Sidney J. Furie

A documentary about actor Michael Caine. Narrated by Caine himself, it includes interviews of his family, friends and colleagues and clips from some of his films.

This is the first feature-length documentary on legendary director Raoul Walsh. In this 'memoir,' Walsh 'recounts' his career from the silent film era to the tumultuous 1960s. The documentary makes stunning use of rare, personal and production photos and footage, revealing Walsh's extraordinary, adventurous life on and off the set. From his apprenticeship with D.W. Griffith to his discovery of John Wayne and Rock Hudson, from the innovative 'The Thief of Bagdad' (1924) to the widescreen 'The Big Trail' (1930), from his classic work with Cagney, Bogart and Flynn to his mastery of every genre (musicals, comedies, Westerns, gangster, war), Walsh made Hollywood history. His life is nothing less than the story of Hollywood itself. Here's a full-bodied account of one of Hollywood's greatest legends.

Perhaps at first glance, the filmography of Silvio Narizzano appears unremarkable. Thanks to his sleeper hit Georgy Girl (1966), he's known largely as a "one-hit wonder" director. Upon closer inspection, however, likely no other filmmaker used cinema as effectively to exorcise personal demons in ways both ugly and beautiful. And few directors' sensibilities were more gay, both overtly and covertly. Film historian Daniel Kremer is your tour guide through an obscure, perplexing body of work heretofore ignored and often unfairly shunned. Cruel, Usual, Necessary: The Passion of Silvio Narizzano is an essay documentary of discovery.

Canadian-born filmmaker Sidney J. Furie made his name with British hits like The Young Ones (1961), The Leather Boys (1964), and The Ipcress File (1965). When he arrived in Hollywood, Marlon Brando and Frank Sinatra wreaked havoc on his first major studio productions. In 1968, the newly emigrated director joined a stable of cutting-edge filmmakers at Paramount Pictures, under the new leadership of Bob Evans. His films saw both a stylistic departure and a shift in thematic focus. What was behind the evolution, and which aspects unite all of Furie's films?

This full-length documentary examines the life and career of the Toronto-born filmmaker Sidney J. Furie, a journey that spans over 60 years, from Canada to London and finally to Hollywood. In the midst of the Furie's own remembrances, he directs two last personal projects, shot digitally on shoestring budgets, from the first solo scripts he has written since 1961. 'Drive Me to Vegas and Mars' is a comedy about aging and letting go, while 'Hannah Cohen' is a Holocaust-themed love story set and shot in Israel. Sidney J. Furie: Fire Up the Carousel is an intimate portrait of a unique, prolific, and quietly influential filmmaker, a man with an impressive resumé who has stood behind the camera on great films such as The Ipcress File (1965), Lady Sings the Blues (1972), The Boys in Company C (1978), The Leather Boys (1964), The Entity (1982), The Appaloosa (1966), Little Fauss and Big Halsy (1970), and many others.