Friedl Czepa

The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!

Johann Strauss firmly established himself as the leader of a dance orchestra in Vienna in the 1840s. His sons Johann junior and Josef have clearly inherited their father's talent. Nevertheless, father Johann is strictly opposed to both of them training as composers.

Familial disputes surrounding a traditional business. Grandfather Sonndorfer allies himself with his grandson Otto, in order to bring his arrogant son Max on the right path. Between the fronts is Emmerich Liebling, the intriguing messenger.

Vienna, 1922. Due to a sudden financial tragedy, a young woman begins accepting checks from an older, rich gentleman for companionship in order for her to keep attending college. Their relationship is purely platonic, but eventually she begins a romance with the tutor of the older man's sons who has a completely wrong impression as to the nature of her arrangement with his employer.

Maria, an astounding singer in a music school , is discovered by an impresario who engages her for a concert in Nizza. A nobleman wishing to leave his gambling debts behind accepts money to fake suicide for unrequited love, for publicity's sake. He heads for Paris, not knowing that she is also going to sing there.

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Divorce lawyer Dr. Winifred Lert tries to convince her daughter Susi of the futility of marriage. But Susi has long since married herself. Susi also wants to use trickery to bring her parents back together.

A priest falls in love with a rich man's daughter.

Starring Francisca Gaál in a breeches role. Dressed as a boy, a street musician gets a job pumping gas. When s/he starts to have feelings for her patron, watch out for complications in this comedy shot in German in Budapest.

A biography of the composer Johann Strauss.

Because pop singer Fred is constantly flirting, his fiancée leaves him. Fred travels to Sicily and finds solace with the fisherman's daughter Maria. Upon returning to Vienna, he reconciles with his fiancée. Then, suddenly, Maria appears at the door.

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Vienna during the fin de siecle. Farmer's daughter Anuschka has to sell the farm after her father's death to the rich but mean farmer's wife Nowarek and her friendly son Jaro. Anuschka goes to Vienna and starts to work as a housemaid until she is wrongly accused of theft.

Confusion comedy with musical interludes around a carnival ball, to dare the pretty shop assistant for a fashion store with one of the best gowns of her salon and posing in her embarrassment as the wife of a guest. - Harmlessly entertaining comedy, a little bit too poorly to bring to bear the first-time meeting of three most popular Austrian comic specialists Moser-Slezak-Romanowsky at that time appropriately.

Herr von Lips is a wealthy landowner, surrounded by money and luxury. But what he lacks is a wife, who really loves him. So he comes up with the plan to mingle among the people in simple clothing to find the missing bride. Three fine friends --- "fine", that is, as long as the money doesn't run out --- wish to set him up with the egoistic hat maker Mathilde. Her employer, Kathi, who has no idea that von Lips is a rich man, falls in love with him for whom he is.