Mustafa Uzunyılmaz

Eflatun is a master miniature artist who's living in 17th century Istanbul. One day, he's taken to the vizier's mansion by force. There he learns that Danyal, one of the Ottoman princes who has ignited an insurrection, is arrested in a far off state and to be executed soon. Eflatun is ordered to make a portrait of the rebel prince who's been condemned to death in a Western manner to help the authorities be certain on the identity of him. Upon the order, Eflatun sets off for an arduous journey to Anatolia. He picks up a girl named Leyla en route. Together, they find themselves in a great venture fraught with sensations.

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Sinan is sent to Capadocia by his boss, Isfendiyar to write a screenplay. As he waits for inspiration, Sinan finds himself running first into Eylul, the daughter of Izzet, who owns the hotel where he's booked to stay, and then into soap opera star Faruk, his former good friend and present enemy. It isn't long before cabdriver Lokman, who declares himself Sinan's 'chauffeur' and Arif, a local farmer and horse breeder, are part of both Sinan's life and his screenplay. Although plentiful adventures among the magical fairy chimneys, colorful balloons and at the annual grape festival become like a movie for all involved, the happy ending awaited by the boss, Isfendiyar never happens. But the boss insists on his happy ending. And Sinan has to write that ending!

On a night of despair after being turned down continuously for the scripts he writes, Metin ends up in a bar where he meets a girl named Duygu. After spending the night together, she walks out in the morning before he wakes up and leaves only a short note. The next time they meet, Metin becomes curious about her secret and decides to follow her. What he finds out will be the beginning of an everlasting love.

The comical relationship between a district governor and the health officer responsible for circumcision in the district.

Jale, a free-spirited street vendor in her late thirties, roams around the forsaken shores of the Bosphorus. She crosses paths with heartbroken teenagers, an obnoxious admirer, exorcists, exhibitionists, fellow street sellers, fisherwomen and treasure-hunters. Like frogs gathered around a pond, they only have each other––and the timeworn, yet still glittering, Diamond Sea.

Meryem, a young woman of 18, has been married for 18 months. But after six days of marriage, her husband left for Istanbul and hasn't reappeared since. As the days turn into weeks and months, Meryem longs for Mustafa and a settled married life, but she doesn't give up hope.

It is a Zeki-Metin comedy that satirizes the bans in the Republic of Turkey.

Mert, a young filmmaker, has one goal in mind: to make his own movie, no matter what it takes. To achieve this dream, he enlists the help of his closest friends, Okay and Aras, and they set out on their project. However, filmmaking is expensive, and they end up borrowing money from various sources; in the process, they resort to telling lies and making excuses. Of course, these lies will eventually come back to haunt them. But there is no turning back, and once they set out to make the film, the adventure begins. When things don't go as planned, a series of hilarious and adventurous events unfold. As they navigate this journey, they find themselves caught up in a whirlwind of unexpected and comedic situations.

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The film is about our innate and instinctive kindness before we become good persons. It relates in detail the transformation of the concept of BEING GOOD and the EVIL within that concept. It is the struggle of a humane character that has faced hardships and is now homeless. In time he also gets stuck in the ordinary concept of kindness. It tells the story of the destruction, imbalance and clashes that humaneness and conscience, kindness and wickedness cause in our lives, how they turn those lives into a black comedy.

From print media to television, from the streets to the highways, our entire environment has become inundated with advertising. Even our homes are now ruled by advertising. We eat advertising, we drink advertising. From prize-winning chewing gum to installment plans for white goods, from lottery tickets to promotions for effective cleaning products, we are completely immersed in advertising! This irresistible phenomenon, which targets the audience defined as "media," manipulates our subconscious, and is transforming us into an increasingly consumerist society.

Seniha lives with her brother Halit and his wife Mükerrem. When Nüzhet, the handsome son of the richest family in town, sets his eyes on the married Mükerrem, she is at first disgusted with Nüzhet’s overt sexual innuendo. However, it isn’t long before Mükerrem yields to her lust and thus they embark on an affair. When Seniha finally reveals her sister-in-law’s un-virtuousness to her brother, Seniha has no idea what the consequences will be and how cruelly her destiny will change.

Sevda Erses is a singer who has devoted herself to Turkish classical music and strives to be principled in her work. She is careful not to go beyond professional relationships with her boss and listeners, which is why her career has stagnated. As part of her Anatolian tour with a company, Erses also gives concerts in a small town. The singer not only receives great interest from the local people but also unintentionally captivates the town's leader. However, her heart belongs to an engineer she met in the same town.

Bekir loves Uğur, who loves Zagor, who is about to get out of jail. An already tense love triangle is thrown into turmoil on a hot summer night, when Zagor kills someone, and Uğur disappears.

Ejder specialized in gravedigging in Germany, where he went to work in order to build a new life. He earns his living through this profession. However, Ejder's life in Germany is shaken by the death of his father. Upon returning to his hometown of Dalaman Şerefler Village, Ejder encounters the million-dollar living spaces created by both locals and foreigners in the village and decides to use his expertise in funeral services to make money. Guided by the philosophy that "a lion is known by its lair," Ejder sets out to offer the deceased wealthy individuals a resting place under olive trees, symbolizing immortality, instead of the village cemetery. As Ejder begins designing personalized graves with the slogan, "Horizontal burial—something that will be with you even after death," his business starts to thrive. However, the traumatic story of Bektaş, who recently settled in the town, will deeply affect Ejder...

