides with Ingmar Bergman's "The Magic Flute". Despite the cold war, the USA and the Soviet Union take the opportunity to meet - in space! And Davis Cup tennis is played in Båstad. Sweden meets Chile and the police fear riots. This and much more in "The year was 1975" by Jonas Fohlin and Eva Tillberg.

An interview with film director Ingmar Bergman, conducted by journalist Sigvard Hammar, originally broadcast on Swedish television.

1976 brings several events that leave their mark on Sweden. Silvia Sommerlath marries King Carl Gustaf, and Thorbjörn Fälldin takes over as the new prime minister. On the music scene, international visits stand out when the rock bands Kiss and Sweet come to Sweden. And as Christmas approaches, Trazan Apansson appears on the TV screen for the very first time.

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This short film consists of 16mm home-movie footage recorded by Ingmar Bergman during the first two years of his son Daniel’s life, beginning shortly before his birth and continuing through early childhood. The material was edited by Bergman as an independent segment for inclusion in the 1967 Swedish anthology film Stimulantia.

A short documentary about the work of Swedish cinematographer and Ingmar Bergman collaborator, Sven Nykvist, emphasizing his style of lighting and sense of humanity through interviews and film clips from key Bergman and Nykvist productions.

In this 2009 video piece, film scholar Peter Cowie walks us through Ingmar Bergman’s career by way of film stills, behind-the-scenes photos, and clips from many of the director’s films and television productions.

Ingmar Bergman's film Winter Light from 1963 is one of the most mythical and discussed films in Swedish history. In this documentary, director Kristian Petri uses unique archival footage to tell about the making of the film and, together with two actors bringing Bergman and Vilgot Sjöman to life, he tells about creativity, friendship, power and fear.

1957 - this is when the space age begins. The Soviets send up Sputnik 1 and 2. The whole world searches the sky for moving stars and the radio amateurs listen in their headphones for beeps from space. Ingmar Bergman's The Seventh Seal and Wild Strawberries are shown in cinemas. Stockholm gets its first female parking attendants and Tommy Steele comes to visit.

A short documentary about Hour of the Wolf.

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