David Prachař

A father and son have nothing in common except a first name, Richard, and an apartment on a housing estate. The burly, good-natured, 30-something factory worker listens to heavy metal and occasionally lets his girlfriend into his life. The frail, retired teacher, who raised the boy after his mother’s departure, is the embodiment of care and understanding. However, their tranquil, shared reality, which embraces both the hardcore band Našrot and Bergman’s “Cries and Whispers,” is disrupted by the sudden death of the mother. Young Richard sets out on a peculiar initiation journey with bizarre encounters and moments of unexpected enlightenment.

Pavel may be in his forties, but he still hasn't fully matured. He lives with his mother and lacks the courage to do what would truly fulfill him in life. He only gets this when he meets his childhood sweetheart, Tereza, and spends an adventurous night with her. However, Tereza is not ready to leave her current life for someone who, according to her, is not a real man. So Pavel decides to become exactly that kind of guy. He signs up for a training camp in the Tatras led by Weisner, who teaches everything from chopping wood to seducing women. Will Pavlo manage to overcome himself and become the man Tereza longs for?

A sequel to "Vyšehrad: Fylm"(2022). Lavi’s long-awaited foreign engagement in the Vyšehrad sequel ends in fiasco when his flight to England fails; he unexpectedly lands at the rural FK Smrkov, where a series of surprises, including a revelation discovered during an unplanned stop at an outhouse, await him.

More than a year has passed since the last time we saw Julio Lavický (Jakub Stáfek) (yes, it was when he "sold" the match, but forgot about it and scored a beautiful goal). Lavi is, as his agent would say Jarda (Jakub Prachar), still the same demented person, but he finally started to do well. Both in football and in his personal life. With Vysehrad, he advanced to the second league, where he leads the scorers' table, once again wealthier clubs are eyeing him, he even asked for the hand of his girlfriend Lucia (Sárka Vaculíková), Jarda's sister... At the wedding, which cost a fortune, but he discovers that he already has an eight-year-old son, which will definitely not please the newlywed. not to lose his wife on his wedding day, to take care of his child, which is a long way from him, to get from Vysehrad to somewhere higher, or to fight with the practices of a certain football Dad... It's just rushing like an avalanche again - from one problem to another second.

Theater in film: Maryša by Jan Mikulášek, directed by Viktor Tauš, is a thoroughly contemporary cinematic confession of a woman who has decided not to succumb to the pressure of those around her and, if she cannot fulfill her love, would rather cause death and self-destruction. A ballad about a case where preserving inner dignity is more important than life itself.

Blind Mimi and Lisa are best friends. They learn from each other to approach the world and its diversity with generosity, tolerance, and openness. In a new story, titled The Garden, a yellow container is installed in the yard of their house which their neighbours soon start filling with old and broken things. Lisa is curious what Mimi would be getting rid of and is surprised to see she doesn´t throw away anything. For Mimi, all old things at home are her anchors and little certainties in the dark. Lisa decides to throw away her old red ball. But it falls behind the container and thanks to it the girls discover a secret door leading to the beautiful Garden of the miraculous Magic Maker, who takes them on a quick trip through all the seasons.

A Czechoslovak TV film based on Swedish crime novel.

Zbyněk and Kateřina have become husband and wife, and Alenka is a beautiful young lady. Mothers and fathers know best how difficult this period in a family's life begins. The young lady begins to discover a hitherto unknown world in which former unbearable boys turn into quite tolerable young men. However, most of them have qualities that do not seem entirely ideal to their parents. If Zbyněk is a brother with the duties of a father, then with Alenka's adulthood he stands on the threshold of worries that will really confuse him...

The subject of this film, which takes an analytical look at the life of all of us with an analytical eye, is the evil microbe that has slowly infiltrated the organism of the Czech nation. Through the intertwining fates of three couples, it evokes domestic life before November 1989, burdened by a suffocating atmosphere of unfreedom, and after November, when relatively nothing has changed because people have not changed. The bleak conclusion suggests that the plague epidemic is still ongoing.

This international co-production, shot at Barrandov Studios with international cast including Czech actors is an attempt to create a sci-fi fantasy in the tradition of Star Wars and Star Trek. Sometime in the distant future, several earthlings turn up on a strange planet ruled over by a despotic ruler with magic powers. A young earth-man initiates a successful uprising.

Human kindness and purity in a corrupt world will never go out of style. This is proven by Fyodor Dostoyevsky's more than 150-year-old story "The Idiot," which continues to inspire new adaptations and resonates with contemporary audiences thanks to its timelessness.

