Catherine Breillat

A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.

A woman employs a gay man to spend four nights at her house to watch her when she's "unwatchable".

With angry villagers driving them away from their castle in Transylvania, Dracula and his son Ferdinand head abroad. Dracula ends up in London, England where he becomes a horror movie star exploiting his vampire status. His son, meanwhile, is ashamed of his roots and ends up a night watchman in Paris, France where he falls for a girl. Naturally, tensions arise when father and son are reunited and both take a liking to the same girl.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

In recent years, Hollywood productions have turned away from sensuality. Is the sex scene on the verge of extinction or reinvention? Alongside film professionals and researchers, this documentary deciphers a trend that speaks volumes about the evolution of the industry and our societies.

From the starting point of her admiration for the pioneering Ukrainian filmmaker Kira Muratova (1934-2018), the director poses a question: is cinema made by women really tougher, more violent? Seeking answers, she talks to great contemporary filmmakers like Catherine Breillat, Virginie Despentes, Alice Diop, Céline Sciamma, Ana Lily Amirpour, and Monika Treut, among others. It becomes obvious that the cinema screen is a space for the projection of real social problems and power relations.

A tribute to legendary 20th-century filmmaker Bernardo Bertolucci, examining his cinema, art, and life.

Underage sexual activity is one of the most taboo subjects on screen. The film traces the history and representation of adolescent love and sexual behavior from Splendor on the Grass to Thirteen. It examines both the sensational teen films of the 1980s and more modern youth cinema as mediums through which teen movies play a central role in adolescent sex education.

A stroke-afflicted filmmaker is manipulated by a notorious con man.

A man asks himself about the image of women who are offered for his gaze. A documentary about the image of women in fashion, film, and life.

Mutantes sheds light on a feminism that was little talked about in France. This documentary comprises of a series of interviews conducted in the USA, Paris and Barcelona, and documents from the archives about the political action of sex workers, queer activists and post-pornographic performances.

After his wife leaves him for another man, Jacques hires a housekeeper, Laura, to keep his Paris apartment in order. As he starts increasing her hours and spending more time with her on her days off, Jacques is torn between the pleasure of Laura's company, and the headache that such an intrusion brings to his new domain of singlehood.

Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.

A Season in the Life of Emmanuel, a newborn who witnesses the drastic changes a French family experiences in a brief period of time.

Features conversations with ten of the world's greatest living directors: Bernardo Bertolucci, David Lynch, Liliana Cavani, Stephen Frears, Agnes Varda, Ken Loach, Todd Haynes, Catherine Breillat, Richard Linklater and John Sayles. The film documents Ismailos' voyage of discovering the creative personalities behind the camera.

A story about the riddle of femininity in French cinema.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

Right at the heart of the debates on the discrimination of women in the film industry, this documentary raises questions, while offering a voice to women and their cinema. Catherine Breillat, Claire Denis, Mira Nair, Margarethe Von Trotta, Ulrike Ottinger, Micheline Lanctot, Rakshnan Bani-Etemad, María Novaro but also the names of the less visible directors of the general public. Joining the filmmakers are the voices and comments of producers, film specialists and archivists through whom our images are meticulously preserved.

The Sienese Pia Tolomei is imprisoned in a castle by a jealous husband. Based on the novel by Marguerite Yourcenar, inspired by a story from the Italian Middle Ages.

No description available.