Chico Buarque

Chico Buarque

Acting

June 19, 1944
Rio de Janeiro, Brazil
92 movies

Biography

Francisco Buarque de Hollanda OMC • ComIH, better known as Chico Buarque (Rio de Janeiro, June 19, 1944), is a Brazilian singer, composer, guitarist, playwright, writer and actor. He is considered by many critics to be the greatest living artist in Brazilian music. His discography includes approximately eighty works, including solo albums, in partnership with other musicians and compacts.

🎬 Chico Buarque's Filmography

92 movies sorted by popularity

Chico Buarque: Na Carreira
10.0

Five years after his last tour, Chico Buarque returns with a show to launch his newest CD, Chico, which has already sold over 80,000 copies. Despite having one of the most solid and prolific careers in Brazilian Popular Music (MPB) — releasing more than 40 albums over 45 years, including solo works and projects — the composer rarely appears on Brazilian stages. This will be only the sixth show he has performed in the last 36 years. Lasting approximately 1 hour and 30 minutes, the setlist is built entirely around the ten songs from the new album. In addition to these, the artist sifted through his vast catalog of over 400 songs—diverse in both genres and themes—to finalize a list of 30 tracks. The project, titled Na Carreira, is a celebration of this great artist’s return to the stage, revisiting classics such as Todo Sentimento, Bastidores, Baioque, O Meu Amor/Teresinha, Anos Dourados, among others.

Chico Buarque: Na Carreira

2012
Brazil's Maria Bethânia

This is a journey of friendship, an Argentinian is going to rediscover his continent while searching for his friend from Bahia. And while the work, the records and the career of this great lady of Brazilian music are well known, the starting point, the training, the first years remained till now in a vaguely legendary and imprecise blur. Thanks to many investigations that concern as many places as times, thanks to journeys back in time through the towns and regions, the film seeks the origins of Maria Bethânia’s voice and style. Helped and led by Bethânia herself, with the assistance of Caetano Veloso and Chico Buarque, the two princes of Brazilian music, along with the complicity of the great Gilberto Gil, the author is allowed to go to the first context : the North-East. In the family home in Santo Amaro, the film finally touches the childhood of Maria Bethânia – and her brother Caetano, and this mysterious point – from which the music radiates.

Brazil's Maria Bethânia

2001
A Night in 67
7.0

In the 1970s, "festivals" were incredibly popular in Brazil, as they were recorded before a live studio audience, and usually featured a number of elimination rounds. They also formed the springboard for the career of many a big-name stars, such as Chico Buarque, Caetano Veloso, Roberto Carlos and Gilberto Gil. Appearing on such a program was no cakewalk, however: audiences could be as wild in their condemnation as in their appreciation of an artist. Extensive archive footage (including performances and behind-the-scenes interviews) from the turbulent final evening of the Festival of Brazilian Popular Music 1967 paints a fascinating picture, not only of the transformation of Brazilian music into real "festival" music, but also of a society starting to buck against the yoke of military rule.

A Night in 67

2010
Chico Buarque: Carioca – Ao Vivo
8.5

“Carioca,” Chico Buarque’s first DVD of original songs since As Cidades (1998), features musical direction and arrangements by Luiz Cláudio Ramos and production by Vinícius França. The repertoire includes the choro-canção Subúrbio and Sempre, a track composed for the film O Maior Amor do Mundo, among others. In this work, the artist speaks about his city with the youthful spirit reminiscent of the age when he first earned his famous nickname. Voltei a Cantar / Mambembe / Dura na Queda / O Futebol / Morena na Angola / Renata Maria / Outros Sonhos / Imagina / Porque Era Ela, Porque Era Eu / Sempre / Mil Perdões / A História de Lily Braun / A Bela e a Fera / Ela É Dançarina / As Atrizes / Ela Faz Cinema / Eu Te Amo / Palavra de Mulher / Leve / Bolero Blues / As Vitrines / Subúrbio / Morro dos Irmãos / Futuros Amantes / Bye Bye Brasil / Cantando no Toró / Grande Hotel / Ode aos Ratos / Na Carreira / Deixe a Menina / Sem Compromisso / Quem Te Viu, Quem Te Vê / João e Maria

Chico Buarque: Carioca – Ao Vivo

2007
The Trial
7.5

The impeachment and removal from office of Brazilian President Dilma Rousseff in 2016 was triggered by a corruption scandal involving, among others, her then vice-president Michel Temer. Director Maria Augusta Ramos follows the trial against Rousseff from the point of view of her defence team. This is a courtroom drama that unfolds slowly: the appearances of the various parties gradually turn the proceedings into something akin to theatre. Inside the courtroom, grand emotions are played to full effect whilst, on the other side of the doors, lobbyists and supporters pace the corridors. Meanwhile, outside, in front of Brasília’s modernist government buildings, demonstrators are chanting like a Greek chorus. Only the main character, Rousseff herself, remains professional and aloof.

The Trial

2018
Aperana Street 52
5.2

In his film Rua Aperana 52 Júlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressane's parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means 'wrong road'. Rua Aperana 52 is autobiographical, as it is a landscape from Bressane's youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction,

Aperana Street 52

2012
Chico Buarque | MovieMind AI