Marie Tomášová

Mikolás and his brother Adam end up with a young German hostage of noble blood during a robbery. While their clan prepares for the wrath of the German king, Mikolás is sent to pressure his neighbor Lazar into a defense pact. Persuasion fails and he abducts Lazar's daughter Marketa on the eve of her initiation as a nun in an act of vengeance.

Prague, during World War II. Hana Kaufmann, a Jewish ophthalmologist, marries Dr. Antonín Bureš, a Christian man. When her family is sent to the Theresienstadt concentration camp, their romance turns into a struggle for survival.

Three small short stories, each of which was created by one of the famous Czechoslovak filmmakers of children's films: Magdalena, Fraud and Karp.

Spring 1943: A three-member group of resistance fighters flies from a Soviet military airport into the Protectorate of Bohemia and Moravia to establish contacts with an illegal communist center in the occupied territory.

The first part of the "Hussite Revolutionary Trilogy", completed with Jan Žižka (1955) and Proti všem (Against All Odds, 1957). The film captures the period from May 1412 to the summer of 1415, a turbulent time in the Czech Kingdom, during which there were protests in Prague against the sale of "omnipotent indulgences" whose sale throughout the kingdom was announced by Pope John XXIII. The ideological leader of this movement is the preacher Master Jan Hus, whose words, calling for the elimination of church abuses, are listened to in the Bethlehem Chapel by thousands of ordinary Praguers, Czech lords and Queen Sophie, wife of the Czech King Wenceslas IV.

The hesitant shooter becomes a timid young man who only the war will make a real man.

A story of two old friends, who after ten years - one as the deputy director and the other as the chairman of the party organization - meet on a large construction site.

The unfortunate 1930s also befell the student Standa Půlpán. For existential reasons, he had to abandon his studies and entered the mines. However, he only slowly and with difficulty became close to the older miners, rough men who were closed in on themselves. Only his brave stand in rescuing people who were trapped in a mining accident will win him the solidarity of the entire mining collective. Even Karel Čapek's draft once lent itself to promoting an exacerbated class interpretation of social relations.

The second part of the revolutionary Hussite trilogy takes place in the years 1419-1420.

The movie describes proletarian life in the Czech Lands after World War I.

This drama with a criminal plot is a study of the intricately intertwined relationships of four people whose lives have been interrupted by the violent death of a loved one. The story begins almost classically: when a visitor rings the doorbell of a prominent scientist's villa, there is an explosion. The owner is found poisoned by gas in the demolished room. Everything suggests that he committed suicide. But then a major twist comes and the seemingly obvious suicide becomes a well thought out and carefully prepared crime...

A young agricultural expert fails as the manager of a cattle farm on a state farm in the borderlands... The attempt at a realistic view of the problems of nationalised agriculture did not exceed the average of the time.

A Czech ship's doctor accidentally meets his fellow expatriates on a tropical island. Under his influence, a sympathetic young woman, who has gone abroad with her sickly old father and her selfish and unprincipled husband, decides to return to her homeland...

The story of a poor, disintegrating family of a mother Fišerová and her three children. It is set in the 1890s - a time when the poor working classes did not yet have the right to vote or a permanent eight-hour working day.

The story of the piper Švanda, who went abroad for money and fame, but whose love for his homeland ultimately wins.

The suffocating conditions in a bourgeois family were depicted in several films in the second half of the 1950s - this one is one of the lesser known, although it achieves great emotional impact, free from the first ideological pressures. The title character, the owner of the tenement house Mrs. Dulská, controls her relatives and tenants with a firm and despotic hand. To achieve her goals, she masterfully combines tears, blackmail and insidious intrigues, or does not hesitate to abuse the trusting and handsome maid Hanka when she wants her son not to fool around. Everything suddenly turns around when Hank gets pregnant... But the appearance of a good reputation is more important to her than anything.

Two little girls get ahold of magic and hijinks ensue.

A student commits suicide out of unhappy love to a married man; story is recounted in retrospective by a "judge" who asks the audience to decide who is the guilty party.