Charlotte Susa

German-Italian crime drama with a racing milieu: The International criminal, "The Paw", who kills his victims with a prosthesis, has struck again! An engineer, who has designed a new racing car for the Italian firm Alberti has been found beaten to death. The plans for the car have been stolen. Rappis, the firm's director, takes part in the race and hits the finish line at the same time as the German racer, Peter Kruger. Then Rappis is found beaten to death, too.

When a criminal named King Fu who has terrorized a city substitutes himself for a stage actor who resembles him, the staff and spectators at that night's show think the actor is giving an unusually good performance.

Gustav Froehlich and Charlotte Susa play Rochus and Judith, the zwei menschen (two humans) of the title. Rochus' domineering mother insists that he enter the priesthood, but he is reluctant to break up his blissful romance with the fair Judith. A religious fanatic of the first order, the mother swears before God and her Church that Rochus will indeed take his vows. When this does not come about, she dies of grief, whereupon the guilt-stricken Rochus abandons Judith to become a priest. The girl subsequently commits suicide -- and it is Rochus who must officiate over her body during the funeral. This final scene was excised from the print of Zwei Menschen released in New York, leaving audiences hanging in regard to Judith's ultimate fate.

Revolutionaries plot to assassinate a president by blowing up the rail tracks in order make his train derail but this is averted just in time.

Maria Pretorius is the leader of a counseling office in a large factory. She is completely engrossed by her career and so gives the cold shoulder to her colleague Wallrodt, who wants to marry her. Only the young Manfred Thiele is successful in winning her sympathy through his perseverence. That, however, pisses off Lyda Lehmann, who has long had the hots for him.

In the spring of 1905, the water conduit project in the Canadian city of Canitoga is set to be completed. For years, the completion had been marred by sabotage. Engineer Oliver Montstuart commands the last blasting operation. But again, the explosive charge is too large and thus, further construction is forestalled again. When Montstuart confronts foreman Westbrook, the foreman threatens him with a knife. In self-defence, Montstuart shoots him. Now, he has to flee.

Though "blessed" with a complex title, which translates as Marriage with Limited Liability, this German comedy was adapted from the more simply titled stage play Causa Kaiser. Composer Georg Kaiser is unable to secure a divorce from his wife, so he "lives in sin" with his singer-sweetheart Causa. The girl's wealthy uncle dies, leaving her millions -- provided she is married to Georg Kaiser. Hoping to take advantage of a legal loophole, Georg seeks out another man named George Kaiser, intending to marry him off to Causa so that she can collect her legacy. Georg Kaiser # 2 is a middle-aged naif who can't understand why his new bride is so cold to him. When he finds out he's been duped by Kaiser #1, Kaiser #2 finds solace in the arms of another woman closer to his own age, which somehow leads to a happy ending for all concerned.

Mysterious murders committed by a criminal have kept the public on their toes and the police have mistakenly accused an imposter of the crimes.

In this spy drama set in a Hamburg hotel, a waiter saves important industrial papers belonging to a German contractor from being stolen by foreign crooks.

A young woman leaves behind her job, home and family to try to make it in the movie business. Features cameos from about three dozen German film stars of the era.

Nazi propaganda film with Hans Albers starring in a dual role as a daring German airman and a Russian general, two cousins who find themselves facing each other in bitter enmity after the end of World War I.

Felix Bressart, later one of the most delightful members of the Ernst Lubitsch "stock company," plays the title character in the Austrian comedy Hirsekorn Greift Ein (Hirsekorn Does Something About It). It's a typical worm-turns affair, as a mild-mannered provincial actor ends up working as a chauffeur for a scatterbrained female novelist. Slapstick is the order of the day, except in the scenes involving heroine Charlotte Susa. Guiding the actors through their paces was Rudolf Bernauer, a stage actor-manager of vast experience. Critics in 1931 felt that Hirsekorn Greift Ein was too thin to be stretched to 90 minutes.

Musical comedy about a famous opera star in Vienna.

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Inspector Harry Cross is investigating a murder case with a knife throwing killer in the the seedy world of night clubs.

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Andrea, the beautiful daughter of a railway gateman, is seduced by a rich passenger, who missed his train. Left pregnant, Andrea marries another man and moves to Prague, only to encounter her former lover and recover her former lust.

On a train's way to the Italian Alps, the jewelry of a wealthy young widow is stolen and a military veteran working as a waiter is the first to come under suspicion.

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A young woman, a prisoner who was set up to steal by her lover, is in jail. She would like to see her sweetheart. One night she succeeds in persuading the doctor of the prison who also is a woman, to be released. She finds the man, a waiter in an elegant hotel, behaving as a cynical Don Juan. He was preparing to rob the safe of the hotel and go away with his new lover, a dancer.

A man comes into money unexpectatly. That's when the trouble starts.