The Horváth family is a Romani family with seven children, and the story begins with the tragic death of the father. His wife, Vera, is suddenly in a fight with the authorities, determined to keep her large family together at all costs, but she is hopelessly ill-prepared for the task. They are evicted from their home and her case-Vera versus the city-finds its way to a young, ambitious lawyer. She doesn't know the world of the Romani, nor is she particularly interested in it. Initially she takes the case as a springboard for her career. Despite her prejudices, incomprehension and sometimes Vera herself, she doesn't abandon the case. Luckily she is not the only one who sides with the family. There is a social worker whose attempts to help the Horváths are also motivated by his entirely private interest in the attractive lawyer.

A recording of the production from the courtyard of the Supreme Purkrab of Prague Castle starring Jan Tříská. Shakespeare's tragedy King Lear is a timeless tale of love, hate, betrayal, greed and lust for power. At the end of his life, the King decides to divide the kingdom between his three daughters based on their speeches about how much they love him. In his blindness, he disinherits and exiles the most honest and beloved Cordelia. He hands over all his power to his other two daughters and only in time does he discover what he has done and gradually slips into madness.

The story of the friendship between František and Gustav, which fades over the years, as well as the memory of a magical, almost dreamlike experience...

Zdena, a young nurse, starts her first night shift at an old people’s home and immediately faces a difficult task: she has to deal with the body of a deceased client. A gentle portrait of faltering youth and a realistic tale of an encounter with death in a blend of physically intense moments and absurd humour.

Two people scarred by a wartime past meet again years later during an archaeological dig. But the silent, inaccessible man in particular is reluctant to admit to anyone his harrowing experiences in a Nazi concentration camp, where he was the subject of horrific medical experiments.

Commissioner Vašátko meets painter Horác while on vacation at a mountain cabin. A diverse group of guests has gathered here, ruled over by the aggressive and arrogant director Skorkovský, who humiliates and abuses his son with nonsensical orders. Horác takes this very badly, as do the others—but they are somehow indebted to the director. The tension in the cottage gradually increases, and the director is found dead. The police cannot get to the cottage because of a storm, so the experienced Commissioner Vašátko takes charge of the investigation. The cottage is full of people who have strong motives for murder...

No description available.

A television adaptation of Jan Neruda's short stories The Bachelor and Mr. Carpet's Marriage.

The drama of a man for whom work has become the only meaning of life. His cold and impersonal manner arouses the disapproval of his colleagues and family members and leads to alienation. Eventually, he realizes the need for "time out" to reflect on his own life...

This darkly grotesque drama unfolds on multiple paths. The tangible one, now cruel, now crazy, along which the nomadic actor "Dad Mour", his wife "Mum" and two sons try to return home, but also the imaginary one, even more, tortuous and dusty, on which the often impressive mental youth (or immaturity, a scrooge might say) is welded with life circumstances forcing the protagonist to wise up. An anxious and exuberant cinematic faerie about love, the fear of loneliness and the gaze of sons fixed on their fathers.

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

When their father is falsely accused of witchcraft and departs to clear his name, five resourceful siblings must band together to stop their scheming neighbor’s bid to seize their family’s fortress.

Princess Georgina is just returning from the Imperial Court full of news about fashion and good manners. However, she starts to behave arrogantly and overprotective not only towards her cousin Blažej, but also towards mushrooms, frogs and nature in general. This, of course, wakes up Pindrus. Haven't you ever heard of those mischievous ghosts? Then this fairy tale is for you. You'll find out what happened to the pretentious princess who had a toadstool growing out of her head and croaking.

About two princesses, twins, indistinguishable from each other. Except that the "beautiful" one doesn't care about her education and the "smart" one doesn't care about her looks. Only the two sisters' efforts to get the same prince as their husband lead them to realize where they were wrong. They then know forever how little beauty means without wisdom and wisdom that despises beauty.

We are familiar with spoiled only children in everyday life. But even in fairy tales, we find princes who are showered with excessive care by their royal parents from morning till night. If he weren't a smart and likable boy at heart, he would probably remain a royal darling forever. Fortunately, he stood on his own two feet in time, and he did well.

When Jonáš, a water sprite, and Karolínka, the miller's daughter, fall in love, they don't have it easy. Jonáš's father, the grumpy water sprite Hastrbuch, stands in the way of his love, while Karolínka has no idea that her beloved Jonáš is not human. Luckily, there is a young man named Libor who will do anything to protect the whole village, and especially Karolínka, from the water sprite villain. So what if he has to scheme and lie? The main thing is that he can get Karolínka to reject Jonáš and choose him, the brave Libor, instead.