Leo Monosson

A nightclub waiter and a manicurist share the same room, she sleeps there by night and he by day. They've never meet , but they can't stand each other. Then they meet by chance, not knowing who's who and fall in love.

Willy, Kurt and Hans are broke, so they sell their car and open a filling station. Then, they all fall in love with the same girl.

Inspector Harry Cross is investigating a murder case with a knife throwing killer in the the seedy world of night clubs.

Prussian King Frederick II was keen to hire the dancer Barberina, who had already enjoyed great success in Italy and England, for the Berlin opera house.

This Brechtian musical about a young woman who flees from her decrepit, noble fiancé and marries a sailor is an interesting, although not a completely successful attempt to translate the sort of stage show to film. It has some good points, including the complete abandonment of the sort of surrealistic stage design that had enlivened the silent cinema. Instead, this tries for a purely cinematic technique, including multiple exposures, undercranking and distorting camera angles and lenses.

Fred von Wellingen is a wealthy industrialist, part of a large family-owned corporation. Fred has fallen for Lia, a comely bartender in the Berlin Cabaret. He proposes to her, much to the horror of his family, which considers Lia and her unsophisticated father far below their caste. The family convinces Fred to give up the girl in exchange for increased position and income in the company. But Fred's lapse is momentary, and he again pursues Lia. But she, by this time, has learned of his erstwhile agreement and has agreed to marry someone else.

The daughter of a nouveau riche family, invited to an upper class ball meant to launch her in society, rejects the offer.