Óscar Jaenada

Óscar Jaenada

Acting

May 4, 1975
Esplugues de Llobregat, Barcelona, Catalonia, Spain
44 movies

Biography

Óscar Jaenada (born May 4, 1975) is a Spanish actor and producer, known for films like Noviembre (2003), Camarón (2005), Los perdedores (2010), Piratas del Caribe: En mareas misteriosas (2011), Cantinflas (2014), After Words (2015), The Shallows (2016), Snatched (2017), Loving Pablo (2017), and Rambo:Last Blood (2019); and series like Hernán, Luis Miguel, Silent Cargo, Prime Time, Journey to the Center of the Earth (2023), and Midnight Family. He won the Platino for Best Actor in a Leading Role...

🎬 Óscar Jaenada's Filmography

44 movies sorted by popularity

Todos estamos invitados
5.2

Spain. The Basque Country. Sometime in the 90s. Josu Jon, a young member of a terrorist organization, has suffered an almost complete memory loss after being wounded in a shooting with the Spanish police. As he awaits for his trial, his condition is being treated at the prison hospital. Other inmates belonging to the same organization try to make him remember how brave a "gudari" -a Basque soldier- he is and how he must go back to the armed fight for the independence of their country as soon as he gets out of prison. Meanwhile, Xabier, a college professor who has been death-threatened by the terrorists due to his political views on the Basque situation, is having an affair with Francesca, a young psychologist who happens to end up trying to help Josu Jon recover his memory. A warm feeling of mutual affection grows between her and her patient. At a point, it doesn't seem to be clear whether Josu Jon really wants to recover his memory or rather forget forever who he actually is.

Todos estamos invitados

2008
November
7.1

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

November

2003
Óscar Jaenada | MovieMind AI