Nicky Goldstein

The grand celebration of the 40th anniversary of the Festigal is taking the stage. Legendary stars of previous Festigal shows have assembled to honor the show's legacy and revisit their classic songs. But behind the scenes, not everything seems to go according to plan. Previous villains of the Festigal show are furious that they weren't invited to join the celebration. Led by their anonymous leader, they scheme to sabotage the production. Due to COVID restrictions, the show couldn't be performed live. Therefore, it was pre-recorded and streamed online, with multi-choice interactive moments, "choose your own adventure"-style, using the Eko platform.

Ami Shoshan is the star of the "Sons of Jerusalem" football club, a team known for its violent, racist and homophobic fans. One unfortunate evening Shoshan flirts with a beautiful woman not knowing that she is the mistress of a local Mafia boss, “Blackie” Bokovza. The punishment for this offence is that Ami must summon a press conference and announce that he is gay.

This movie is a sequel to the saga of movies about 3 guys in the middle of the 50's during their sex urges and other funny incidents.

No description available.

Menachem and Rosa Greenberg, a couple of Holocaust survivors, have had a difficult life. Their friend, Morris Greenspan, made his fortune in Canada through shady deals, and is a despicable character who urges the couple to emigrate from Israel to the good life in Canada. Their son, Chaim "Chaimon" Greenberg, is aware of the growing conflicts in his parents' home in light of their financial difficulties and the interference of their mysterious friend, who is also secretly courting his mother. His sister, Miri, is a naive teenager who falls under the spell of Shultz "the Hontroveltnik". Other participants in the film include Oshik Levi as the taxi driver, their neighbor and friend of their parents, Shai Idelson as Gaby, Chaimon's best friend and the taxi driver's son, and Sini Pater as Uncle Leizer from the kibbutz, who represents the Zionist antithesis to Morris's exile and smoothness. In the end, after a crisis that threatens the narrator's world, the family decides to stay in Israel.