When Altan swipes prescription drugs from his brother Nuri's pharmacy, they soon find themselves on a dangerous but funny road trip to get rid of the stuff and escape the mafiosi Altan tried to double-cross. Along the way, the brother who are compete opposites finally bond.

Mazlum, the eldest child of a family that migrated from the east, starts looking for work after his father dies in prison. While struggling to provide for his family, he meets Şahin and they begin secretly committing robberies. Şahin becomes the leader of the robbers and shares his earnings with Mazlum. However, a tragic end awaits them...

Upon the illness of Cevahir's grandmother Hafize; a treasure map passes by the hand of Cevahir who is trying to find enough money for the treatment. Bilal, the enemy of Cevahir, picks up the smell of the incident and takes half of the map and heads for Ayvalik. Cevahir and Ulvi fall together on Ayvalik road. They all find themselves in situations, events, and troubles that they have never expected in a journey of search for treasure and adventure.

The story of 3 different generations living in the same city. Alper, his best friend Soner and his long-time girlfriend Hazan are studying at the same university. Lately the relation between Hazan and Alper do not go well. Soner supports them for the recovery of the relationship. Hakan, Barker and Serhat who are their twenties live in another district of the same city. They plan a vacation at a resort. They steal money and the car of their parents. Another generation living in this city are 12-year-old friends Mutafa and Emre. Their dream is to make programs at a radio. These three lives knotted together at some point at an unexpected time.

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Ömer's father is an actor in Yeşilçam. Ömer attracts attention because he looks very much like his father. One day, Ömer meets a little girl named Asu. Asu compares him to Captain Feza, a Yeşilçam space hero. Ömer is actually one of the puppets controlled by the mafia. However, to avoid upsetting the little girl, he will not step outside the role she has assigned him. While trying to escape the death that is chasing him, he will also strive to keep the fragile imaginary world of the little girl alive in his own way.

A brother and sister are split up after their mother dies, their father remarries, and their new stepmother rejects them.

Crime and Punishment set in Turkey. Bilal worked as a torturer for the military regime in the 1980s that murdered Selman's sons. Selman now has a gun on Bilal in a cave. Both men are trapped by their primitive instincts. The interplay of light and dark dissolves the boundary between perpetrator and victim.

Spoiled son of a businessman is expelled from his fathers testament, left only with antique car that his father used in his youth. The car turned out to be the time machine...

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Elephants and Grass (Turkish: Filler ve Çimen) is a 2001 Turkish drama film, written and directed by Derviş Zaim, about six different stories that merge into a common theme. The film, which went on nationwide general release across Turkey on January 5, 2001, won awards at film festivals in Antalya and Istanbul, including the Golden Orange Behlül Dal Jury Special Award.

This is an adventurous and ambitious director's story who tries to make a film in the conditions of Turkey. After the making of the film, it followed by censorship, suppression and banning... For what purpose, for what kind of reasons, for whom and why can a film be prohibited?

The film depicts a world in which Atatürk never became leader, the War of Independence never took place, and the Ottoman Republic continues to exist in a form adapted to the present day. The continuation of the Ottoman Republic instead of the Republic of Turkey, Ankara not being the capital, signs and license plates being in both Turkish and Arabic, and the sultan wearing a suit under his caftan are some of the tragicomic situations that make up the film's story.

Story of a man who is suffering because of a crime and trying to escape of his suffering.

Deniz is a young, confused, and lovesick computer engineer. He has left his small town and come to Istanbul, where he lives according to his own set of rules. The woman he loves, Lale, is a troubled young woman with a drug addiction. At the end of a night that could be a dream or reality, they wake up together. The fact that he is lying next to the woman he has dreamed of and loves truly astonishes him. The film tells the story of one of those lives that have been completely transformed in an unexpected way, changed by love. Is Deniz caught in a dream he never wants to wake up from, or is he right in the middle of reality?

Yaşar, Apo, Kovboy Ali, Cevat, and Ertuğrul's only goal in life is to fill their stomachs and never be separated from their greatest passion, wine, even for a single day. These five people, who live day to day, know how to take advantage of the stormy political atmosphere of the time to achieve their goals. These five homeless individuals living on the streets find themselves facing a curfew on the morning of September 12, 1980. However, the only "home" they can go to is the streets themselves. As a result of a series of comedic misunderstandings, they find themselves imprisoned alongside political prisoners in the same jail.

Istanbul 2014: Aslı gives shelter to a young political activist, who got into a fight with the police. The police investigates the case and ends up questioning Aslı's family. Her husband gets drawn into the affair. Their lives, and also their son's, start to become compromised. The situation escalates, as Aslı is not willing to cooperate with the investigators.

Sabit spends all his time in a shabby, old neighborhood cinema that shows pornographic films. The cinema is his home, his universe, his everything. This place is a different world because, in addition to all this, there are different types of people who frequent the cinema. Drunks, smokers, heroin addicts, gamblers, and perverts live in different worlds. These are the types of people we might encounter in the novels of Dostoevsky, Bukowski, or Kafka. One day, when manager Celal quits his job, the cinema owner assigns Sabit the task of bringing films from the film companies in Beyoğlu. Sabit sees Zerrin Öz, once a sex symbol at the film company, and becomes obsessed with her. He stalks her obsessively, constantly watching her and calling her on the phone. This obsession will lead him into a dangerous adventure.