Zofia Mrozowska

A young man is confronted with corrupt and vindictive colleagues at work and negligent officials at the hospital where his mother is dying. As he searches quixotically for a steadfast moral code by which to live, he suffers from the knowledge of human frailty and our darker inclinations to do harm.

Poland, during World War II. Martha Weiss, a Jewish woman, arrives at the Auschwitz extermination camp with her family. She is assigned the role of interpreter, but her loved ones are much less fortunate.

A pastor and ethnographer visits a remote corner of 19th-century Lithuania where folk customs associated with the area's pagan past still have a hold on the population.

An intimate psychological drama consisting of two separate stories, the heroes of which represent the attitudes of young people, which were rarely manifested in the early 1960s.

Two psychiatrists attempt to save a suicidal man.

The main character is a bookkeeper, 40, who lives a quiet, uninteresting life with her husband and son of school age. She realizes that soon she won't be needed much at home as the boy grows up and the relationship with her husband crumbles. It's only when an embezzlement is discovered at the office and she stands up to her management, that she realizes life has more to offer. She meets a well-off former classmate, married to an American. Then she meets Jacek and starts contemplating possibilities of a new start. She discovers love for the first time, but turns to old ways rather than to break loose.

October 1918: Karl Liebknecht is released from prison and Berlin workers celebrate his release. Although WWI is almost over, the German Kaiserreich in vain sends its last reserves to the slaughter. The working class is in a rebellious mood; the uprising of Kiel’s sailors against war and militarism sets off a call for revolution led by Liebknecht. On November 9, Liebknecht declares the Free Socialist Republic of Germany. But pro-Kaiser military and right wing Social Democrats oppose him.

Warsaw after the fall of the Warsaw Uprising. The Germans expel the civilian population and then proceed to systematically destroy the city. The capital is transformed into a sea of rubble, among which a few survivors hide – modern-day Robinsons. One of them is Piotr Rafalski, who rescues Krystyna, a wounded Jewish woman. Three soldiers of the People's Army, cooperating with a Soviet telegraph operator, are also in the city.

Set during the German occupation of Warsaw during WWII, this musical tells the story of several inhabitants of the same tenement house.

No description available.

Janusz Majewski adapts Prosper Mérimée’s 1835 tale of the same name, centering on a mysterious statue unearthed in a provincial town. The figure, sculpted as a tormented woman, becomes an ominous presence during a wedding celebration. When the groom impulsively slips his ring onto the statue’s finger—and cannot remove it—the joyous occasion descends into a nightmarish spiral of superstition, obsession, and the uncanny.

In the last days of World War 2, people of various ethnic background meet in a Polish military hospital in a small German town, whereas a Nazi SS division hides in the local forests and tries to move westwards.

At the end of World War Two, Polish people move to the western lands vacated by Germans. But some ruthless profiteers pose as government representatives and intend to make off with loot from a deserted town they took over. One honest man stands up against them because he believes these goods belong to the people.

Zenon Ziembiewicz, a young, budding journalist, comes to his parents' manor house for a vacation. Here he enters into an affair with the lovely Justyna Bogutówna, the daughter of a cook. When the canicule comes to an end, Zenon packs his bags and leaves for Paris to study. Returning after a year with a doctorate in political science, he makes a fast and glamorous career. He becomes the editor-in-chief of the local newspaper and, soon after, mayor of the city. He also marries Elzbieta Biecka, but still does not break up with Justyna.

Bearing traces of the old Anton Chekhov play The Wedding, The Contract is set during an "arranged" ceremony. The bride and groom barely know each other, but this matters not at all to their tradition-bound families. At the last minute, the bride balks. Only slightly nonplused, the groom's father, a status-seeking doctor, decides to go ahead with the expensive reception anyway. Polish director Krzysz Zanussi uses this scenario to stick it to capitalist corruption, and to society's destruction of the individual spirit. Leslie Caron, the one recognizable member of the cast, is outstanding as a wealthy, over-the-hill ballerina who happens to be a kleptomaniac.

A group of ethnography students meet the enigmatic Mruk family while doing an internship at the Świętokrzyskie Mountains.

Engineer Andrzej Uriaszewicz returns to Poland in order to smuggle a valuable painting out of the country.

A pianist from Poland visits a town in West Germany and starts to remember details about her life during the war.

The strain of German persecution causes a mental breakdown in a young Jew, which prompts his wife to take desperate measures.

Martial law. Three women at the festive table await the return of Witek, with whom they have had no contact for ten days.