Magdalena Olga Żak

A young mother disappears on the slopes of the sacred Ślęża mountain, leaving behind a pushchair with her baby. A police officer, a young husband and a retired clairvoyant try to reconstruct the last moments before she vanished. A female police officer with a personal childhood connection to Mount Ślęża stands in for the missing wife.

The film follows a few people in their twenties experiencing love-Adrian, Jacus, Wiesia, The Crystal Girl and Wasyl. Adrian is in his final year studying philosophy. During a lecture on the nature of love, he notices Magda, a socially engaged journalist who has her own radio talk-show. They start dating. Jacus, who shares a dorm room with Adrian, is hopelessly in love with Wasyl. Unable to deal with his unrequited love, Jacus is driven to psychosis. Adrian’s sister Wiesia is soon to be married to Szymon. They are looking for a flat together. When Adrian drops by for a visit, he realizes that Szymon is physically abusing his sister. Wiesia, however, is in denial.

Magdalena is a young, single mother who tries to raise her daughter by day and become a DJ by night. When she meets Julia, her dreams get a chance to come true but her traumatic past stands in the way to her new life.

Immigrant Ó finds himself in a world devoid of feelings and emotions, without inhibitions. There is no shame, joy, trust or sorrow. Feelings and emotions may be purchased as drugs. Ó meets Eliza, and together they indulge in a novel mixture – Love

Mateusz, a Polish Border Guard, takes part in an operation to push migrants camping in a border forest back to Belarus. Among them is a family with children who claim to have lost important belongings. Returning to the site the next day, Mateusz finds their bag containing a phone number, which he impulsively calls. Over the next days, he receives unsettling messages and wrestles with what to do with the items in his possession. A story about the nature of forgetting in the European borderlands.