Desmond Perry

Boston, 1920. Italian immigrants Nicola Sacco and Bartolomeo Vanzetti are charged and unfairly tried for murder on the basis of their anarchist political beliefs.

Having left her husband, Hilary moves in with her unbalanced brother, Pink, who uses wit and humor to hide his amorous yearnings.

A German U-Boat commander plans a daring escape from a PoW camp in Scotland.

Bosco Hogan plays Joyce's alter-ego, Stephen Daedelus, growing up in Ireland in the early part of the 20th century, and at odds with the strictures of his Catholic home and family. The film charts his search for knowledge and understanding, during a decline in his family's circumstances, that leads him to revelations on the nature of art, beauty, and politics. However, his personal renaissance makes him feel unwelcome in his own country, and forces him to make a choice between exile as artist or staying and facing personal defeat.

Dublin; June 16, 1904. Stephen Dedalus, who fancies himself as a poet, embarks on a day of wandering about the city during which he finds friendship and a father figure in Leopold Bloom, a middle-aged Jew. Meanwhile, Bloom's day, illuminated by a funeral and an evening of drinking and revelry that stirs paternal feelings toward Stephen, ends with a rapprochement with Molly, his earthy wife.

An Edwardian governess finds herself trapped inside a haunted house.

Michael Marler, a successful businessman in London, is about to make his way to the top. After 37 years, the death of his father brings him back to his hometown of Liverpool, where he’s confronted with his lost Irish roots. He finds out that his father died in a fight with some Anglo-Saxon teddy boys. It becomes a matter of honour for him to take his revenge without involving the police.

Play about Eileen who steals a baby, and the reactions of those around her, including the priest, police, and authorities and the consequences of what she does.

Facing retirement, elderly journalist Clarence Hubbard reflects on the pointlessness of a life wasted writing banal tabloid human interest, animal, and crime stories. Rather than go quietly to tend roses in a garden, Hubbard begins a series of violent actions not unlike those described in tabloids, and this is heightened by inter cutting tabloid headlines between scenes. Throughout, there are occasional shots of a television critic who watches this very play as it unfolds, and he writes a negative review filled with cleverly phrased but bitter invective.