Naďa Hejná

Mikolás and his brother Adam end up with a young German hostage of noble blood during a robbery. While their clan prepares for the wrath of the German king, Mikolás is sent to pressure his neighbor Lazar into a defense pact. Persuasion fails and he abducts Lazar's daughter Marketa on the eve of her initiation as a nun in an act of vengeance.

This film is one of the most popular pictures of Slovak cinema and relates the story about the legendary folk hero and brigand Juro Jánošík [1688-1713] and the social situation in Slovakia of the late 17th and early 18th centuries. The first part talks about Jánošík's childhood, studies and return to his native village. In the second part Jánošík leaves for the hills, where he organizes his band of brigands and starts an anti-feudal resistance. The film concludes with Jánošík's execution.

Jakub, a dreamer and budding magician, juggles between parcels and services rendered to the villagers. His eyes cross that of the beautiful gypsy Jolanka. Together, they will try to live a first and big love, despite the pressure of their respective communities.

Exotic, yet lyrically aimed fairy tale about a young gypsy Pista in search of a beautiful, gentle and faithful bride. An old man told him where to find a girl with those qualities, so Pista sets out on a journey to find the girl of his dreams without knowing that she is special: an hour a day human and rest of the day a chicken...

Because abortions required complicated approvals, an enterprising doctor secretly set up a sort of private practice where she offered this "service" illegally. However, the sympathetic doctor who was supposed to become a valuable helper in this business flatly refuses.

A love story of a couple of mature people of completely different characters, who lived and worked side by side for years only as colleagues, but whose accidental trip to Slovakia to attend the wedding of Hedin's sister brought them closer, probably for the rest of their lives...

Slovak psychological drama from the end of World War II. The plot of the film takes place in a short period of time just before the outbreak of the uprising. It is the story of a man who wages his "private" war against the man who is responsible for the serious injury of his brother. The upcoming Slovak National Uprising becomes the backdrop for a model-built story that touches on stubborn personal revenge in a situation of war conflict, when human life loses all value. The actions of the main character thus sound like increasingly absurd actions, his motives and the impact of his actions are relativized, the very legitimacy of such a belief appears shaky.

At the turn of the 10th and 11th centuries Boleslav's kingdom fell apart in the fratricidal war between the Přemyslovci and the other clans the main profiteer of this being the German emperor. At that time it seemed as if the Czech state and the lineage of its princes was awaiting its end..." It is with these words that the tale of this film begins, whose narrative is based upon the the play by František Hrubín of the same name.

Barnabáš Kos, a meek and modest triangle-player in a state orchestra finds himself unfathomably promoted to musical director. Now drunk with power, the once timid musician turns into a poised, commanding peacock and seeks to transform the orchestra to suit his own agenda and inflated vision.

Strong-willed peasant girl Katka disobeys her father and heads to the city to work in a factory, where no one knows quite what to make of her.

Nazi soldiers committed atrocities even when sober – and if they got drunk, they did even worse. The inhabitants of a Slovak village during the national uprising learn this when they have to accept an arrogant Hitlerite guard. When two soldiers go missing, the unit commander threatens to have five hostages executed for each of them as a warning. And he refuses to change his order, even when it turns out that drunkenness is to blame for the unfortunate incident. But the villagers get justifiably angry and take up arms.

In the dead of night, a few hours after Mozart's death, the usual suspects are summoned to Mozart's room by Count Pergen, head of the secret police, who considered Mozart a potential revolutionary. Over the corpse, he interrogates them, trying to discover the true cause and significance of Mozart's demise.

The story of a peasant whose harshness and bluntness only provoke disputes and anger, and his honesty and sense of truth and honor in conjunction with the previous qualities only exacerbate these disputes. The Slovak village with its collective farming, confronted with the habits of a square nature, raised by private farming, creates the main plot and conflict. In parallel, there is a lyrical motif of the young generation, whose love relationships do not care about the old ridiculous anger of the old generation.